Pub Date : 2021-05-26DOI: 10.1093/acrefore/9780190277734.013.1066
A. Smith
To find the origins of African pastoralism it is important archaeologists look for the wild progenitors of animals. The wild sheep of Africa (Ammotragus lervia) were never domesticated, so all domestic sheep and goats came from the Near East. There has been some debate over whether there was an independent domestication of African cattle, because wild cattle (Bos primigenius) remains have been found in the Nile Valley. Genetic evidence shows that the source of African domesticated cattle was the Levant, some 8,000 years ago. Cattle spread across the Sahara as the environment was conducive to pastoralism, being well watered at this time. This lasted until after 5000 bp when the Intertropical Convergence Zone (ITCZ) retreated and the Sahara dried up to its present condition. The tsetse barrier also retreated at this time, allowing pastoralists to move south into West Africa and, via the Ethiopian highlands, to East Africa, arriving c.4500 bp, although it took another 1,000 years for them to fully adapt to the grasslands of southern Kenya and Tanzania. Domestic stock then went on to southern Africa via a tsetse-free corridor, arriving around 2000 bp. The effect of herding societies on local hunters throughout Africa appears to have been an initial rapprochement, with a later hardening of relations. In East Africa, this was probably due to the need to learn about the new environment with the help of local hunters and to adjust to new epizootic diseases. In southern Africa, the first pastoralists were primarily sheep herders during the 1st millennium bce, with few cattle bones being found from this time. Pastoralists only became fully fledged cattle herdsmen around 1000 bp when they developed the attributes of the historic Khoekhoen. A further debate existed in southern Africa over whether pastoralism there was the result of immigrant herders who arrived in the northern Kalahari and then spread to the Cape, or if local hunters took up sheep herding.
{"title":"Pastoralism in Africa","authors":"A. Smith","doi":"10.1093/acrefore/9780190277734.013.1066","DOIUrl":"https://doi.org/10.1093/acrefore/9780190277734.013.1066","url":null,"abstract":"To find the origins of African pastoralism it is important archaeologists look for the wild progenitors of animals. The wild sheep of Africa (Ammotragus lervia) were never domesticated, so all domestic sheep and goats came from the Near East. There has been some debate over whether there was an independent domestication of African cattle, because wild cattle (Bos primigenius) remains have been found in the Nile Valley. Genetic evidence shows that the source of African domesticated cattle was the Levant, some 8,000 years ago. Cattle spread across the Sahara as the environment was conducive to pastoralism, being well watered at this time. This lasted until after 5000 bp when the Intertropical Convergence Zone (ITCZ) retreated and the Sahara dried up to its present condition. The tsetse barrier also retreated at this time, allowing pastoralists to move south into West Africa and, via the Ethiopian highlands, to East Africa, arriving c.4500 bp, although it took another 1,000 years for them to fully adapt to the grasslands of southern Kenya and Tanzania. Domestic stock then went on to southern Africa via a tsetse-free corridor, arriving around 2000 bp. The effect of herding societies on local hunters throughout Africa appears to have been an initial rapprochement, with a later hardening of relations. In East Africa, this was probably due to the need to learn about the new environment with the help of local hunters and to adjust to new epizootic diseases. In southern Africa, the first pastoralists were primarily sheep herders during the 1st millennium bce, with few cattle bones being found from this time. Pastoralists only became fully fledged cattle herdsmen around 1000 bp when they developed the attributes of the historic Khoekhoen. A further debate existed in southern Africa over whether pastoralism there was the result of immigrant herders who arrived in the northern Kalahari and then spread to the Cape, or if local hunters took up sheep herding.","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127668003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-26DOI: 10.1093/acrefore/9780190277734.013.962
Lucilene Reginaldo
André do Couto Godinho was born in 1720 in the Brazilian captaincy of Minas Gerais, in the town of Mariana, and died in the Kingdom of Kongo, probably around 1790. Born not only a slave but the slave of a slave, he went on to obtain his freedom, becoming literate, later studying at a university, and finally going on to serve as a missionary in Africa. Between the beginning of his life, in Brazil, and its end, in Africa, he spent a number of years in Portugal, in the cities of Coimbra and Lisbon. While his life story is certainly extraordinary, it provides a window into the possibilities of, and strategies for, social and geographic mobility of free and freed black people in different parts of the Portuguese Empire during the second half of the 1700s. Retracing André Godinho’s footsteps is an exercise in micro-history, a technique that, when used as a counterpoint to a more global analysis, offers fresh insights into familiar subjects, with the seemingly insignificant details of an individual life raising questions that would have gone unnoticed in a strictly macroscopic analysis. André’s path in life, as a free man of color helps understand the larger historical contexts that defined the possibilities, choices, and limitations of his personal history. Godinho’s story provides insights into African descendants’ possibilities for social ascension, also clarifying the limitations imposed by emerging social hierarchies based on skin color and slave origin.
