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Positions-east Asia Cultures Critique最新文献

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The Year 1989 and the Historical Roots of Neoliberalism in China 1989年与中国新自由主义的历史根源
Pub Date : 2004-05-28 DOI: 10.1215/10679847-12-1-7
W. Hui
One could almost say that the twentieth century was summed up a bit early, in 1989, even as history since thenhas proceeded apace. In that year the events inBeijing became a spark for the breakup of the SovietUnion and ofEastern Europe, which in turn marked the beginning of the global domination of neoliberalism in economic and political structures. China did not undergo the sameprocess of breakupasdid theSovietUnion andEasternEurope, and as a result, transformations in its social structure appear rather as a continuation of the events of 1989. If we characterized this process simply (bearing in mind that it is not yet complete), wemight say that, upon the premise of a continuity of its political system, China has promoted radicalmarketization; in addition, under the guidance of state policy, China has become one of the most enthusiastic participants in the global economy. This continuity and discontinuity has lent a special character to Chinese neoliberalism. Indeed, Chinese neoliberalismhas at times expressed its contradictionswith the state
人们几乎可以说,在1989年对20世纪进行了过早的总结,尽管自那以后的历史一直在飞速发展。那一年,北京发生的事件成为苏联和东欧解体的导火索,这反过来标志着新自由主义在全球经济和政治结构中占据主导地位的开始。中国没有像苏联和东欧那样经历同样的分裂过程,因此,其社会结构的转变更像是1989年事件的延续。如果我们简单地描述这一过程(考虑到它尚未完成),我们可以说,在其政治制度连续性的前提下,中国推动了激进的市场化;此外,在国家政策的引导下,中国已成为全球经济最热情的参与者之一。这种连续性和非连续性赋予了中国新自由主义一种特殊的特征。事实上,中国的新自由主义有时也表达了它与国家的矛盾
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引用次数: 40
On Kobayashi Yoshinori's On Taiwan 关于小林吉森的《台湾》
Pub Date : 2004-02-01 DOI: 10.1215/10679847-12-1-93
Marukawa Tetsushi
Part of manga, or comic, artist Kobayashi Yoshinori’s “New Arrogant-ist Manifesto,” serialized in the magazine SAPIO beginning in summer 2000, was published as a paperback in November 2001 under the title “On Taiwan”: New Arrogant-ist Manifesto SPECIAL (hereafter On Taiwan). More than 250,000 copies of this book were sold in Japan. In February 2001 a Chinese translation of the book was published in Taiwan, provoking an immense reaction in Taiwanese society. To summarize briefly, On Taiwan is a manga text in which Kobayashi selectively uses so-called pro-Japanese opinion in Taiwan to legitimize past Japanese colonial rule.Manga artist Kobayashi is also a foundingmember of the Japanese Society for Historical Textbook Reform, a group whose members exhibit varying degrees of conservativeness. He is a figure positioned as
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引用次数: 2
Feminism: An Organic or an Extremist Position? On Tien Yee As Represented by He Zhen 女权主义:有机的还是极端的立场?何震代表田仪谈
Pub Date : 2003-08-01 DOI: 10.1215/10679847-11-3-779
L. Huiying
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引用次数: 5
Korea's “Vietnam Question”: War Atrocities, National Identity, and Reconciliation in Asia 韩国的“越南问题”:亚洲的战争暴行、民族认同与和解
Pub Date : 2001-08-01 DOI: 10.1215/10679847-9-3-621
H. Kim
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引用次数: 15
Savage Construction and Civility Making: The Musha Incident and Aboriginal Representations in Colonial Taiwan 野蛮建构与文明建构:殖民台湾的木沙事件与原住民表征
Pub Date : 2000-08-01 DOI: 10.1215/10679847-8-3-795
Leo T. S. Ching
