Pub Date : 1900-01-01DOI: 10.46340/ephd.2021.7.4.6
Andrii Pykalo
{"title":"TO THE QUESTION OF THE MORAL RESPONSIBILITY OF GERMANY IN KARL JASPERS’ PHILOSOPHY","authors":"Andrii Pykalo","doi":"10.46340/ephd.2021.7.4.6","DOIUrl":"https://doi.org/10.46340/ephd.2021.7.4.6","url":null,"abstract":"","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114211369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2022.8.3.3
O. Haidamachuk
{"title":"ANTINOMY OF WRITING – VOICE IN “THREE MOMENTS” BY LESYA UKRAINKA","authors":"O. Haidamachuk","doi":"10.46340/ephd.2022.8.3.3","DOIUrl":"https://doi.org/10.46340/ephd.2022.8.3.3","url":null,"abstract":"","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114767237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2023.9.1.2
Lesia Kotsur
{"title":"THE ROLE OF LITHUANIA IN STRUGGLE OF UKRAINE FOR A EUROPEAN FUTURE AND TERRITORIAL INTEGRITY IN 2013-2021","authors":"Lesia Kotsur","doi":"10.46340/ephd.2023.9.1.2","DOIUrl":"https://doi.org/10.46340/ephd.2023.9.1.2","url":null,"abstract":"","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123473425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2022.8.2.6
Oleksandra Kuzmina
associated the performance of masterpieces and past present, performances of eminent and talents. The article offers a new understanding of the socio-cultural functions of the international music festival. The current established practice testifies to the fact that festivals cease to be events closed in the system of “musicians – listeners”. During the festivals, there is an exchange of professional experience and knowledge, more broadly – traditions; such events contribute to the emergence of new musical trends, artistic and aesthetic performances, and creative projects. Festival activities at the present stage are similar to such a phenomenon as school, since not only educational and enlightening tasks are solved, but also professional experience, knowledge, and national traditions are exchanged. In this article, the concept of “school” implies a creative hierarchical system of energy-information exchange. Since creativity is a state of dynamic constancy inherent in musical art and its components, the school is in continuous development and transformation. Another indisputable manifestation of the initial principle is openness to both the results of creativity and new, more perfect knowledge. The systematic nature of these processes, their hierarchical subordination contributes to the emergence of the school. The gradual build-up of a kind of energy-informational network leads to the creation of a multi-level structure in it. The approach chosen by the authors is supported by factual material.
{"title":"MUSIC FESTIVAL AS AN OPEN SYSTEM OF COGNITION","authors":"Oleksandra Kuzmina","doi":"10.46340/ephd.2022.8.2.6","DOIUrl":"https://doi.org/10.46340/ephd.2022.8.2.6","url":null,"abstract":"associated the performance of masterpieces and past present, performances of eminent and talents. The article offers a new understanding of the socio-cultural functions of the international music festival. The current established practice testifies to the fact that festivals cease to be events closed in the system of “musicians – listeners”. During the festivals, there is an exchange of professional experience and knowledge, more broadly – traditions; such events contribute to the emergence of new musical trends, artistic and aesthetic performances, and creative projects. Festival activities at the present stage are similar to such a phenomenon as school, since not only educational and enlightening tasks are solved, but also professional experience, knowledge, and national traditions are exchanged. In this article, the concept of “school” implies a creative hierarchical system of energy-information exchange. Since creativity is a state of dynamic constancy inherent in musical art and its components, the school is in continuous development and transformation. Another indisputable manifestation of the initial principle is openness to both the results of creativity and new, more perfect knowledge. The systematic nature of these processes, their hierarchical subordination contributes to the emergence of the school. The gradual build-up of a kind of energy-informational network leads to the creation of a multi-level structure in it. The approach chosen by the authors is supported by factual material.","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122234958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2021.7.1.11
Hanna Kostenko
{"title":"DECOLONIZATION AS INITIATION: THE HERO’S PATH TO FREEDOM THROUGH THE DESERT OF THE EMPIRE IN THREE GENERATIONAL NOVELS BY SERHIY ZHADAN","authors":"Hanna Kostenko","doi":"10.46340/ephd.2021.7.1.11","DOIUrl":"https://doi.org/10.46340/ephd.2021.7.1.11","url":null,"abstract":"","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134599259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2021.7.4.7
Yuliia Tereshchenko