{"title":"André do Couto Godinho","authors":"Lucilene Reginaldo","doi":"10.1093/acrefore/9780190277734.013.962","DOIUrl":"https://doi.org/10.1093/acrefore/9780190277734.013.962","url":null,"abstract":"André do Couto Godinho was born in 1720 in the Brazilian captaincy of Minas Gerais, in the town of Mariana, and died in the Kingdom of Kongo, probably around 1790. Born not only a slave but the slave of a slave, he went on to obtain his freedom, becoming literate, later studying at a university, and finally going on to serve as a missionary in Africa. Between the beginning of his life, in Brazil, and its end, in Africa, he spent a number of years in Portugal, in the cities of Coimbra and Lisbon. While his life story is certainly extraordinary, it provides a window into the possibilities of, and strategies for, social and geographic mobility of free and freed black people in different parts of the Portuguese Empire during the second half of the 1700s. Retracing André Godinho’s footsteps is an exercise in micro-history, a technique that, when used as a counterpoint to a more global analysis, offers fresh insights into familiar subjects, with the seemingly insignificant details of an individual life raising questions that would have gone unnoticed in a strictly macroscopic analysis. André’s path in life, as a free man of color helps understand the larger historical contexts that defined the possibilities, choices, and limitations of his personal history. Godinho’s story provides insights into African descendants’ possibilities for social ascension, also clarifying the limitations imposed by emerging social hierarchies based on skin color and slave origin.","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132617090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-26DOI: 10.1093/acrefore/9780190277734.013.776
N. Erlank
The history of African Christianity in South Africa in the 19th century would be incomplete without a discussion of Tiyo Soga, the first Xhosa man to be ordained a minister in South Africa. His work as a preacher and translator was key to the spread of African indigenous Christianity in the Cape. In 1866 he completed his translation of The Pilgrim’s Progress into Xhosa, a book that had a greater impact than the Bible on how many Africans learned about Christianity. Less well known is the history of his family, including his parents, his wife, his children, and his grandchildren. While it is possible to reconstruct lives of some of the Soga men, it is difficult to uncover the lives of the women. Tiyo Soga and his wife, Janet Burnside, had seven children, and the four sons (William Anderson, John Henderson, Jotello Festiri, and Allan Kirkland) became prominent figures in Eastern Cape and South African history. The daughters, Isabella, Frances, and Jessie, had less prominent careers. African Christianity was important for all of them, and the sons pursued careers as a doctor, a historian, a veterinarian, and a journalist. The third son, A.K. Soga, was important as both a journalist and an African nationalist.
