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Zwischen Nähe, Distanz und allen Stühlen. Fragen der Repräsentation und Ethik im Forschungsprozess. 16. DGEKW-Doktorand*innentagung, Johannes Gutenberg-Universität Mainz, 4.–6. November 2022 距离近得远得能让你得到一切在研究过程中代表数量和伦理的问题。16。德盖博士2:2022年11月
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.19
F. Masarovic, D. Müller, Alexandra Regiert, Sarah Wirschke
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引用次数: 0
‚Position beziehen‘, ‚Haltung zeigen‘?! Bedingung und Problem kulturwissenschaftlicher Forschung“. Institut für Kulturanthropologie und Europäische Ethnologie an der Universität Freiburg im Breisgau, 15.–17. Juli 2022 ‚含意,‚表明立场”?文化科学的背景问题。"在布莱斯高的弗莱堡大学,文化人类学和欧洲人类学研究所,15—17年2022年7月
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.16
Julia Gilfert, Lara Gruhn
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引用次数: 0
Mädchen*fantasien. Zur Poetik und Politik des Mädchenhaften. 7. Tagung der Kommission für Kulturen populärer Unterhaltung und Vergnügen (KPUV), Universität Zürich, 2.–4. Juni 2022 女孩*幻想.是讲女子诗和政治的文化复兴与享受委员会会议[KPUV]苏黎世大学,2—4。2022年6月
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.18
H. Ahner
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引用次数: 0
Cou/rage! On Permanent Temporariness and the Precarization of Academia 咨询/愤怒!论学术的永久临时性与不稳定
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.14
M. Sandberg
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引用次数: 0
Digital Futures in the Making: Imaginaries, Politics, and Materialities. 8. Arbeitstagung der dgekw-Kommission „Digitale Anthropologie“ am Institut für Ethnologie, Universität Hamburg, 14.–16. September 2022 它是虚构的、政治的和物质主题的数字未来。德盖夫大学人类学研究所研讨会2022年9月
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.17
D. Eckhardt, Berit Zimmerling
What is digital future-making? How do we understand theoretically and ethnographically digital processes surrounding our fieldwork and research problems? How should anthropologists deal with digital futures played out in front of us? These are questions that I will address from my trajectory in technological design, imagination and future of work understandings. I will draw in the ethnographic projects that I am currently involved in on the ‘digitalization’ of work in service platforms and the health industry. This paper focuses on moral experience and materiality in an innovation context. Whereas most innovation studies focus on optimization and process management, this study investigates the relations between sociotechnical change through innovation, and how people experience meaning and purpose in their work throughout this change. Through an ethnographic fieldwork study with participant observation and in-depth interviews, I analyzed the everyday practices in an ‘innovation unit’ at the Dutch military organization. In this unit, sociotechnical change is designed and tested with technologies such as artificial intelligence and robotics. I observe that everyday practices in the unit evolve around the co-production of ‘sociotechnical imaginaries’. Despite a shared imaginary of an ‘innovative military future’, there are conflicting perceptions, expectations and experiences