Pub Date : 2019-12-31DOI: 10.1525/9780520960398-012
{"title":"Death in the Crystal Ball (1950)","authors":"","doi":"10.1525/9780520960398-012","DOIUrl":"https://doi.org/10.1525/9780520960398-012","url":null,"abstract":"","PeriodicalId":163181,"journal":{"name":"Hitchcock on Hitchcock, Volume 2","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122793484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1525/9780520960398-006
{"title":"Hitchcock on Stories (1937)","authors":"","doi":"10.1525/9780520960398-006","DOIUrl":"https://doi.org/10.1525/9780520960398-006","url":null,"abstract":"","PeriodicalId":163181,"journal":{"name":"Hitchcock on Hitchcock, Volume 2","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131270925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1525/9780520960398-035
{"title":"Interview with Alfred Hitchcock (1973)","authors":"","doi":"10.1525/9780520960398-035","DOIUrl":"https://doi.org/10.1525/9780520960398-035","url":null,"abstract":"","PeriodicalId":163181,"journal":{"name":"Hitchcock on Hitchcock, Volume 2","volume":"61 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125931026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1525/9780520960398-022
{"title":"Encounter with Alfred Hitchcock (1956)","authors":"","doi":"10.1525/9780520960398-022","DOIUrl":"https://doi.org/10.1525/9780520960398-022","url":null,"abstract":"","PeriodicalId":163181,"journal":{"name":"Hitchcock on Hitchcock, Volume 2","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133118926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The remake of Hitchcock’s 1934 film retained the title and certain key elements of the original, in which the child of a vacationing couple is kidnapped, including the climactic assassination attempt in Albert Hall. But the details of the story changed a great deal. The vacationing couple is American, not English, the kidnapped child is a boy, not a girl, and the wife, played by Doris Day, is a retired musical star rather than an expert marksman. The Production Code office, which had excised five minutes of a climactic gun battle from the original, had relatively few objections to the remake. Censors objected to the kidnapping of a young child, the suggestion that the child’s life might be in danger, and wanted to make it clear that the villain was only ‘posing’ as a minister, not actually a man of the cloth. Hitchcock easily accommodated these suggestions by raising the age of the child to eight and adjusting a few bits of dialogue, reflecting both the gradual weakening of the Code and the director’s increasing skill in dealing with censorship.
{"title":"The Man Who Knew Too Much (1956)","authors":"J. Billheimer","doi":"10.2307/j.ctvfjcx5v.31","DOIUrl":"https://doi.org/10.2307/j.ctvfjcx5v.31","url":null,"abstract":"The remake of Hitchcock’s 1934 film retained the title and certain key elements of the original, in which the child of a vacationing couple is kidnapped, including the climactic assassination attempt in Albert Hall. But the details of the story changed a great deal. The vacationing couple is American, not English, the kidnapped child is a boy, not a girl, and the wife, played by Doris Day, is a retired musical star rather than an expert marksman. The Production Code office, which had excised five minutes of a climactic gun battle from the original, had relatively few objections to the remake. Censors objected to the kidnapping of a young child, the suggestion that the child’s life might be in danger, and wanted to make it clear that the villain was only ‘posing’ as a minister, not actually a man of the cloth. Hitchcock easily accommodated these suggestions by raising the age of the child to eight and adjusting a few bits of dialogue, reflecting both the gradual weakening of the Code and the director’s increasing skill in dealing with censorship.","PeriodicalId":163181,"journal":{"name":"Hitchcock on Hitchcock, Volume 2","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114653112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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