{"title":"The History of the Soga Family, Race, and Identity in South Africa in the Late 19th and Early 20th Centuries","authors":"N. Erlank","doi":"10.1093/acrefore/9780190277734.013.776","DOIUrl":"https://doi.org/10.1093/acrefore/9780190277734.013.776","url":null,"abstract":"The history of African Christianity in South Africa in the 19th century would be incomplete without a discussion of Tiyo Soga, the first Xhosa man to be ordained a minister in South Africa. His work as a preacher and translator was key to the spread of African indigenous Christianity in the Cape. In 1866 he completed his translation of The Pilgrim’s Progress into Xhosa, a book that had a greater impact than the Bible on how many Africans learned about Christianity. Less well known is the history of his family, including his parents, his wife, his children, and his grandchildren. While it is possible to reconstruct lives of some of the Soga men, it is difficult to uncover the lives of the women. Tiyo Soga and his wife, Janet Burnside, had seven children, and the four sons (William Anderson, John Henderson, Jotello Festiri, and Allan Kirkland) became prominent figures in Eastern Cape and South African history. The daughters, Isabella, Frances, and Jessie, had less prominent careers. African Christianity was important for all of them, and the sons pursued careers as a doctor, a historian, a veterinarian, and a journalist. The third son, A.K. Soga, was important as both a journalist and an African nationalist.","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129732117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-26DOI: 10.1093/acrefore/9780190277734.013.780
K. Cowcher
The Pan-African Film and Television Festival of Ouagadougou (FESPACO) was founded in 1969. It began as an intimate week-long gathering of filmmakers and enthusiasts in the capital of what is now Burkina Faso to watch contemporary films made by African filmmakers. At its peak in the 1990s, it attracted hundreds of thousands of spectators, both local and international. Since the 2000s, iterations have been smaller affairs, significantly impacted by both changes of government in Burkina Faso and wider political instability in West Africa, as well as ongoing debates about what films it should be showcasing. Despite such challenges (and with only one exception in the mid-1970s), however, FESPACO has remained a constant on the African continent, faithfully screening films by African and diaspora filmmakers every two years for more than half a century. FESPACO was conceived in the age of decolonization by a group of men and women who are considered to be the pioneers of African cinema, including the Senegalese writer and filmmaker Ousmane Sembène. It was established as the first sub-Saharan showcase of African filmmaking, an emergent and significant field in the era of independence when cinema was prized for its ability to make visible African realities and to (re)constitute national histories eclipsed by colonial rule. The concept of a distinctly “African” cinema was articulated most extensively by filmmaker and scholar Paulin Soumanou Vieyra and referred to films made by Africans, telling African stories, principally for African audiences. For Vieyra, Sembène, and their contemporaries, it was essential to take back control of the art of cinema on the African continent, where it had predominantly been deployed as a colonial tool; FESPACO was conceived as the regular forum for those committed to its development to come together and share their work. Through the course of its development, FESPACO has been confronted with a number of challenges regarding its form and its evolution. Its strong connections with the Burkinabe state have been seen as both a significant factor for its growth and its success, and, particularly in the era of Blaise Compaoré, as a source for concern regarding freedom of expression. Since the turn of the 21st century, questions about where video filmmaking—an industry that has proliferated on the African continent in a manner unprecedented internationally—fits within FESPACO’s definition of cinema have been consistent. The festival has, over the years, been accused of being both outdated and elitist in its commitment to celluloid, but also of straying from its original remit to showcase African stories for African audiences, accusations it has responded to by the creation of new prize categories and requirements for submission. The year 2019 was one of reflection, but many critics felt that after some difficult years the festival was showing signs of rejuvenation. Though it is now one of many film festivals on the continent comm
