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9. Scenes from a Marriage: The Age of Innocence as Discourse on the Transactional Value of Marriage 9. 《婚姻的场景:纯真年代对婚姻交易价值的论述》
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-009
Jessica Allen Hanssen
Edith Wharton’s 1920 novel The Age of Innocence1 is an innovative masterwork of tension and suspense; even the most domestic of its descriptions only heighten the reader’s anticipation to find out what happens next. Frankly, it does not have the most unusual plot: a privileged young man marries one woman out of duty while believing he is in love with an exotic yet inaccessible other, and is forced to deal with the emotional and social consequences of the choices he makes for the rest of his life. Indeed, the themes of vanity and fallibility against the passage of time have been covered in long form by such heavy-hitters as Johann Wolfgang von Goethe, Marcel Proust, and Henry James.Yet The Age of Innocence is remarkable in its expression of the at-the-time insignificant moments which ultimately define a person’s, marriage’s, or culture’s destiny. Wharton’s contribution to the novelistic genre comes from the singular and thoughtful way she builds psychological tension through narrative focalization, thus allowing characterization and discourse to emerge through connecting with her reader’s knowledge as well as her own lived experience. Through establishing how Wharton explores a complex marital situation through a selective inclusion of significant cultural forces such as visual arts and earlier American literature into the narrative and builds mood through expanding interpretative spaces at key junctures in the novel, we can establish how The Age of Innocence stands as a powerful and still-influential document on the nature of transaction in marriage discourse in 20-century American literature. This chapter will therefore present both biographical and literary historical data that establishes the context for Wharton’s work. It will also briefly introduce and explore some cultural developments of the early 20 century, such as the rise of psychoanalysis and secularization, which itself might be understood as transactional in nature, that might have impacted a contemporary audience’s awareness of marriage discourse. These will then inform an interpreta-
伊迪丝·华顿1920年的小说《纯真年代》是紧张和悬疑的创新杰作;即使是最内化的描写也只会让读者更加期待接下来会发生什么。坦率地说,它并没有最不寻常的情节:一个享有特权的年轻人出于责任娶了一个女人,同时相信他爱上了一个异国情调但又难以接近的女人,并被迫处理他余生所做选择的情感和社会后果。事实上,诸如约翰·沃尔夫冈·冯·歌德、马塞尔·普鲁斯特和亨利·詹姆斯等重量级人物都以长篇的形式讨论了虚荣和易犯错误与时间流逝的主题。然而,《纯真年代》的非凡之处在于,它表达了那些最终决定一个人、婚姻或文化命运的微不足道的时刻。沃顿对小说类型的贡献在于,她以独特而深思熟虑的方式,通过叙事聚焦来构建心理张力,从而通过与读者的知识以及她自己的生活经验联系起来,让人物塑造和话语得以浮现。通过确定沃顿如何通过选择性地将视觉艺术和早期美国文学等重要文化力量纳入叙事中来探索复杂的婚姻状况,并通过扩大小说关键时刻的解释空间来构建情绪,我们可以确定《纯真年代》如何成为20世纪美国文学中婚姻话语交易性质的强大且仍然有影响力的文献。因此,本章将呈现传记和文学历史数据,为沃顿的工作奠定背景。它还将简要介绍和探讨20世纪初的一些文化发展,如精神分析和世俗化的兴起,这本身可能被理解为交易性质,这可能影响了当代观众对婚姻话语的认识。然后这些将通知口译员
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引用次数: 0
6. Marriage as Exploitation: Emma Goldman and the Anarchist Concept of Female Liberation 6. 作为剥削的婚姻:艾玛·戈德曼与无政府主义的女性解放观
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-006
F. Jacob
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引用次数: 0
4. Challenging Patriarchy: Marriage and the Reform of Marriage Law in Imperial Germany and the Weimar Republic 4. 挑战父权制:德意志帝国与魏玛共和国的婚姻与婚姻法改革
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-004
Marion Röwekamp
“If it were not for husband and wife,” the German social historian and writer Wilhelm Heinrich Riehl (1823– 1897) wrote in 1855, “one could think people on earth [are] destined for freedom and equality. However, because God created women and men, he made inequality and dependence basic elements of all human development.”1 Gender according to Riehl not only constituted ideas of inequality and domination but contributed significantly to the construction of humanity, to the construction of the modern state. Gender was, he argues, not only one of the most powerful producers of inequality, but the most powerful. This meant that the existence of the traditional family was defended just as much as the traditional position of women, indeed that the subordination of women in marriage was regarded as a paradigm of human inequality and subordination par excellence. As a consequence, the exclusion of married women from the state necessarily resulted from their subordination in the family. The patriarchally organized family thus was not only a mirror image but also a basic element of the state. No wonder that women within the context of the Enlightenment started to question why all humans, including women, were not equal and why not in the family. “Wife, marriage and love exhibit the brand of slavery,” expressed the feminist and philosopher Louise Dittmar (1807– 1884) in 1849. “The man is master over his wife, the absolute monarch with unlimited power to give orders in his realm, and not even lip-service is paid to constitutional guarantees that may be applied to wives,”2 argued Hedwig Dohm (1831– 1919) almost forty