on what technological innovation looks like, between military personnel at the policy level, the strategic level and the operational level of the innovation unit. Focusing on moral experience at the operational level of the unit, feelings of disappointment and frustration were leading topics in interviews. I argue that these feelings are exemplary of deeper sentiments of loss of meaning and purpose. As a result of conflicting perceptions, expectations and experiences, the military personnel slowly lose their faith in the imaginary. Therefore, their everyday practices become meaningless and purposeless – they no longer feel as if contributing to an ‘innovative military future’. I describe this process as ‘disillusionment’, which is a moral experience characterized by a value conflict between personal and professional values. It has a temporal and disruptive character, and could further develop into more severe symptoms of moral disorientation or moral injury if not being taken seriously by the organization. This paper integrates a focus on moral experience; materiality; sociotechnical change; imaginaries; (conflicting) perceptions on technological innovation. This paper will address the ethically-charged aspects of digitizing human death for museum publics and source communities, treating the digital as a novel but problematic space where new forms of exhibition, archiving, ethnographic research, and collaboration are possible. It will survey the landscape of new technological practices from 2019-2022 and review the range of new ethical issues that are bound up in the use of dig
什么是数字化创造未来?我们如何从理论上和民族志上理解围绕我们的田野调查和研究问题的数字过程?人类学家应该如何应对摆在我们面前的数字未来?这些都是我将从我的技术设计,想象和未来工作理解的轨迹中解决的问题。我将借鉴我目前参与的关于服务平台和健康行业工作“数字化”的民族志项目。本文主要研究创新语境下的道德体验与物质性。尽管大多数创新研究关注于优化和流程管理,但本研究调查了通过创新进行的社会技术变革之间的关系,以及人们在这种变革中如何体验工作的意义和目的。通过参与观察和深度访谈的民族志实地研究,我分析了荷兰军事组织一个“创新单位”的日常实践。在本单元中,社会技术变革是用人工智能和机器人等技术设计和测试的。我观察到,单位中的日常实践围绕着“社会技术想象”的共同生产而发展。尽管对“创新军事未来”有着共同的想象,但在政策层面、战略层面和创新单位的作战层面,军事人员对技术创新的看法、期望和经验是相互矛盾的。在采访中,关注单位操作层面的道德经验,失望和沮丧的感觉是主要话题。我认为这些感觉是失去意义和目的的更深层次情感的典范。由于相互冲突的认知、期望和经验,军事人员慢慢地失去了对想象的信心。因此,他们的日常训练变得毫无意义和目的——他们不再觉得自己在为“创新的军事未来”做出贡献。我把这个过程称为“幻灭”,这是一种以个人价值观和职业价值观之间的价值冲突为特征的道德体验。它具有时代性和破坏性,如果组织不加以重视,可能进一步发展为更严重的道德迷失或道德伤害症状。本文整合了对道德经验的关注;物质性;社会技术变化;虚;(相互矛盾的)对技术创新的看法。本文将讨论博物馆公众和来源社区数字化人类死亡的伦理问题,将数字视为一个新颖但有问题的空间,在这个空间中,新形式的展览、存档、人种学研究和合作是可能的。它将调查2019-2022年新技术实践的前景,并审查与使用数字平台参与媒体项目、存档、展览和沉浸式讲述英国遗产遗址和文化机构的人类遗骸和死亡有关的新伦理问题的范围。博物馆数字项目的伦理困境通常在一开始就得到了解决,但随着项目的完成,以及数字和现实生活中的公众与最终产品的接触,意想不到的伦理问题往往会出现。例如,许多数字档案复制了旧档案分类法中现有的权力动态,反映了殖民时期和其他有问题的历史,而不是利用数字化过程作为开发新分类法的机会。大多数文化机构认为,要解决复杂的社会文化思想和历史问题,必须采用令人兴奋的新技术。在某些情况下,将死者和创伤受害者数字化(如化身或其他叙事元素)可能会造成进一步的创伤。我们将研究来自英国的案例研究(借鉴希普勒目前的研究),采用博物馆网站的数字民族志、现场媒体和对博物馆馆长、董事和其他人员的采访的混合方法。许多博物馆正在重新评估他们对人类遗骸的展示,包括移除或重新放置人类遗骸。随着疫情迫使人们更多地转向数字领域,博物馆和文化机构目前正在就是否在网上发布遗骸照片、展示死亡的策展目标和意图、展示死亡的风险、挑战和机遇进行谈判。该小组的介绍从STS的角度阐述了文化遗产数字化和数字文化遗产化的过程,突出了基础设施和重新代理的概念和分析棱镜的相关性。因此,它提供了一个横切挑战的框架,将通过论文进行讨论。 拟议的文件借鉴了正在进行的工作,因此请进一步讨论和审查
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引用次数: 0
Mief auch ohne Talare 牛奶也没穿毕业服
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.13
W. Leimgruber
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引用次数: 0
Wie wir arbeiten (wollen) 怎样操作?