{"title":"African Films and FESPACO","authors":"K. Cowcher","doi":"10.1093/acrefore/9780190277734.013.780","DOIUrl":"https://doi.org/10.1093/acrefore/9780190277734.013.780","url":null,"abstract":"The Pan-African Film and Television Festival of Ouagadougou (FESPACO) was founded in 1969. It began as an intimate week-long gathering of filmmakers and enthusiasts in the capital of what is now Burkina Faso to watch contemporary films made by African filmmakers. At its peak in the 1990s, it attracted hundreds of thousands of spectators, both local and international. Since the 2000s, iterations have been smaller affairs, significantly impacted by both changes of government in Burkina Faso and wider political instability in West Africa, as well as ongoing debates about what films it should be showcasing. Despite such challenges (and with only one exception in the mid-1970s), however, FESPACO has remained a constant on the African continent, faithfully screening films by African and diaspora filmmakers every two years for more than half a century.\u0000 FESPACO was conceived in the age of decolonization by a group of men and women who are considered to be the pioneers of African cinema, including the Senegalese writer and filmmaker Ousmane Sembène. It was established as the first sub-Saharan showcase of African filmmaking, an emergent and significant field in the era of independence when cinema was prized for its ability to make visible African realities and to (re)constitute national histories eclipsed by colonial rule. The concept of a distinctly “African” cinema was articulated most extensively by filmmaker and scholar Paulin Soumanou Vieyra and referred to films made by Africans, telling African stories, principally for African audiences. For Vieyra, Sembène, and their contemporaries, it was essential to take back control of the art of cinema on the African continent, where it had predominantly been deployed as a colonial tool; FESPACO was conceived as the regular forum for those committed to its development to come together and share their work.\u0000 Through the course of its development, FESPACO has been confronted with a number of challenges regarding its form and its evolution. Its strong connections with the Burkinabe state have been seen as both a significant factor for its growth and its success, and, particularly in the era of Blaise Compaoré, as a source for concern regarding freedom of expression. Since the turn of the 21st century, questions about where video filmmaking—an industry that has proliferated on the African continent in a manner unprecedented internationally—fits within FESPACO’s definition of cinema have been consistent. The festival has, over the years, been accused of being both outdated and elitist in its commitment to celluloid, but also of straying from its original remit to showcase African stories for African audiences, accusations it has responded to by the creation of new prize categories and requirements for submission. The year 2019 was one of reflection, but many critics felt that after some difficult years the festival was showing signs of rejuvenation. Though it is now one of many film festivals on the continent comm","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129997890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-26DOI: 10.1093/acrefore/9780190277734.013.987
Ned Bertz
The Indian diaspora in Tanzania emerged in waves from the subcontinent. While its internal religious and cultural diversity has been a hallmark, the diaspora accreted into a political category and community identity through the crucibles of colonialism and nationalism. Its origins were more disparate. East Africa and western India—especially peninsular Gujarat and Kutch—were fused by the monsoon winds that drove premodern Indian Ocean trade, when small numbers of Indian merchants sojourned and settled across the sea. The diaspora received a fillip after the Sultan of Oman shifted his capital to Zanzibar in 1840, granting positions to Indians and attracting trade and migration, largely of Indian Muslims. Britain used the suppression of the slave trade—in which its Indian subjects had participated vigorously—as a wedge to declare a protectorate over Zanzibar and established Tanganyika on the mainland after German East Africa was ceded following World War I. This was a boom time for settlement from India, and while the migrants were mostly poor, they thrived in the transformation into an imperial diaspora, working within segregated colonial structures and attaining advantages denied to Africans. Indians—a majority of them Shia Muslims of several sects—numbered around 110,000 when African nationalism won independence in Tanganyika and Zanzibar in the early 1960s, and in the postcolonial period their privilege made them targets of public animosity and state action. While protected by the inclusivist first president of united Tanzania, the diaspora integrated into the new nation in limited ways. When socialist reforms nationalized housing and made business challenging in the 1960s and 1970s, almost half of the Indians left, largely to Canada and the United Kingdom. Those who remained suffered occasional moments of political pressure even after socialism collapsed, but in the early decades of the 21st century they continue to reside in urban centers as a secure but marked minority with lives revolving around commerce and diverse community institutions.