{"title":"ROBERT PIPPIN AND REACTUALIZATION OF THE HEGEL’S CONCEPT OF ACTION","authors":"Yuliia Tereshchenko","doi":"10.46340/ephd.2021.7.4.7","DOIUrl":"https://doi.org/10.46340/ephd.2021.7.4.7","url":null,"abstract":"","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132406609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2021.7.1.5
M. Tsap
{"title":"EDUCATIONAL AND UPBRINGING WORK AT THE VOLYN THEOLOGICAL SEMINARY OF THE UOC OF THE KYIV PATRIARCHATE (1990–2011)","authors":"M. Tsap","doi":"10.46340/ephd.2021.7.1.5","DOIUrl":"https://doi.org/10.46340/ephd.2021.7.1.5","url":null,"abstract":"","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"191 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114858853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2021.7.1.1
Oleh Kaluhin
{"title":"THE CONFLICT OF CO-EXISTENCE: CHURCH VERSION OF THE HISTORY AND TEACHING OF ARCHEOLOGY & HISTORY OF PRIMITIVE SOCIETY IN KHARKIV UNIVERSITY (XIX – BEGINNING OF XX CENTURY)","authors":"Oleh Kaluhin","doi":"10.46340/ephd.2021.7.1.1","DOIUrl":"https://doi.org/10.46340/ephd.2021.7.1.1","url":null,"abstract":"","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"360 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132256298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2022.8.2.5
Nataliia Voitsiakh
The purpose of the article is to substantiate the theoretical and methodological features of the socio-cultural approach in the study of urban environments, to conduct a socio-cultural analysis of the city of Uman, and to deepen the value and semantic integration of its cultural environment. The research methodology is related to the development of sources for the analysis of sociocultural resources of the city, and also involves the use of a structural method for the development of strategies for urban modernization. The scientific novelty of the work is in the application of a socio-cultural approach to study the problems of modern polyethnic urban spaces and a biotic-cultural model of development of the Ukrainian city of Uman. Conclusions were made that a sociocultural analysis of the city of Uman is focused on the development of pilgrimage tourism of Bratslav Hasids. The analytical model includes three factors: 1) the concept of the multicore city of C. Garris and E. Ullman; 2) analysis of biotic and cultural resources of the urban environment according to R. Park; 3) the concept of F. Jamison, which highlights the trends of "cultural production" of the postmodern era of 20th-21st centuries. Their consideration allowed us to comprehensively assess the attractive tourist resources of the city. We analyzed the biotic and cultural characteristics of the city of Uman, which is characterized by a significant seasonal influx of Hasidic pilgrims and a decline in tourist demand during the rest of the year. To solve the problem of low level of service in the season of high supply, we propose to strengthen the biotic (infrastructure component), and to maintain year-round high tourist demand and return on infrastructure investment – to strengthen other cultural and semantic cores of the city, such as Sofiyivka Park or an excursion map of modern Uman architecture of the early 20th century.
本文旨在充实社会文化方法在城市环境研究中的理论和方法特点，对人类城市进行社会文化分析，深化城市文化环境的价值和语义整合。研究方法与分析城市社会文化资源的资源开发有关，也涉及使用结构方法来制定城市现代化战略。这项工作的科学新颖性在于应用社会文化方法来研究现代多民族城市空间问题和乌克兰乌曼市发展的生物文化模式。结论:对乌曼市的社会文化分析侧重于布拉迪斯拉发哈希德朝圣旅游的发展。该分析模型包括三个因素:1)C. Garris和E. Ullman的多核城市概念;2)根据R. Park对城市环境的生物和文化资源进行分析;3) F. Jamison的概念，突出了20 -21世纪后现代时代的“文化生产”趋势。他们的考虑使我们能够全面评估这个城市有吸引力的旅游资源。我们分析了乌曼市的生物和文化特征，其特点是哈西德派朝圣者大量季节性涌入，而在一年中的其余时间旅游需求下降。为了解决高供应季节服务水平低的问题，我们建议加强生物(基础设施组成部分)，并保持全年的高旅游需求和基础设施投资回报——加强城市的其他文化和语义核心，如索菲亚公园或20世纪初现代人类建筑的游览地图。
{"title":"SOCIOCULTURAL APPROACH IN THE STUDY OF THE URBAN ENVIRONMENT. ON THE EXAMPLE OF THE CITY OF UMAN","authors":"Nataliia Voitsiakh","doi":"10.46340/ephd.2022.8.2.5","DOIUrl":"https://doi.org/10.46340/ephd.2022.8.2.5","url":null,"abstract":"The purpose of the article is to substantiate the theoretical and methodological features of the socio-cultural approach in the study of urban environments, to conduct a socio-cultural analysis of the city of Uman, and to deepen the value and semantic integration of its cultural environment. The research methodology is related to the development of sources for the analysis of sociocultural resources of the city, and also involves the use of a structural method for the development of strategies for urban modernization. The scientific novelty of the work is in the application of a socio-cultural approach to study the problems of modern polyethnic urban spaces and a biotic-cultural model of development of the Ukrainian city of Uman. Conclusions were made that a sociocultural analysis of the city of Uman is focused on the development of pilgrimage tourism of Bratslav Hasids. The analytical model includes three factors: 1) the concept of the multicore city of C. Garris and E. Ullman; 2) analysis of biotic and cultural resources of the urban environment according to R. Park; 3) the concept of F. Jamison, which highlights the trends of \"cultural