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Romantic Textualities: Literature and Print Culture, 1780–1840最新文献

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Anna Mercer, The Collaborative Literary Relationship of Percy Bysshe Shelley and Mary Wollstonecraft Shelley (London: Routledge, 2019) 安娜·默瑟:《珀西·比希·雪莱与玛丽·沃斯通克拉夫特·雪莱的文学合作关系》(伦敦:劳特利奇出版社,2019年)
Pub Date : 2023-06-24 DOI: 10.18573/romtext.113
Stephen Pallas
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引用次数: 0
Daisy Hay, The Making of Mary Shelley’s 'Frankenstein' (Oxford: Bodleian Library, 2019) 黛西·海:《玛丽·雪莱的《科学怪人》的形成》(牛津:博德利图书馆,2019年)
Pub Date : 2023-06-24 DOI: 10.18573/romtext.112
Jingxuan Yi
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引用次数: 0
Manu Samriti Chander, Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century (Lewisburg: Bucknell University Press, 2017) Manu Samriti Chander,布朗浪漫主义者:全球19世纪的诗歌和民族主义(刘易斯堡:巴克内尔大学出版社,2017)
Pub Date : 2023-06-24 DOI: 10.18573/romtext.108
Máire ní Fhlathúin
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引用次数: 0
Richard de Ritter, Imagining Women Readers, 1789–1820: Well-Regulated Minds (Manchester: Manchester University Press, 2015) 理查德·德·里特,《想象中的女性读者,1789-1820:规范的心灵》(曼彻斯特:曼彻斯特大学出版社,2015)
Pub Date : 2023-06-24 DOI: 10.18573/romtext.110
Katie Garner
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引用次数: 0
The Romance of Commerce: Rob Roy, 1817–1818 商业的浪漫:罗伯·罗伊,1817-1818
Pub Date : 2023-06-24 DOI: 10.18573/romtext.101
J. Shields
Scott’s Waverley novels often turn on an opposition between romance—the realm of the unexpected, marvellous and heroic—and real life—the often disappointing realm of the mundane and factual.  However, Rob Roy, offers readers no alternative to romance. Instead it is made up of different kinds of romance—namely the gothic and the adventure story or imperial romance.  Scott maps the genre of the gothic onto Northumberland, where the remnants of feudalism still prevail, and wealth consists in landed property transmitted across generations. The adventure story, by contrast, links the Scottish Highlands with southern metropolitan Britain through a system of speculation and credit. Rob Roy reflects on Scott’s imbrication in these two systems at the time of the novel’s writing—a period of economic depression and rural depopulation—as he sold metropolitan readers another romanticized image of the Highlands in order to shore up his own landed property.
斯科特的韦弗利小说经常在浪漫和现实生活之间形成对立——浪漫是意想不到的、奇妙的和英雄的领域,而现实生活则是令人失望的世俗和事实的领域。然而,罗伯·罗伊却没有给读者提供浪漫的选择。相反,它是由不同类型的浪漫故事组成的——即哥特式和冒险故事或帝国浪漫故事。斯科特将哥特风格描绘到了诺森伯兰郡,在那里封建主义的残余仍然盛行,财富由代代相传的土地财产构成。相比之下,冒险故事通过投机和信用体系将苏格兰高地与英国南部大都市联系起来。罗布·罗伊反思了斯科特在小说写作时期——一个经济萧条和农村人口减少的时期——在向大都市读者出售另一幅浪漫化的高地形象以支撑自己的土地财产时,他在这两种体系中所处的困境。
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引用次数: 0
Vincent Carretta (ed.), The Writings of Phillis Wheatley (Oxford: Oxford University Press, 2019) 文森特·卡雷塔(编),菲利斯·惠特利的著作(牛津:牛津大学出版社,2019)
Pub Date : 2023-06-24 DOI: 10.18573/romtext.107
Amy Wilcockson
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引用次数: 0
Linda Colley, The Gun, the Ship, and the Pen: Warfare, Constitutions, and the Making of the Modern World (London: Profile Books, 2021) 琳达·科利,《枪、船和笔:战争、宪法和现代世界的形成》(伦敦:Profile Books, 2021)
Pub Date : 2023-06-24 DOI: 10.18573/romtext.109
Katherine Voyles
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引用次数: 0
Book Review - Kevin Gilmartin, William Hazlitt: Political Essayist (Oxford University Press, 2015) 书评——凯文·吉尔马丁,《威廉·哈兹利特:政治散文家》(牛津大学出版社,2015)
Pub Date : 2020-08-30 DOI: 10.18573/romtext.87
D. Snowdon
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引用次数: 0
‘Start not, gentle reader!’: Re-reading Alicia LeFanu’s Helen Monteagle (1818)  “别慌,温柔的读者!”:重读艾丽西亚·勒法努的《海伦·蒙蒂格尔》(1818)
Pub Date : 2019-05-15 DOI: 10.18573/romtext.105
Anna M. Fitzer
This article is the first to focus upon Helen Monteagle (1818), a novel written by Alicia LeFanu and the second of six works of fiction she is known to have published between 1816 and 1826. In part an act of recovery, the article explores Helen Monteagle’s significance to understandings of the development of prose fiction in the romantic period, and situates the novel in relation to the traditions and innovations of satirical writing in particular. Tracing the various acts of conformity and resistance displayed by its female protagonists, the article identifies in the novel a corresponding interest in the terms of women’s professional practice as performers and authors in a year which also saw publication of Shelley’s Frankenstein and Austen’s Northanger Abbey. LeFanu’s novel, the article argues, reflects upon the author/creator and her audience, and articulates a commentary upon the adequacy of conventional narrative frameworks in the context of market competition and anxieties about the integrity of contemporary literary culture. The novel’s innovative and allusive approach to plot and character are examined in relation to LeFanu’s third novel of 1819, entitled Leolin Abbey. In its discussion of the various personal, professional and commercial imperatives which informed LeFanu’s career as a writer, the article reflects upon the broader context of women’s writing in this period and aims to enhance an appreciation of its diversity. 
这篇文章是第一篇关注艾丽西亚·勒法努的小说《海伦·蒙特亚格尔》(1818)的文章,也是艾丽西亚·勒法努在1816年至1826年间出版的六部小说中的第二部。作为一种恢复行为,本文探讨了海伦·蒙蒂格尔对理解浪漫主义时期散文小说发展的意义,并将其与讽刺写作的传统和创新联系起来。这篇文章追踪了小说中女主人公们表现出的顺从和反抗的各种行为,在小说中发现了一种对女性作为演员和作家的职业实践的相应兴趣,这一年,雪莱的《弗兰肯斯坦》和奥斯汀的《诺桑觉寺》也相继出版。文章认为,勒法努的小说反映了作者/创作者和她的读者,并对传统叙事框架在市场竞争和对当代文学文化完整性的焦虑背景下的充分性进行了清晰的评论。小说在情节和人物方面的创新和暗含手法与勒法努1819年的第三部小说《莱奥林修道院》有关。文章讨论了影响勒法努写作生涯的各种个人、职业和商业需求,反思了这一时期女性写作的更广泛背景,旨在提高对其多样性的认识。
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引用次数: 1
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Romantic Textualities: Literature and Print Culture, 1780–1840
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