In 1911 Japanese colonial officials led forty-three selected aboriginal leaders from Taiwan on one of the seven “tours to Japan proper” (naichi kankō). The tours were organized in conjunction with the initial stage of military subjugation of the natives after the pacification of the Taiwanese-Chinese islanders. Four such tours took place between 1911 and 1912 at the height of the military campaign under the directives of the fifth governor-general, Sakuma Samata. Previously, the colonial government had only sponsored one tour in 1897 and, since 1912, only two tours, in 1918 and 1925, respectively. These tours presented a calculated structure of visibility. The visuality of Japanese metropolitan grandeur was to complement the brutality of Japanese colonial force in the larger colonial “enterprise of governing the savages” (rihan jigyō).1 The visiting savages (banjin) were directed to and shown various industrial and military facilities, the imperial palace, and Shinto shrines. These carefully orchestrated itineraries were intended to
1911年,日本殖民官员率领43名挑选出来的台湾原住民领袖,进行了七次“访日”中的一次。这些旅游是在台湾-中国岛民平定后对当地人进行军事征服的初始阶段组织起来的。在第五任总督佐久间·萨马塔的指挥下,在1911年至1912年的军事行动的高潮期间进行了四次这样的旅行。在此之前,殖民地政府只在1897年赞助了一次旅游,自1912年以来,只在1918年和1925年分别赞助了两次旅游。这些旅行呈现出一种经过计算的能见度结构。日本大都市的宏伟形象是为了在更大的殖民“统治野蛮人的事业”中补充日本殖民力量的残暴(rihan jigyhi)他们被引导到各种工业和军事设施、皇宫和神道教神社。这些精心安排的行程旨在
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引用次数: 20
“The Sole Guardians of the Art Inheritance of Asia”: Japan and China at the 1904 St. Louis World's Fair “亚洲艺术传承的唯一守护者”:1904年圣路易斯世界博览会上的日本和中国
Pub Date : 2000-08-01 DOI: 10.1215/10679847-8-3-675
C. Christ
On a frigid winter night in St. Louis in 1903, a man named Blackmer sat in a deep, brocade-covered chair sipping brandy and puffing on a thick cigar in front of a crackling fire. He was an experienced exposition planner who had gained his reputation at the 1893 Chicago World’s Fair, and his hosts were entrepreneurs interested in the operation of lucrative concessions at the upcoming St. Louis World’s Fair. A “Chinese Concession [would be] a failure,” Blackmer asserted. “People won’t go. [It would be] the most uninteresting thing I’ve ever seen.” A Japanese concession, he explained, “would be a winner . . . because the interest of the world is centered on Japan.”1 Blackmer was right. The Japanese had the attention of the world and earned bemused respect both on and off the St. Louis fairgrounds. They transformed their country into a military industrial power complete with an expansionist agenda and mastered the Western mode of exhibitionary
1903年,在圣路易斯一个寒冷的冬夜,一个名叫布莱克默(Blackmer)的人坐在一张铺着锦缎的椅子上,一边喝着白兰地,一边抽着厚厚的雪茄,面前是噼啪作响的炉火。他是一位经验丰富的展览策划者,在1893年的芝加哥世界博览会上赢得了声誉,他的东道主是对即将到来的圣路易斯世界博览会利润丰厚的特许经营权感兴趣的企业家。布莱克默断言:“中国的让步(将)是失败的。”“人们不会去的。这将是我所见过的最无趣的事情。”他解释说,日本的让步“将是一个赢家……因为全世界的利益都集中在日本身上。布莱克默是对的。日本人受到了全世界的关注,在圣路易斯集市内外都赢得了令人困惑的尊重。他们把自己的国家变成了一个军事工业大国,完成了扩张主义的议程,掌握了西方的展示模式
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引用次数: 16
Diaspora Politics, Homeland Erotics, and the Materializing of Memory 散居政治、祖国情色与记忆的物质化
Pub Date : 1999-08-01 DOI: 10.1215/10679847-7-3-697
Louisa Schein
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引用次数: 19
Traveling Barbie: Indian Transnationality and New Consumer Subjects 旅游芭比:印度跨国和新的消费者主题
Pub Date : 1999-08-01 DOI: 10.1215/10679847-7-3-799
Inderpal Grewal
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引用次数: 46
Brides Who Travel: Gender, Transnationalism, and Nationalism in Hindi Film 旅行的新娘:印度电影中的性别、跨国主义和民族主义
Pub Date : 1999-08-01 DOI: 10.1215/10679847-7-3-731
Purnima Mankekar
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引用次数: 47
I'm Floating in the Air: Creation of a Korean Transnational Space among Korean-Latino American Remigrants 我漂浮在空中:在韩裔拉丁美洲移民中创造一个韩国跨国空间
Pub Date : 1999-08-01 DOI: 10.1215/10679847-7-3-667
Kyeyoung Park
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引用次数: 12
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Positions-east Asia Cultures Critique
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