Pub Date : 2020-01-01DOI: 10.7256/2585-7789.2021.1.35767
Veronika Aleksandrovna Alipova
The lightweight and porous building material has many advantages over conventional concrete, such as a higher strength-to-weight ratio, a lower coefficient of thermal expansion and good sound insulation. This article focuses on the historical periodization of the development of autoclaved aerated concrete and a literature review that focuses on the influence of porosity, vapor permeability and strength properties of a given building material. The subject of this research is the analysis of the key historical events and manufacturing technologies that influenced the creation and transformation of the structural components of autoclaved aerated concrete. In the course of research, the author revealed that although aerated concrete is a new material in construction, it appeared a long time ago. Initially, five thousand years ago, this composition of the material was used as a plaster and brickwork mortar; showing a positive effect in construction, the aerated concrete over the years took the form of a cellular block, and its characteristics continue to be discovered. The properties, composition and structure of autoclaved aerated concrete are being improved through its composition and geometry of the shape of block, which contributed to environmental friendliness of the new building material, its durability, and creation of comfortable living conditions for people. However, the material requires new rational manufacturing technologies are needed in order to improve its quality and characteristics.
{"title":"Study of the structure and characteristics of autoclaved aerated concrete","authors":"Veronika Aleksandrovna Alipova","doi":"10.7256/2585-7789.2021.1.35767","DOIUrl":"https://doi.org/10.7256/2585-7789.2021.1.35767","url":null,"abstract":"\u0000 The lightweight and porous building material has many advantages over conventional concrete, such as a higher strength-to-weight ratio, a lower coefficient of thermal expansion and good sound insulation. This article focuses on the historical periodization of the development of autoclaved aerated concrete and a literature review that focuses on the influence of porosity, vapor permeability and strength properties of a given building material. The subject of this research is the analysis of the key historical events and manufacturing technologies that influenced the creation and transformation of the structural components of autoclaved aerated concrete. In the course of research, the author revealed that although aerated concrete is a new material in construction, it appeared a long time ago. Initially, five thousand years ago, this composition of the material was used as a plaster and brickwork mortar; showing a positive effect in construction, the aerated concrete over the years took the form of a cellular block, and its characteristics continue to be discovered. The properties, composition and structure of autoclaved aerated concrete are being improved through its composition and geometry of the shape of block, which contributed to environmental friendliness of the new building material, its durability, and creation of comfortable living conditions for people. However, the material requires new rational manufacturing technologies are needed in order to improve its quality and characteristics. \u0000","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"377 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122816097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.7256/2585-7789.2021.1.35757
Aleksandr Dmitrievich Cheglakov
This article states that the ways to improve the decorative qualities of wood have been known to mankind since ancient times. The techniques of woodworking material have improved over years. The author underlines the importance of proper choice of finishing materials, as it intended to preserve the cultural objects, as well as produce certain aesthetic perception. Therefore, the choice of materials is substantiated by the nature of the wood and the work performed, as well as by the author's plan and conceptual idea. The article discusses the key methods of wood finishing in the process of creating wooden sculptures. The author lists the main types of wood finishing, as well as the original techniques. It is noted that there are various technologies for giving a wood surface a different color. Description is given to such methods as fire-treatment and waxing of wooden surface; as well as to the original techniques of treating wood damaged by the bark beetle or exposed to fire. It is claimed that proper firing gives wood strength and resistance, protecting it from various influences and significantly extending its durability. Special attention is given to the wood ash treatment, and how this ancient technology can be applied in modern wooden sculpture. The recommendations are given for proper selection of applicators that contribute to quality dyeing of wooden surfaces.
{"title":"The nuances of toning and wood dyeing in the process of creating the original wooden sculptures","authors":"Aleksandr Dmitrievich Cheglakov","doi":"10.7256/2585-7789.2021.1.35757","DOIUrl":"https://doi.org/10.7256/2585-7789.2021.1.35757","url":null,"abstract":"\u0000 This article states that the ways to improve the decorative qualities of wood have been known to mankind since ancient times. The techniques of woodworking material have improved over years. The author underlines the importance of proper choice of finishing materials, as it intended to preserve the cultural objects, as well as produce certain aesthetic perception. Therefore, the choice of materials is substantiated by the nature of the wood and the work performed, as well as by the author's plan and conceptual idea. The article discusses the key methods of wood finishing in the process of creating wooden sculptures. The author lists the main types of wood finishing, as well as the original techniques. It is noted that there are various technologies for giving a wood surface a different color. Description is given to such methods as fire-treatment and waxing of wooden surface; as well as to the original techniques of treating wood damaged by the bark beetle or exposed to fire. It is claimed that proper firing gives wood strength and resistance, protecting it from various influences and significantly extending its durability. Special attention is given to the wood ash treatment, and how this ancient technology can be applied in modern wooden sculpture. The recommendations are given for proper selection of applicators that contribute to quality dyeing of wooden surfaces. \u0000","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115841990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.7256/2585-7789.2021.1.31804
Dar'ya Aleksandrovna Odnopalova
Currently, the most common way to finance the acquisition of residential real estate is shared construction, which has its drawbacks. This article discusses the domestic and Russian experience of shared construction, and compares the activities and organizations. The object of research is the financing schemes for residential real estate. The subject of the study is the comparative characteristics of financing schemes for multi-apartment residential buildings. The aim of the study is to analyze the experience of shared construction of multi-apartment residential buildings in the USSR and modern Russia. Summarizing the comparative analysis of the features of the organization and activities of domestic and modern experience in shared construction, we can say that these schemes have similarities in attracting public funds for the construction of multi-apartment buildings and that these mechanisms for acquiring housing in the primary market are not safe for their members. Therefore, there is still a need to develop the most effective organization of financing investment and construction projects in the residential real estate market, providing for the interests of the developer, participant in shared construction, the state and the bank.