德国社会历史学家和作家威廉·海因里希·里尔(Wilhelm Heinrich Riehl, 1823 - 1897)在1855年写道:“如果没有夫妻,人们可能会认为地球上的人们注定是自由和平等的。”然而,因为上帝创造了女人和男人,他使不平等和依赖成为人类发展的基本要素。1在Riehl看来,性别不仅构成了不平等和统治的观念,而且对人类的建构,对现代国家的建构做出了重大贡献。他认为,性别不仅是造成不平等最有力的因素之一,而且是最有力的因素。这意味着传统家庭的存在和妇女的传统地位一样受到捍卫,事实上,妇女在婚姻中的从属地位被视为人类不平等和绝对从属地位的典范。因此,将已婚妇女排除在国家之外必然是由于她们在家庭中的从属地位。因此,父权制组织的家庭不仅是国家的镜像,而且是国家的基本要素。难怪启蒙运动时期的女性开始质疑,为什么包括女性在内的所有人都不平等,为什么在家庭中不平等。女权主义者和哲学家路易斯·迪特玛(1807 - 1884)在1849年表示:“妻子、婚姻和爱情都带有奴隶制的烙印。”“男人是妻子的主人,是绝对的君主,在他的领域里有无限的权力发号施令,甚至对可能适用于妻子的宪法保障都没有口头上的承诺,”将近40岁的海德维格·多姆(1831 - 1919)说
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引用次数: 1
5. On the Discourse of the “New Sexual Morality” in the German Empire: Robert Michels’ Sexual Ethics between Women’s Movement, Social Democracy, and Sociology 5. 论德意志帝国的“新性道德”话语——罗伯特·米歇尔斯在妇女运动、社会民主主义与社会学之间的性伦理
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-005
Vincent Streichhahn
Research on Robert Michels (1876– 1936) tends to think of the sociologist from the end. In the reception of the public, Michels appears predominantly as an elite theorist, whose classic Political Parties: A Sociological Study of the Oligarchical Tendencies of Modern Democracy1 of 1911 reflects his disappointment with representative democracy on the one hand, and in which, on the other hand, the “nucleus of an authoritarian understanding of politics” is laid out, which predestined him as Benito Mussolini’s (1883– 1945) later Fascism apologete. This study, read as a disappointment in Michels’ former democratic hopes, would have led him ultimately from social democracy via syndicalism to Italian Fascism.2 Other works and thus different strands of interpretation are largely unknown compared to Political Parties. In the same year as Michels’ classic, however, another work was published, which is the focus of this article and has the potential to shake up the previous reception, namely Sexual Ethics: A Study of Borderland Questions.3 This “sexual-
对罗伯特·米歇尔斯(1876 - 1936)的研究倾向于从最后考虑社会学家。在公众的接受中,米歇尔斯主要以精英理论家的身份出现,他的经典著作《政党:1911年现代民主的寡头政治倾向的社会学研究》一方面反映了他对代议制民主的失望,另一方面,在这本书中,“对政治的威权主义理解的核心”被提出,这注定了他成为贝尼托·墨索里尼(1883 - 1945)后来法西斯主义的辩手。这项研究,被解读为对米歇尔斯以前的民主希望的失望,最终导致他从社会民主主义到工团主义再到意大利法西斯主义。2与《政党》相比,其他作品和不同的解释在很大程度上是未知的。然而,与米歇尔的经典同一年,另一部作品出版了,这是本文的重点,有可能动摇之前的接受,即性伦理:对边境问题的研究
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引用次数: 0
3. Marriage Discourses in Conflict: Public and Private Order in Early Modern Spain 3.冲突中的婚姻话语:近代早期西班牙的公共与私人秩序
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-003
Mariela Fargas Peñarrocha
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引用次数: 0
1. Idealized Romantic Love, Legal Issues, and Patriarchic Exploitation: An Introduction to Historical and Literary Marriage Discourses 1. 理想化的浪漫爱情、法律问题与父权剥削:历史与文学婚姻话语导论
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-001
F. Jacob, J. A. Mohammed
The latest ... dilemma I’ve encountered is a big one. Until I told my friends I was getting married, I didn’t know marriage and feminism could be considered mutually exclusive. I mean, just because a bride’s engagement ring is a symbol of ownership, and just because changing her name erases her identity as a separate individual, and just because the whole thing is ludicrously assumed to be the woman’s domain...1
最新的…我所遇到的困境是一个很大的难题。直到我告诉我的朋友我要结婚了,我才知道婚姻和女权主义可以被认为是相互排斥的。我的意思是,仅仅因为新娘的订婚戒指是所有权的象征,仅仅因为改变她的名字抹去了她作为一个独立个体的身份,仅仅因为整个事情都被荒谬地认为是女人的领域
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引用次数: 0
8. Redefining Marriage in Interwar Britain: Internal Transformation and Personal Sacrifice in the Poetry of H.D. 8. 重新定义两次世界大战之间英国的婚姻:H.D.诗歌中的内在转变和个人牺牲
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-008
J. Callison
their mutual penetration into the realms of supreme joy the two lovers bring back with them a spark of that light which we call life. unto them a child The mistake lies in supposing that “ the real thing ” , the longing for which has now become an obsession, is there to be found. It is not lying in wait for us on the far side of a surrender to enervated instinct and resentful flesh. It is not hidden, but lost.The only way to recover it is by building it up afresh, thanks to an effort that shall go against passion — that is to say, by some action, a putting in order, a purification, that will bring us back to the sober mean.
他们相互渗透到至高无上的欢乐领域,这两个恋人带回了我们称之为生命的光的火花。错误之处在于,以为“真正的东西”——对它的渴望如今已成为一种执念——就在那里可以找到。它并不是在向衰弱的本能和怨恨的肉体投降的另一边埋伏着等待我们。不是藏了,而是丢了。恢复它的唯一方法是重新建立它,这要归功于一种与激情相反的努力——也就是说,通过某种行动,一种整顿,一种净化,使我们回到清醒的中庸。
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引用次数: 0
Index 指数
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-012
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引用次数: 0
2. Political Marriage in Antiquity 2. 古代的政治婚姻
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-002
S. Müller
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引用次数: 0
Frontmatter
Pub Date : 2021-11-22 DOI: 10.1515/9783110751451-fm
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引用次数: 0
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