{"title":"Der Modernismus in den Schriften Pierre Boulez', 1948–1952","authors":"Manuel Farolfi","doi":"10.31751/p.192","DOIUrl":"https://doi.org/10.31751/p.192","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131704616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zur Zitattechnik in Helmut Lachenmanns Tanzsuite mit Deutschlandlied","authors":"Jörn Arnecke","doi":"10.31751/p.88","DOIUrl":"https://doi.org/10.31751/p.88","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131806716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Das methodisch-didaktische Konzept des argentinischen Lehrbuchs »Análisis Auditivo de la Música« im Vergleich zu europäischen Höranalyse-Werken","authors":"Lutz Felbick","doi":"10.31751/p.119","DOIUrl":"https://doi.org/10.31751/p.119","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133568853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Die fünfte Klaviersonate op. 53 (1907) – das letzte ›tonale‹ Werk Skrjabins?. Historische Ansätze der russischen Musikforschung zur Tonsprache Skrjabins","authors":"E. Chernova","doi":"10.31751/p.172","DOIUrl":"https://doi.org/10.31751/p.172","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114352351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Eine »Musiktheorie der Gesellschaft«. Hat die Systemtheorie der Musiktheorie etwas zu sagen?","authors":"V. Weidner","doi":"10.31751/p.98","DOIUrl":"https://doi.org/10.31751/p.98","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123443222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Venetian Clouds and Newtonian Optics. Modal Polarity in Early Eighteenth-Century Music","authors":"Bella Brover-Lubovsky","doi":"10.31751/p.70","DOIUrl":"https://doi.org/10.31751/p.70","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128286049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gregorianische Psalmodie im Spannungsfeld zwischen musiktheoretischer Grundlage und praktischer Ausführung","authors":"S. Engels","doi":"10.31751/p.82","DOIUrl":"https://doi.org/10.31751/p.82","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132097580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"»Composing with tones« und Reihentechnik. Die pitch-class set theory, angewendet auf Schönbergs Klavierstück op. 23.2","authors":"S. Lewandowski","doi":"10.31751/p.127","DOIUrl":"https://doi.org/10.31751/p.127","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125557776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musiktheorie und die Theorie des Lehrens","authors":"Michael Polth","doi":"10.31751/p.110","DOIUrl":"https://doi.org/10.31751/p.110","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126750168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theorie aus der Ferne","authors":"Hubertus Dreyer","doi":"10.31751/p.134","DOIUrl":"https://doi.org/10.31751/p.134","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122573465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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