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Das Abwesende erforschen. Versuch über die Lücke und das Verschwinden 研究缺席的事我要你钻过空隙,赶快离开
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.02
T. Heimerdinger
Empirically working cultural studies naturally focus their attention on what is methodically accessible and thus on what is existing. But in the history of our discipline there is also a trace of interest in the suppressed, forgotten or abolished. The absent is also a cultural reality that deserves attention. The social crises of recent years have enforced extensive practices of omission and thus intensified anew the questioning of the growth paradigm. In the interplay of climate change, pandemic, energy scarcity and inflation, a thorough engagement with practices of reduction and relinquishment is needed. Using the thematic examples of energy saving, minimalist reduction of possessions and the question of climate-friendly mobility, practical everyday forms of reduction will be presented and discussed as objects of cultural studies research. Phenomena of disappearance turn out to be neither a passive blank space nor an accidental gap. Rather, they are significant objectivations of human action full of agency and creative power. They thus are particularly suitable for an analysis of the absent in the cultural studies of everyday life.
经证性的文化研究自然会把注意力集中在有条不紊地可获得的东西上,从而集中在现有的东西上。但是,在我们学科的历史中,也有对被压制、被遗忘或被废除的人的兴趣的痕迹。缺席也是一个值得关注的文化现实。近年来的社会危机迫使人们采取了广泛的不作为做法,从而再次加剧了对增长范式的质疑。在气候变化、流行病、能源短缺和通货膨胀的相互作用中,需要全面参与减少和放弃的做法。通过节能、最小化财产减少和气候友好型交通问题等主题例子,我们将作为文化研究的对象,展示和讨论日常生活中实际的减少形式。消失现象不是被动的空白,也不是偶然的间隙。相反,它们是人类行为的重要客观化,充满了能动性和创造力。因此,它们特别适合分析日常生活文化研究中的缺失。
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引用次数: 0
Damit Lehre und Forschung wieder zur Lieblingsbeschäftigung werden 这样才能使教学和研究再次成为人们的最爱
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.11
Marketa Spiritova
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引用次数: 0
Arbeit. Widersprüche. Noch (k)ein Streik .工作.矛盾还是罢工呢
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.08
S. Bergmann
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引用次数: 0
Alltagslogiken. Eine theoretisch-begriffliche Konzeption am Beispiel des „guten Konsums“ Alltagslogiken .最佳消费的理论方案
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.04
Lara Gruhn
Consumers develop their own logics in order to solve or at least to be able to withstand tensions between knowledge and everyday activities. This article therefore explores the question of how empirical cultural studies can approach this production of coherence at the subject level. With “everyday logics“, a conceptual approach is designed that makes it possible to approximate intellectual conclusions in different fields which bring existing knowledge and realities of life into harmony. Using seven key assumptions, everyday logics are conceptualised and exemplified on the basis of narrative interviews. The article argues that everyday logics are of great relevance because they form that essential part of consumer practice that is geared towards integrating knowledge situationally into everyday contexts and developing individual calls to action from it.
消费者发展自己的逻辑,以解决或至少能够承受知识与日常活动之间的紧张关系。因此,本文探讨了经验文化研究如何在主题层面上处理这种一致性的产生。通过“日常逻辑”,设计了一种概念性的方法,可以在不同的领域近似地得出智力结论,从而使现有的知识和生活现实和谐相处。使用七个关键假设,日常逻辑被概念化,并在叙述性访谈的基础上举例说明。这篇文章认为,日常逻辑具有很大的相关性,因为它们构成了消费者实践的重要组成部分,这种实践旨在将知识情境整合到日常环境中,并从中发展出个人的行动呼吁。
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引用次数: 0
Sind wir zusammen oder ist es ein Projekt? 我们是在一起还是在做项目?
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.10
J. Baur
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引用次数: 0
Wissenschaft als Beruf? Wege in/aus der aktuellen Krise des universitären Nachwuchses 科学是一个职业他们的受教育出了危机
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.06
Regina Bendix, Claus-Marco Dieterich, A. Dippel, T. Heimerdinger, M. Seifert, M. Speidel, Markus Tauschek, Thomas Thiemeyer, Jens Wietschorke, Sabine Zinn-thomas
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引用次数: 0
Zeit. Zur Temporalität von Kultur. 43. Kongress der Deutschen Gesellschaft für Empirische Kulturwissenschaft (DGEKW) sowie des Lehrstuhls für Vergleichende Kulturwissenschaft an der Universität Regensburg, Online-Tagung (Regensburg), 4.–7. April 2022 .时间43年德国经验科学联合会(DGEKW)大会和雷根斯堡大学(雷根斯堡)比较文化科学课学士学位会议,4—7。2022年4月
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.15
Andreas Bossard, Laura Brammsen, M. Jablonowski, Rick Kool, Konrad J. Kuhn
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引用次数: 0
Doing University Otherwise 否则上大学
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.09
Sabine Hess
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引用次数: 0
Arbeiten? Lässt sich (nur) als Feldforschung ertragen 工作?这是一个艰难的研究
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.12
Asta Vonderau
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引用次数: 0
Gefühlte Natur und natürliche Gefühle. Wie die ersten Planetarien urbane Natur produzierten und fühlbar machten 感情自然怎样使首个行星大自然做出的值得体验的变化
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.03
H. Ahner
When the world’s first planetariums opened in the mid-1920s in the Weimar Republic, people flocked to the institution to view the starry sky, to have it explained to them and to feel close to it. This starry sky, projected onto a dome by a projector, was seen as nature by the mostly urban planetarium audience, and the experiences under the dome as experiences of nature. The reason for this was the feelings that arose in the planetarium and were deliberately evoked by the staging of the shows. The impression of nature in the planetarium was the result of emotional work. Based on an analysis of multi-perspective sources (press reports, lecture manuscripts, advertising materials, planning and administrative documents, photographs, correspondence, etc.), this article shows: Feelings are not only the indicator that something is nature; feelings make nature. Nature was revealed in the planetarium as a co-production of people and machines, technology and narrative, emotion and cognition. It revealed itself as a con(-)fusion in which people found (aesthetic) experiences that fulfilled a variety of purposes for them: These experiences brought them close to a nature imagined as pure and moral, enabled ’modern’ ways of feeling, provided knowledge marked as scientific, and put them in a mood that seemed particularly valuable to them.
当世界上第一个天文馆于20世纪20年代中期在魏玛共和国开放时,人们成群结队地来到这个机构,观看星空,向他们解释星空,并感受与星空的亲近。通过投影仪投射到圆顶上的星空,被大多数城市天文馆的观众视为自然,而圆顶下的体验也被视为自然体验。这样做的原因是在天文馆里产生的感觉,这些感觉是由表演的舞台故意唤起的。天文馆里对大自然的印象是情感工作的结果。本文通过对多角度来源(新闻报道、讲稿、广告材料、策划和行政文件、照片、信件等)的分析,表明:感觉不仅是事物是自然的标志;感情造就自然。在天文馆中,自然是人与机器、技术与叙事、情感与认知的共同产物。它表现为一种融合,在这种融合中,人们发现(审美)体验可以满足他们的各种目的:这些体验使他们接近被想象为纯洁和道德的自然,使“现代”的感觉方式成为可能,提供被标记为科学的知识,并使他们处于一种对他们来说特别有价值的情绪中。
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引用次数: 0
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Zeitschrift für Empirische Kulturwissenschaft
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