{"title":"The Indian Diaspora in Tanzania","authors":"Ned Bertz","doi":"10.1093/acrefore/9780190277734.013.987","DOIUrl":"https://doi.org/10.1093/acrefore/9780190277734.013.987","url":null,"abstract":"The Indian diaspora in Tanzania emerged in waves from the subcontinent. While its internal religious and cultural diversity has been a hallmark, the diaspora accreted into a political category and community identity through the crucibles of colonialism and nationalism. Its origins were more disparate. East Africa and western India—especially peninsular Gujarat and Kutch—were fused by the monsoon winds that drove premodern Indian Ocean trade, when small numbers of Indian merchants sojourned and settled across the sea. The diaspora received a fillip after the Sultan of Oman shifted his capital to Zanzibar in 1840, granting positions to Indians and attracting trade and migration, largely of Indian Muslims.\u0000 Britain used the suppression of the slave trade—in which its Indian subjects had participated vigorously—as a wedge to declare a protectorate over Zanzibar and established Tanganyika on the mainland after German East Africa was ceded following World War I. This was a boom time for settlement from India, and while the migrants were mostly poor, they thrived in the transformation into an imperial diaspora, working within segregated colonial structures and attaining advantages denied to Africans. Indians—a majority of them Shia Muslims of several sects—numbered around 110,000 when African nationalism won independence in Tanganyika and Zanzibar in the early 1960s, and in the postcolonial period their privilege made them targets of public animosity and state action. While protected by the inclusivist first president of united Tanzania, the diaspora integrated into the new nation in limited ways. When socialist reforms nationalized housing and made business challenging in the 1960s and 1970s, almost half of the Indians left, largely to Canada and the United Kingdom. Those who remained suffered occasional moments of political pressure even after socialism collapsed, but in the early decades of the 21st century they continue to reside in urban centers as a secure but marked minority with lives revolving around commerce and diverse community institutions.","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127298485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-26DOI: 10.1093/acrefore/9780190277734.013.982
D. Peterson
Since the beginning of the 21st century, archivists in Uganda have been pursuing a number of projects to make previously inaccessible archival collections available for research. All of this work of archival rehabilitation makes it hard to see the longer history of control and curatorship in the management of Uganda’s public record. Uganda’s archives have, over the course of decades, been rearranged and pruned in response to changing political and intellectual demands. In the 1950s and 1960s British and Ugandan officials sought to shield the paper record from examination. This regime of access control deprived campaigners of inspiration and evidence. During the 1970s, with the ascendancy of Idi Amin’s government, archives were rendered into a national patrimony. Civil servants hastened to ensure that the record of their accomplishments was stored in safe custody. Since the late 1980s the government of Yoweri Museveni has disinvested the state from the legacies of the past. For the Museveni government the slow decay of the public record has allowed the foreclosing of divisive debates about history. Uganda’s political history has been episodic and interrupted, and every new regime has had to struggle anew to author a narrative about national self-becoming. That is why Uganda’s governments have taken such dramatically different positions on the management of historical knowledge. Opening or withholding archival materials is a way of editing the public record. It makes some kinds of information state secrets and renders other aspects of the past into a legacy, a source of inspiration and orientation.
{"title":"The Politics of Archives in Uganda","authors":"D. Peterson","doi":"10.1093/acrefore/9780190277734.013.982","DOIUrl":"https://doi.org/10.1093/acrefore/9780190277734.013.982","url":null,"abstract":"Since the beginning of the 21st century, archivists in Uganda have been pursuing a number of projects to make previously inaccessible archival collections available for research. All of this work of archival rehabilitation makes it hard to see the longer history of control and curatorship in the management of Uganda’s public record. Uganda’s archives have, over the course of decades, been rearranged and pruned in response to changing political and intellectual demands. In the 1950s and 1960s British and Ugandan officials sought to shield the paper record from examination. This regime of access control deprived campaigners of inspiration and evidence. During the 1970s, with the ascendancy of Idi Amin’s government, archives were rendered into a national patrimony. Civil servants hastened to ensure that the record of their accomplishments was stored in safe custody. Since the late 1980s the government of Yoweri Museveni has disinvested the state from the legacies of the past. For the Museveni government the slow decay of the public record has allowed the foreclosing of divisive debates about history.