{"title":"From Revelation to Dilation in Dante’s Studio","authors":"Stanley W. Levers","doi":"10.1353/DAS.2016.0000","DOIUrl":"https://doi.org/10.1353/DAS.2016.0000","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"10 9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114062942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shoes, Gowns and Turncoats: Reconsidering Cacciaguida’s History of Florentine Fashion and Politics","authors":"K. Olson","doi":"10.1353/DAS.2016.0001","DOIUrl":"https://doi.org/10.1353/DAS.2016.0001","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"177 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115285721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Guinizellian Protocols: Angelic Hierarchies, Human Government, and Poetic Form in Dante","authors":"Ronald L. Martinez","doi":"10.1353/DAS.2016.0002","DOIUrl":"https://doi.org/10.1353/DAS.2016.0002","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121486267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Manuscripts pien di sonno: Dreaming in Trecento Copies of the Comedy","authors":"M. Horn","doi":"10.1353/DAS.2016.0007","DOIUrl":"https://doi.org/10.1353/DAS.2016.0007","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127956195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
da classificare come il primo, seppur poco noto, volgarizzamento del DcPhil . Le glosse latine aggiunte al margine del volgarizzamento, apparentemente derivate dal commento di Guglielmo di Conches
{"title":"Storia materiale di un classico dantesco: La Consolatio Philosophiae fra XII e XIV secolo tradizione manoscritta e rielaborazioni esegetiche","authors":"Paola Nasti","doi":"10.1353/DAS.2016.0004","DOIUrl":"https://doi.org/10.1353/DAS.2016.0004","url":null,"abstract":"da classificare come il primo, seppur poco noto, volgarizzamento del DcPhil . Le glosse latine aggiunte al margine del volgarizzamento, apparentemente derivate dal commento di Guglielmo di Conches","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134265865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Amicus eius: Dante and the Semantics of Friendship","authors":"Teodolinda Barolini","doi":"10.1353/DAS.2015.0006","DOIUrl":"https://doi.org/10.1353/DAS.2015.0006","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123861884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
V isio or fictio? The debate over whether Dante’s Comedy is a visio or a fictio has continued for more than a century and a half, with the vast majority of scholars arguing in favour of the fictio thesis. The contrast between the literary genres of the “vision” and the “otherworldly journey” offers more or less the same alternative. This subject is discussed in an influential essay by Cesare Segre, who argues that the Comedy begins as a vision, but continues as a realistic, extremely detailed, and purely literary narrative of a physical journey.1 It is, however, an explicit, unambiguous fact that Dante himself presents his poem as a vision. One need only recall the words of Cacciaguida in Paradiso 17—“tutta tua vision fa manifesta . . .” (Par. 17.128)—or the words of St. Bernard at the end of Paradiso 32. After explaining the placement of the angels and the saints who occupy the various benches of the White Rose of the Empyrean, Bernard tells Dante that he must now cut short their talk—the clock is ticking and he has to hurry if he wants to be in time to see God:
幻想还是幻想?关于但丁的《喜剧》是幻象还是小说的争论持续了一个半世纪，绝大多数学者都支持小说论。“异象”与“异世之旅”这两种文学体裁的对比，或多或少提供了相同的选择。切萨雷·塞格雷(Cesare Segre)在一篇颇有影响力的文章中讨论了这一主题，他认为《喜剧》一开始是一种幻象，但继续是对一次身体旅行的现实的、极其详细的、纯粹文学的叙述然而，这是一个明确的，明确的事实，但丁自己把他的诗作为一种愿景。我们只需要回想一下天堂篇第17章卡恰圭达的话——“tutta tua vision fa manifesta…”(17章128节)——或者天堂篇第32章末尾的圣伯纳德的话。在向但丁解释了天使和圣徒的位置之后，伯纳德告诉但丁，他现在必须缩短他们的谈话——时间紧迫，如果他想及时见到上帝，他必须抓紧时间。
{"title":"Dante “Imagining” His Journey Through the Afterlife","authors":"M. Tavoni","doi":"10.1353/DAS.2015.0008","DOIUrl":"https://doi.org/10.1353/DAS.2015.0008","url":null,"abstract":"V isio or fictio? The debate over whether Dante’s Comedy is a visio or a fictio has continued for more than a century and a half, with the vast majority of scholars arguing in favour of the fictio thesis. The contrast between the literary genres of the “vision” and the “otherworldly journey” offers more or less the same alternative. This subject is discussed in an influential essay by Cesare Segre, who argues that the Comedy begins as a vision, but continues as a realistic, extremely detailed, and purely literary narrative of a physical journey.1 It is, however, an explicit, unambiguous fact that Dante himself presents his poem as a vision. One need only recall the words of Cacciaguida in Paradiso 17—“tutta tua vision fa manifesta . . .” (Par. 17.128)—or the words of St. Bernard at the end of Paradiso 32. After explaining the placement of the angels and the saints who occupy the various benches of the White Rose of the Empyrean, Bernard tells Dante that he must now cut short their talk—the clock is ticking and he has to hurry if he wants to be in time to see God:","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"48 14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116956101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Il fondamento giuridico dell’auctor romanzo. Per leggere l’incipit e la metafora del Convivio","authors":"Lorenzo Mainini","doi":"10.1353/DAS.2015.0010","DOIUrl":"https://doi.org/10.1353/DAS.2015.0010","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131841749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sotto la quale rubrica: Pre-reading the Comedìa","authors":"K. P. Clarke","doi":"10.1353/DAS.2015.0001","DOIUrl":"https://doi.org/10.1353/DAS.2015.0001","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124943783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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