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The Writer's Craft, the Culture's Technology最新文献

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Visual Representation of Phraseological Metaphor in Discourse: A Cognitive Approach 语篇中短语隐喻的视觉表征:一种认知方法
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_010
Carmen Rosa Caldas-Coulthard, M. Toolan, Anita Načisčione
The paper deals with the creative aspects of textual and visual saturation in a multimodal discourse. It explores the benefits of the cognitive approach to the stylistic aspects of language in use and focuses on perception and comprehension of the textual and the visual. The perception of an image, whether it is lexical or phraseological, is a cognitive process, which creates a mental picture in one’s imagination, a kind of visualisation in one’s mind’s eye. A visual representation of the image serves to create a new mode of narrative, which is both visual and textual. Comprehension and interpretation rely on the ties between the visual and the verbal, as well as the knowledge of the sociocultural background and the symbolic implications. The visual representation of instantial stylistic use of phraseological units has a semantic function: it enhances and interprets the image, creates a new meaning and sustains figurative thought.
本文探讨了多模态语篇中文本饱和和视觉饱和的创造性问题。它探讨了在使用语言的文体方面的认知方法的好处,并着重于对文本和视觉的感知和理解。对意象的感知,无论是词汇上的还是用语上的,都是一种认知过程,它在一个人的想象中创造出一幅心理画面,一种心灵之眼的视觉化。图像的视觉表现有助于创造一种新的叙事模式,这种叙事模式既是视觉的,也是文本的。理解和解释依赖于视觉和语言之间的联系,以及对社会文化背景和符号含义的了解。词汇单元的瞬时文体运用的视觉表现具有语义功能:强化和阐释意象,创造新的意义,维持具象思维。
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引用次数: 5
Anti-Laokoön: Mixed and Merged Modes of Imagetext on the Web Anti-Laokoön: Web上imagettext的混合和合并模式
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_006
George Dillon
It was painting on canvas that was, I think, a faithful rendering of a photo with a guy leaning against a pole smack in the middle, with the word "wrong" at the bottom. This is meta-discourse; I had never seen photographic metadiscourse before. Not only did he use a dumb photo, he made a point of it by sticking a word on it, because of course words were forbidden in photography (Rosler 1998:198:38).
那是一幅油画,我想,它忠实地呈现了一张照片,一个人靠在一根杆子上,正中间,下面写着“错了”。这就是元话语;我以前从未见过摄影元话语。他不仅使用了一张愚蠢的照片,而且还在上面粘上了一个词,因为在摄影中当然是禁止文字的(Rosler 1998: 1988:38)。
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引用次数: 0
A Structural Analysis of Wordsworth’s ‘Daffodils’ 华兹华斯《水仙花》的结构分析
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_011
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引用次数: 0
Personal Web Pages and the Semiotic Construction of Academic Identities 个人网页与学术身份的符号学建构
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_007
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引用次数: 4
Technology and Stylistics: The Web Connection 技术与文体学:网络连接
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_019
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引用次数: 1
Collocational Style in the Two Narratives of Bleak House: A Corpus-based Analysis 基于语料库的《荒凉山庄》两种叙事的搭配风格分析
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_021
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引用次数: 0
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The Writer's Craft, the Culture's Technology
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