{"title":"Historical development of domestic experience of shared construction of apartment buildings","authors":"Dar'ya Aleksandrovna Odnopalova","doi":"10.7256/2585-7789.2021.1.31804","DOIUrl":"https://doi.org/10.7256/2585-7789.2021.1.31804","url":null,"abstract":"\u0000 Currently, the most common way to finance the acquisition of residential real estate is shared construction, which has its drawbacks. This article discusses the domestic and Russian experience of shared construction, and compares the activities and organizations. The object of research is the financing schemes for residential real estate. The subject of the study is the comparative characteristics of financing schemes for multi-apartment residential buildings. The aim of the study is to analyze the experience of shared construction of multi-apartment residential buildings in the USSR and modern Russia. Summarizing the comparative analysis of the features of the organization and activities of domestic and modern experience in shared construction, we can say that these schemes have similarities in attracting public funds for the construction of multi-apartment buildings and that these mechanisms for acquiring housing in the primary market are not safe for their members. Therefore, there is still a need to develop the most effective organization of financing investment and construction projects in the residential real estate market, providing for the interests of the developer, participant in shared construction, the state and the bank.\u0000","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125189294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-01DOI: 10.7256/2585-7789.2019.2.31497
A. N. Gushchin, M. Divakova
The article considers the problem of restoring the urban identity of a typical Ural city. In a historical context, typicality is understood as a commonality of origin. Currently, the Ural cities are in urgent pursuit of their own identity, which in the author sees as a reflexive social need of belonging to a place. It is reasonable to consider that the urban landscape plays an important role in the formation of identity. The article gives examples of the formation of social identity based on cultural landscape of the city. It is established that the industrial heritage of the Ural industrial city manifests as the grounds for the formation of its identity. Architectural and landscape reconstruction serves as the key method for the formation of identity. The author gives recommendations pertaining to implementation of such reconstruction. The main conclusion consists in the statement that a typical way of formation of identity of the Ural industrial city is the architectural and landscape reconstruction of its central area, which includes the following objects: city pond, dam, plant facilities and temple on the premises, house of the mining engineer. Namely the architectural and landscape reconstruction of this industrial heritage allows restoring the urban identity.
{"title":"Restoration of identity of the Ural industrial city through architectural and landscape reconstruction","authors":"A. N. Gushchin, M. Divakova","doi":"10.7256/2585-7789.2019.2.31497","DOIUrl":"https://doi.org/10.7256/2585-7789.2019.2.31497","url":null,"abstract":"\u0000 The article considers the problem of restoring the urban identity of a typical Ural city. In a historical context, typicality is understood as a commonality of origin. Currently, the Ural cities are in urgent pursuit of their own identity, which in the author sees as a reflexive social need of belonging to a place. It is reasonable to consider that the urban landscape plays an important role in the formation of identity. The article gives examples of the formation of social identity based on cultural landscape of the city. It is established that the industrial heritage of the Ural industrial city manifests as the grounds for the formation of its identity. Architectural and landscape reconstruction serves as the key method for the formation of identity. The author gives recommendations pertaining to implementation of such reconstruction. The main conclusion consists in the statement that a typical way of formation of identity of the Ural industrial city is the architectural and landscape reconstruction of its central area, which includes the following objects: city pond, dam, plant facilities and temple on the premises, house of the mining engineer. Namely the architectural and landscape reconstruction of this industrial heritage allows restoring the urban identity.\u0000","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"264 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116822371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-01DOI: 10.7256/2585-7789.2019.2.32686
A. Viazinkin, I. V. Dvukhzhilova
The subject of this research is the conservative approach towards aesthetics of architecture in the philosophy of British thinker, aesthetician and theorist of conservatism Roger Scruton. The cultural situation of postindustrial society – consumerism and commodification of culture – requires new approaches in art history, which are capable of establishing protective trends in the social life. Scruton offers an alternative approach towards art, which represents not so much a return to the traditional values, as revival of cultural situation. Such situation implies the existence of art as a translator of traditional values that strengthen social ties. This article is the first within the Russian scientific literature to examine the aesthetics of Scruton’s architecture in the context of his conservative philosophy, which defines the scientific novelty and outlines new horizons for research in the fields of aesthetics of architecture and philosophy of modern British conservatism. The conclusion is made that Scruton's appeal to the topic of aesthetic experience expands the problematic from pure aesthetics to the unity of ethics, theory of solidarity, and axiology of traditional culture.