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.07
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引用次数: 0
Reenactment in der DDR und der BRD. Eine akteurszentrierte Sondierung 东德与西德的战争核心探测装置
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.05
Juliane Tomann, Torsten Kathke, M. Uhlig
Während die Formierungsphase der anglo-amerikanischen Reen-actment-Szene bereits gut erforscht ist, steht eine Historisierung von Reenactments als populärkulturelle Praxis der Vergegenwärtigung von Vergangenheit für den euro-päischen Raum zum Großteil noch aus. Insbesondere über die Entwicklungen in in der DDR und der BRD ist bislang wenig bekannt. Hier setzt dieser Beitrag an und leis-tet eine erste Rekonstruktion und Einordnung der Entwicklungen in den zwei deut-schen Staaten, die vor allem in den 1970er und 1980er Jahren an Dynamik gewannen. Im Fokus steht dabei die subjektive Erfahrung zeitgenössischer Akteure, anhand der nachvollzogen wird, wie sich die Gruppen von Geschichtsinteressierten in den beiden deutschen Staaten formierten, konsolidierten und worin sie sich glichen beziehungs-weise unterschieden. Ebenso wird beleuchtet, unter welchen politischen Maßgaben und alltäglichen Bedingungen die Menschen handelten. Auf Grundlage dieser ersten akteurszentrierten Sondierungen macht der Text auf Forschungsdesiderata aufmerk-sam und entwickelt weiterführende Forschungsfragen für zukünftige Untersuchungen dieses Feldes, etwa in Bezug auf die transnationalen Beziehungen und Netzwerke der Reenactment-Szenen und die Entwicklungen der Nachwendezeit.
英美紧急行动的复兴阶段已经很受人关注,但多数国家仍然没有获得关于将过去写入历史的流行文化遗产的历史描述。特别是西德和德意志民主共和国的事态发展迄今为止鲜有记录。这篇文章首次建立了结构,是围绕“显著”的两个国家,特别是在20世纪70年代和80年代,这两个国家的事态发展,进行的定位。主要的目标是当代行动方的主观体验,它反映了两国的历史化团体是如何在统一的两德州内形成的,以及它们之间存在不同的关系。同样,它还考察了人们在政治决策中以及日常生活中干什么。根据这些最初的促动趋势,这篇文章起了积极的作用,为研究主题打气,并为将来在这一领域的调查中进一步发展各种研究问题,例如涉及跨国关系和复活情绪的网络和后时代发展等。
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引用次数: 0
Reenactment in the GDR and the FRG. An Actor-centered Study 在德意志民主共和国和德意志联邦共和国重演。以演员为中心的研究
Pub Date : 2023-06-01 DOI: 10.31244/zekw/2023/01.20
Juliane Tomann, Torsten Kathke, Mirko Uhlig
While the formative phase of the Anglo-American reenactment scene has already been well researched, a historicisation of reenactments as a popular cultural practice of visualising the past is still largely lacking for Europe. In particular, little is known about the developments in East and West Germany. This is the starting point for our article, which provides an initial reconstruction and classification of the developments in the two German states, which gained momentum especially in the 1970s and 1980s. Our focus is on the subjective experience of contemporary actors, on the basis of which it we trace how various groups of people interested in history in the two German states formed and consolidated and in which ways they were similar or different. It also sheds light on the political and everyday conditions under which people acted. On the basis of these initial actor-centered explorations, the text draws attention to desiderata for further research and suggests research questions for future studies in this field – for example with regard to the transnational relationships and networks of both reenactment scenes and the developments during the post-reunification period.
虽然英美重演场景的形成阶段已经得到了很好的研究,但作为一种可视化过去的流行文化实践,重演的历史化在欧洲仍然很大程度上缺乏。特别是,人们对东德和西德的发展知之甚少。这是我们文章的出发点,这篇文章提供了两个德国国家发展的初步重建和分类,特别是在20世纪70年代和80年代获得了动力。我们的重点是当代行动者的主观经验,在此基础上,我们追溯了对两个德意志国家的历史感兴趣的不同群体是如何形成和巩固的,以及他们在哪些方面相似或不同。它还揭示了人们行为的政治和日常条件。在这些以行动者为中心的初步探索的基础上,本文提请注意进一步研究的需要,并为这一领域的未来研究提出了研究问题- -例如,关于重演场景的跨国关系和网络以及统一后时期的发展。
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引用次数: 0
Rebekka Endler: Das Patriarchat der Dinge. Warum die Welt Frauen nicht passt. Buchbesprechungen 丽贝卡·安德勒:为什么这个世界不适合女人Buchbesprechungen
Pub Date : 2022-12-01 DOI: 10.31244/zekw/2022.27
Julia Marzoner
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引用次数: 0
期刊
Zeitschrift für Empirische Kulturwissenschaft
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