{"title":"A Few Words Before","authors":"","doi":"10.2307/j.ctvktrx3v.3","DOIUrl":"https://doi.org/10.2307/j.ctvktrx3v.3","url":null,"abstract":"","PeriodicalId":151722,"journal":{"name":"Master Classes with Menahem Pressler","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126594205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
[Anjanette’s Piano Piece]... That was a piece called, “Song without Words”.. written by a man named Felix Mendelssohn. Today we’re going to talk a bit about how his faith in God inspired his both his life and compositions. Mendelssohn was born into a Jewish family in 1809 in Hamburg, Germany. Because of the ethnic prejudices of that time, his father had each of his children baptized as Christians. Even though his conversion was coerced, Felix took to his faith with a genuine passion and sincere commitment. Most of those who knew him well would attest to this fact. When he was a young prodigy, he often penned prayerful exclamations onto his manuscripts, phrases like, “Lass es gelingen, Gott!” 7. (Let it succeed God!) or “Hilf du mit” (Help along). (And that will be the extent of my German this sermon!) Obviously he went about his work with a keen awareness of his dependence on the inspiration of God. And he most often saw the biblical text as the best source of material for his works... for his works and his life. A friend who knew him well once wrote, “He felt that all faith must be based on Holy Writ.” Mendelssohn in Elise Polko, Reminiscences of Felix Mendelssohn ... If someone were to alter the bilical text in one of his compositions, he would change it back! “I have time after time had to restore the precise text of the Bible. It is best in the end.”
[安妮特的钢琴曲]…这首歌的名字叫“无词之歌”。作者是一个叫菲利克斯·门德尔松的人。今天我们来谈谈他对上帝的信仰是如何启发他的生活和创作的。门德尔松于1809年出生在德国汉堡的一个犹太家庭。由于当时的种族偏见，他的父亲让他的每个孩子都受洗成为基督徒。虽然他的皈依是被迫的，但菲利克斯以一种真诚的热情和真诚的承诺接受了他的信仰。大多数熟悉他的人都能证明这一事实。当他还是一个年轻的神童时，他经常在他的手稿上写下祈祷的感叹词，比如“Lass es gelingen, Gott!””7。(让它接替上帝!)或“帮助”(Help along)。(这将是我这次布道的德语范围!)显然，他对自己的工作有着强烈的依赖于上帝启示的意识。他经常把圣经文本作为他作品的最佳素材来源……因为他的作品和生活。一位熟悉他的朋友曾经写道:“他觉得所有的信仰都必须以圣经为基础。”《Elise Polko》中的门德尔松，《门德尔松回忆录》……如果有人在他的作品中修改了圣经文本，他会把它改回来!“我不得不一次又一次地还原圣经的准确文本。最后它是最好的。”
{"title":"Felix Mendelssohn","authors":"Felix Mendelssohn March","doi":"10.2307/j.ctvktrx3v.22","DOIUrl":"https://doi.org/10.2307/j.ctvktrx3v.22","url":null,"abstract":"[Anjanette’s Piano Piece]... That was a piece called, “Song without Words”.. written by a man named Felix Mendelssohn. Today we’re going to talk a bit about how his faith in God inspired his both his life and compositions. Mendelssohn was born into a Jewish family in 1809 in Hamburg, Germany. Because of the ethnic prejudices of that time, his father had each of his children baptized as Christians. Even though his conversion was coerced, Felix took to his faith with a genuine passion and sincere commitment. Most of those who knew him well would attest to this fact. When he was a young prodigy, he often penned prayerful exclamations onto his manuscripts, phrases like, “Lass es gelingen, Gott!” 7. (Let it succeed God!) or “Hilf du mit” (Help along). (And that will be the extent of my German this sermon!) Obviously he went about his work with a keen awareness of his dependence on the inspiration of God. And he most often saw the biblical text as the best source of material for his works... for his works and his life. A friend who knew him well once wrote, “He felt that all faith must be based on Holy Writ.” Mendelssohn in Elise Polko, Reminiscences of Felix Mendelssohn ... If someone were to alter the bilical text in one of his compositions, he would change it back! “I have time after time had to restore the precise text of the Bible. It is best in the end.”","PeriodicalId":151722,"journal":{"name":"Master Classes with Menahem Pressler","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126322328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：