{"title":"Conservative approach towards aesthetics of architecture: Roger Scruton's philosophy","authors":"A. Viazinkin, I. V. Dvukhzhilova","doi":"10.7256/2585-7789.2019.2.32686","DOIUrl":"https://doi.org/10.7256/2585-7789.2019.2.32686","url":null,"abstract":"\u0000 The subject of this research is the conservative approach towards aesthetics of architecture in the philosophy of British thinker, aesthetician and theorist of conservatism Roger Scruton. The cultural situation of postindustrial society – consumerism and commodification of culture – requires new approaches in art history, which are capable of establishing protective trends in the social life. Scruton offers an alternative approach towards art, which represents not so much a return to the traditional values, as revival of cultural situation. Such situation implies the existence of art as a translator of traditional values that strengthen social ties. This article is the first within the Russian scientific literature to examine the aesthetics of Scruton’s architecture in the context of his conservative philosophy, which defines the scientific novelty and outlines new horizons for research in the fields of aesthetics of architecture and philosophy of modern British conservatism. The conclusion is made that Scruton's appeal to the topic of aesthetic experience expands the problematic from pure aesthetics to the unity of ethics, theory of solidarity, and axiology of traditional culture.\u0000","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114293456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-01DOI: 10.7256/2585-7789.2019.2.30833
Igor V. Kirichkov
Folded morphogenesis, which with the emergence of reinforced structures in the early XX century received a strong boost to the development, is actively used in modern architecture. The object of this research contains three types of buildings: 1) with folded forms as the main composite element; 2) with concept based on Gilles Deleuze theory of folds; 3) that use thin folded reinforced concrete structures. The goal of this work is to determine the development trend of folded morphogenesis in modern architecture, as well as give a forecast to the development of folded morphogenesis. The criteria for analysis became the quantitative and qualitative indicators: duration of construction, duration of exploitation, cost of construction, capacity, total area, height, construction material, construction place, situation, aesthetic aspect, functionality, number of floors, utility, private or government capital, and the Pritzker Architecture Prize. The research results demonstrate that the development trends of folded morphogenesis are vectored from utilitarian to spectacular function, as well as excessive fascination of the architects with aesthetics of the folded forms.
{"title":"The development trends of folded morphogenesis in modern architecture","authors":"Igor V. Kirichkov","doi":"10.7256/2585-7789.2019.2.30833","DOIUrl":"https://doi.org/10.7256/2585-7789.2019.2.30833","url":null,"abstract":"\u0000 Folded morphogenesis, which with the emergence of reinforced structures in the early XX century received a strong boost to the development, is actively used in modern architecture. The object of this research contains three types of buildings: 1) with folded forms as the main composite element; 2) with concept based on Gilles Deleuze theory of folds; 3) that use thin folded reinforced concrete structures. The goal of this work is to determine the development trend of folded morphogenesis in modern architecture, as well as give a forecast to the development of folded morphogenesis. The criteria for analysis became the quantitative and qualitative indicators: duration of construction, duration of exploitation, cost of construction, capacity, total area, height, construction material, construction place, situation, aesthetic aspect, functionality, number of floors, utility, private or government capital, and the Pritzker Architecture Prize. The research results demonstrate that the development trends of folded morphogenesis are vectored from utilitarian to spectacular function, as well as excessive fascination of the architects with aesthetics of the folded forms.\u0000","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114763882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.7256/2585-7789.2019.1.30297
Козыренко Иван Сергеевич
{"title":"Козыренко И.С. Русский Харбин: стилистические особенности китайского барокко","authors":"Козыренко Иван Сергеевич","doi":"10.7256/2585-7789.2019.1.30297","DOIUrl":"https://doi.org/10.7256/2585-7789.2019.1.30297","url":null,"abstract":"","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"280 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122903957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.7256/2585-7789.2019.1.30402
Болтаевский Андрей Андреевич
{"title":"Болтаевский А.А. \"Право на город\": рецензия на работу Е.А. Урусовой и Т.М. Хусяинова \"Мегаполис: креативный и коммуникативный потенциал: Монография. Нижний Новгород: Изд-во «Печатная Мастерская Радонеж», 2018. 112 с.\"","authors":"Болтаевский Андрей Андреевич","doi":"10.7256/2585-7789.2019.1.30402","DOIUrl":"https://doi.org/10.7256/2585-7789.2019.1.30402","url":null,"abstract":"","PeriodicalId":115695,"journal":{"name":"Архитектура и дизайн","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127306242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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