\u0000 Uganda’s political history has been episodic and interrupted, and every new regime has had to struggle anew to author a narrative about national self-becoming. That is why Uganda’s governments have taken such dramatically different positions on the management of historical knowledge. Opening or withholding archival materials is a way of editing the public record. It makes some kinds of information state secrets and renders other aspects of the past into a legacy, a source of inspiration and orientation.","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127455050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-26DOI: 10.1093/acrefore/9780190277734.013.419
E. Pollard
The continent of Africa has had a lengthy involvement in global maritime affairs and archaeological research with Middle Stone Age people using marine resources on the coasts of southern Africa, the Classical Pharos lighthouse of Alexandria, and Medieval Indian Ocean trade on the Swahili coast to the Atlantic triangular slave trade. Maritime archaeology is the identification and interpretation of physical traces left by people who use the seas and oceans. Middle Stone Age sites in South Africa such as Klasies River Mouth and Pinnacle Point have the earliest evidence for human use of marine resources including birds, marine mammals, and shellfish. This exploitation of marine resources was also coincident with the use of pigment, probably for symbolic behavior, as well as the production of bladelet stone tool technology. The extensive timespan of human activity on the coast around Africa occurred during changing relative sea levels due to Ice Ages and tectonic movement affecting the location of the coastline relative to maritime archaeological sites. Geomorphological changes may also take place over shorter periods such as the 1909 ce shipwreck of the Eduard Bohlen in Namibia lying c. one and half thousand feet landward of the shoreline. Ancestors of sea-going vessels have been recorded on rivers from dugout canoes excavated at Dufuna in northern Nigeria and the first plank-built boats, such as the Old Kingdom Royal Ship of Cheops of Khufu, found at the Giza pyramids, which imitated the shape of earlier papyrus rafts. Classical documents such as the Periplus Maris Erythraei and Ptolemy’s Geographia record Arabian and Indian trade with eastern Africa including ivory and rhinoceros horn and describe fishing practices using baskets and sewn-hull boats of the inhabitants. The increase in oceanic trade links here during the medieval period encouraged the formation of Swahili port cities such as Kilwa and Mombasa. The former was in a strategic position to manage much of the gold trade between Sofala in Mozambique and the northern Swahili Coast. Portuguese forts, constructed in the 15th and 16th centuries on their trade routes around Africa, such as Elmina Castle in Ghana, Fort Jesus in Mombasa, Kenya, and Fort São Sebastião on Mozambique Island, dominate the ports and harbors. The first sub-Saharan underwater scientific investigations took place in 1976 of the Portuguese frigate Santo Antonio de Tanna that sunk during an Omani siege from 1696 to 1698. At Elmina in West Africa, studies were made of wreck-site formation processes around the 17th-century Dutch West India Company vessel Groeningen, which had caught fire when firing its guns in salute to Elmina Castle after arrival. More broad-based studies that interpret the functioning of the African maritime society in its wider environmental setting, both physically in the context of its religious buildings, harbors, fishing grounds, sailing routes, and shipwrecks, and by taking account of non-material a
非洲大陆长期以来一直参与全球海洋事务和考古研究，从中石器时代的人们利用南部非洲海岸的海洋资源，亚历山大的古典法罗斯灯塔，以及中世纪斯瓦希里海岸的印度洋贸易到大西洋三角奴隶贸易。海洋考古学是对利用海洋的人们留下的物理痕迹的鉴定和解释。在南非的中石器时代遗址，如Klasies河口和Pinnacle Point，有人类利用海洋资源的最早证据，包括鸟类、海洋哺乳动物和贝类。这种对海洋资源的开发也与颜料的使用相一致，可能是为了象征性的行为，以及刀片石器技术的生产。人类在非洲海岸的广泛活动发生在相对海平面的变化期间，这是由于冰河时期和构造运动影响了海岸线相对于海洋考古遗址的位置。地貌变化也可能在较短的时间内发生，如1909年爱德华·博伦号在纳米比亚的沉船事故，沉船位于海岸线向陆地1500英尺处。在尼日利亚北部的杜富纳发掘的独木舟和最早的用木板建造的船，比如在吉萨金字塔发现的胡夫古王国皇家船，都是模仿早期纸莎草木筏的形状，在河流上记录了海船的祖先。《Periplus Maris Erythraei》和托勒密的《地理》等经典文献记录了阿拉伯和印度与东非的贸易，包括象牙和犀牛角，并描述了当地居民使用篮子和缝壳船捕鱼的做法。中世纪期间，这里海洋贸易联系的增加促进了斯瓦希里港口城市的形成，如基尔瓦和蒙巴萨。前者处于战略地位，可以管理莫桑比克索法拉和斯瓦希里北部海岸之间的大部分黄金贸易。葡萄牙人在15世纪和16世纪在他们环绕非洲的贸易路线上建造的堡垒，如加纳的埃尔米纳城堡、肯尼亚蒙巴萨的耶稣堡和莫桑比克岛的sfort s o sebasti堡，统治着港口和港口。第一次撒哈拉以南的水下科学调查是在1976年对1696年至1698年阿曼围攻期间沉没的葡萄牙护卫舰圣安东尼奥·德·塔纳进行的。在西非的埃尔米纳，研究人员对17世纪荷兰西印度公司船只格罗宁根号周围的残骸形成过程进行了研究，这艘船抵达埃尔米纳城堡后，在向城堡鸣枪致敬时起火。更广泛的研究解释了非洲海洋社会在其更广泛的环境背景下的功能，既包括其宗教建筑、港口、渔场、航行路线和沉船的物理背景，也考虑到影响沿海社会行为的信仰的非物质方面，从而导致了对其海洋前景的解释。