production\" of the postmodern era of 20th-21st centuries. Their consideration allowed us to comprehensively assess the attractive tourist resources of the city. We analyzed the biotic and cultural characteristics of the city of Uman, which is characterized by a significant seasonal influx of Hasidic pilgrims and a decline in tourist demand during the rest of the year. To solve the problem of low level of service in the season of high supply, we propose to strengthen the biotic (infrastructure component), and to maintain year-round high tourist demand and return on infrastructure investment – to strengthen other cultural and semantic cores of the city, such as Sofiyivka Park or an excursion map of modern Uman architecture of the early 20th century.","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134304475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.46340/ephd.2022.8.2.7
Olga Lachko
The article characterizes the Ukrainian model of the postdramatic theater in the framework of global culture of modern times. As new historical realities prescribe changes in artistic pathways of modern art development, the issue related to processing of the specific features of postdramatic stage business becomes relevant. The author defined the particular characteristics of the Ukrainian postdramatic theater as illustrated by artistic experiments of such Ukrainian directors as O. Apchel, O. Seredin, A. Mai, R. Sarkisian, S. Brama, A. Vusyk. The result of the research conducted is the disclosure of the specific features that the Ukrainian postdramatic performance acquires: total hybridization with the dominated visual component; understanding of the text as a multivariable use of signs; deconstruction, deformation, multi-code nature and pluralism as a communicative space; the audience as a co-author of the performance etc. It is established that the postdramatic theater as a cultural phenomenon of the postmodern era is the newest form of stage representation and an intermediate between the permanent institution of the classic Ukrainian theater and theatrical practices of the twentieth century. According to the art history analysis the author proved that in the postdramatic theater there was a permanent hybridization: from types and genres to template formations, causing transformation of the morphological theatrical system into autonomous theatrical practices. Generation of the textual basis of the postdramatic theater during the very performance ensures an availability of the interactive system, a frame in which the personality of the performer, being a “performative” representative, is actualized. The relevance of the article has emerged due to a need in advanced study of the very Ukrainian model of the postdramatic theater.
{"title":"UKRAINIAN MODEL OF POSTDRAMATIC THEATRE: CONTEXT AND PRAXIS","authors":"Olga Lachko","doi":"10.46340/ephd.2022.8.2.7","DOIUrl":"https://doi.org/10.46340/ephd.2022.8.2.7","url":null,"abstract":"The article characterizes the Ukrainian model of the postdramatic theater in the framework of global culture of modern times. As new historical realities prescribe changes in artistic pathways of modern art development, the issue related to processing of the specific features of postdramatic stage business becomes relevant. The author defined the particular characteristics of the Ukrainian postdramatic theater as illustrated by artistic experiments of such Ukrainian directors as O. Apchel, O. Seredin, A. Mai, R. Sarkisian, S. Brama, A. Vusyk. The result of the research conducted is the disclosure of the specific features that the Ukrainian postdramatic performance acquires: total hybridization with the dominated visual component; understanding of the text as a multivariable use of signs; deconstruction, deformation, multi-code nature and pluralism as a communicative space; the audience as a co-author of the performance etc. It is established that the postdramatic theater as a cultural phenomenon of the postmodern era is the newest form of stage representation and an intermediate between the permanent institution of the classic Ukrainian theater and theatrical practices of the twentieth century. According to the art history analysis the author proved that in the postdramatic theater there was a permanent hybridization: from types and genres to template formations, causing transformation of the morphological theatrical system into autonomous theatrical practices. Generation of the textual basis of the postdramatic theater during the very performance ensures an availability of the interactive system, a frame in which the personality of the performer, being a “performative” representative, is actualized. The relevance of the article has emerged due to a need in advanced study of the very Ukrainian model of the postdramatic theater.","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"49 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133454190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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