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The Writer's Craft, the Culture's Technology最新文献

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Hypertext, Prosthetics, and the Netocracy: Posthumanism and Jeanette Wintersons The PowerBook 超文本、修复术和网络统治:后人文主义和珍妮特·温特森
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_008
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引用次数: 1
Illustrated Literature: Future Style, Fertile Spirit, or Futile Waste? 插图文学:未来的风格,肥沃的精神,还是无用的浪费?
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_015
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引用次数: 0
‘Print Culture’ and the Language of the 18th-Century Novel “印刷文化”与18世纪小说的语言
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_017
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引用次数: 0
The Influence of Hypertext on Genre: Exploring Online Book Reviews 超文本对体裁的影响:网络书评的探索
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_009
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引用次数: 3
Truth and Lies: The Construction of Factuality in a Television Documentary 真相与谎言:一部电视纪录片的真实性建构
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_018
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引用次数: 1
The Translator’s Craft as a Cross-Cultural Discourse 跨文化话语中的译者技艺
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_014
Mirjana Bonačić
Dialogue between cultures which avoids cultural assimilation into a global form of communication still depends on the translator's ability to negotiate the space between cultures. Therefore, along with the writer in the context of globalisation, it seems relevant to redefine the translator as well. The traditional view of translation is expressed from the theorists's vantage point involving two potentioally opposing concepts: translation equivalence with respect to the source text vs. translation acceptability within the target culture. The paper argues that important questions are closed off by an emphasis on the translated text that acquires its identity by virtue of either being equivalent to the source or acceptable within the target literary system. Postmodern logic can redefine the translator's craft in terms of access to the potentially manifold modes of mutual refraction of the source and target. Such refraction occurs in the space between them which is opened up by the concept of translatability as the mode of a cross-cultural discourse. Different translations of a poem are analysed from a linguistic and critical perspective to try to account for the individually established, multiple routes of reference where translatability means the chance to embrace more than was possible before.
不同文化之间的对话,避免文化同化成为一种全球性的交流形式,仍然取决于译者对不同文化之间空间的谈判能力。因此,在全球化背景下,与作者一起,重新定义译者似乎也很有意义。传统的翻译观点是从理论家的角度出发,涉及两个潜在对立的概念:翻译对原文的对等性和翻译在目标文化中的可接受性。本文认为,通过强调译文通过与原文对等或在目标文学系统中被接受来获得其身份,从而封闭了重要的问题。后现代逻辑可以重新定义译者的技巧,使其接近源语和译语相互折射的潜在的多种模式。这种折射发生在他们之间的空间,这是可译性概念作为跨文化话语模式所开辟的。从语言学和批判的角度分析一首诗的不同翻译,试图解释单独建立的多种参考路线,其中可译性意味着有机会接受比以前更多的东西。
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引用次数: 0
Seeing the Sea: Deixis and the Perceptions of Melville’s Reader 看海:指示与梅尔维尔读者的感知
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_012
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引用次数: 0
How Playwrights Construct Their Dramatic Worlds: A Corpus-based Study of Vocatives in Early Modern English Comedies 剧作家如何建构他们的戏剧世界:基于语料库的早期现代英语喜剧感叹词研究
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_020
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引用次数: 0
Who said that? Who wrote that? Reporting, Representation, and the Linguistics of Writing 谁说的?这是谁写的?报告、表现和写作语言学
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_016
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引用次数: 2
Narratives of Transgression: Challenging the Boundaries of Competent Discourses 越界叙事:挑战有能力话语的边界
Pub Date : 2005-01-01 DOI: 10.1163/9789401202640_013
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引用次数: 0
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The Writer's Craft, the Culture's Technology
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