{"title":"African Maritime Archaeology","authors":"E. Pollard","doi":"10.1093/acrefore/9780190277734.013.419","DOIUrl":"https://doi.org/10.1093/acrefore/9780190277734.013.419","url":null,"abstract":"The continent of Africa has had a lengthy involvement in global maritime affairs and archaeological research with Middle Stone Age people using marine resources on the coasts of southern Africa, the Classical Pharos lighthouse of Alexandria, and Medieval Indian Ocean trade on the Swahili coast to the Atlantic triangular slave trade. Maritime archaeology is the identification and interpretation of physical traces left by people who use the seas and oceans. Middle Stone Age sites in South Africa such as Klasies River Mouth and Pinnacle Point have the earliest evidence for human use of marine resources including birds, marine mammals, and shellfish. This exploitation of marine resources was also coincident with the use of pigment, probably for symbolic behavior, as well as the production of bladelet stone tool technology. The extensive timespan of human activity on the coast around Africa occurred during changing relative sea levels due to Ice Ages and tectonic movement affecting the location of the coastline relative to maritime archaeological sites. Geomorphological changes may also take place over shorter periods such as the 1909 ce shipwreck of the Eduard Bohlen in Namibia lying c. one and half thousand feet landward of the shoreline.\u0000 Ancestors of sea-going vessels have been recorded on rivers from dugout canoes excavated at Dufuna in northern Nigeria and the first plank-built boats, such as the Old Kingdom Royal Ship of Cheops of Khufu, found at the Giza pyramids, which imitated the shape of earlier papyrus rafts. Classical documents such as the Periplus Maris Erythraei and Ptolemy’s Geographia record Arabian and Indian trade with eastern Africa including ivory and rhinoceros horn and describe fishing practices using baskets and sewn-hull boats of the inhabitants. The increase in oceanic trade links here during the medieval period encouraged the formation of Swahili port cities such as Kilwa and Mombasa. The former was in a strategic position to manage much of the gold trade between Sofala in Mozambique and the northern Swahili Coast. Portuguese forts, constructed in the 15th and 16th centuries on their trade routes around Africa, such as Elmina Castle in Ghana, Fort Jesus in Mombasa, Kenya, and Fort São Sebastião on Mozambique Island, dominate the ports and harbors. The first sub-Saharan underwater scientific investigations took place in 1976 of the Portuguese frigate Santo Antonio de Tanna that sunk during an Omani siege from 1696 to 1698. At Elmina in West Africa, studies were made of wreck-site formation processes around the 17th-century Dutch West India Company vessel Groeningen, which had caught fire when firing its guns in salute to Elmina Castle after arrival. More broad-based studies that interpret the functioning of the African maritime society in its wider environmental setting, both physically in the context of its religious buildings, harbors, fishing grounds, sailing routes, and shipwrecks, and by taking account of non-material a","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122132942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-03DOI: 10.1093/acrefore/9780190277734.013.421
A. Cohen
The late 1940s and early 1950s saw British government policy align, albeit briefly, with European settler desire in Southern and Northern Rhodesia (Zimbabwe and Zambia) for a closer association of their territories. Widespread African opposition was overlooked, and on September 1, 1953, the Federation of Rhodesia and Nyasaland (more commonly known as the Central African Federation) came into existence. Nyasaland was included at the insistence of the British government. The federation was a bold experiment in political power during the late stage of British colonialism and constituted one of the most intricate episodes in its retreat from empire. Explanations for the creation of the federation center on attempts to stymie the regional influence of apartheid South Africa and the perceived economic advantages of a closer association of Britain’s Central African colonies. African opposition to the formation of the federation was widespread. Although this protest dissipated in the early years of the federation, the early promises in racial “partnership” soon proved to be insincere, and this reinvigorated African protest as the 1960 federal constitutional review drew close. The end of the Central African Federation is best explained by several intertwined pressures, including African nationalist protest, economic weakness, and hardening settler intransigence. By the end of 1962, there was large-scale African opposition to federation in both Northern Rhodesia and Nyasaland, and the Rhodesian Front had come to power on a platform of independence free from the federation. The final death knell for the federation rang with the British government’s decision that no territory should be kept in the federation against its will.
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Pub Date : 2021-03-25DOI: 10.1093/acrefore/9780190277734.013.675
N. Håkansson
The Pangani Valley region in northern Tanzania is dominated by an arc of highlands that stretch from Usambara to Arusha. In this region, ecotonal variations in environments have shaped—and were in turn shaped by—cultural, political, and economic forces. Since the early 18th century three major events and shifts in regional and world systems dynamics affected significant economic and political changes on the highlands. First, the international ivory and slave trade increased in volume and organization; second, this led to an expansion of specialized pastoralism through an increased availability of cattle in the region; and third, at the end of the 19th century the region was included into a colonial state. The populations of the highlands were all organized into patrilineages and patriclans. Sometime in the late 1600s or early 1700s, several of the kinship-based, highland communities developed into chiefdoms of varying sizes and degrees of stratification. The ability of a chief to maintain a rudimentary administration and political power depended on the possession of wealth in the form of livestock, rights in persons, and rights in land. A part of household production in the form of crops, livestock, and beer was transmitted from farmers to chiefs as tribute. The most valued part of the tribute was cattle, which the chief needed to build a large family, to obtain debt-clients, and as gifts to lineage heads and the young men who served as warriors. Thus, the political cohesiveness of chiefdoms was ultimately contingent on the chiefs’ abilities to control the flow of cattle and to supply these to local lineage heads and subchiefs. The political strategies that maintained stratification in the highlands varied between the different areas. On Kilimanjaro, politics among the Chagga was based on marriage arrangements, while in North Pare it was control of land and irrigation that were used for political purposes, and in South Pare and Usambara control over rain-making rituals provided the cultural justification for the centralization of power. Cattle were the main resource for implementing culturally defined political strategies. Their importance was exacerbated during the 19th century when increased political turmoil caused by participation in the coastal trade opened new avenues for access to wealth outside the kinship-based networks. As a result, new actors entered into competition for cattle and political power that resulted in increased tribute demands, as well as raiding and warfare.
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Pub Date : 2021-03-25DOI: 10.1093/acrefore/9780190277734.013.765
Plan Shenjere-Nyabezi
The Nyanga district of eastern Zimbabwe shows a cultural history that is similar to the rest of Zimbabwe and the southern African region. Although largely undated, the Stone Age—from the Early Stone Age, the Middle Stone Age, through to the Later Stone Age hunter-gatherers—is represented at a number of open sites and rock shelters. Later Stone Age rock art, some of which exhibits rather unique artistic attributes and characteristics such as the stripped images, has been recorded in this area. The advent of settled iron-using farming communities is also evident, as elsewhere in southern Africa dating from the 2nd to the 3rd century ce. The well-known Early Farming Communities Ziwa ceramic tradition of southern Africa is in fact named after the type site in this district. The Nyanga district is however particularly famous for its stone constructions that come in a variety of forms, consisting of stone terraced hillsides, which extend for almost sixty-five miles from north to south and cover some twenty-three hundred square miles, as well as stone-lined pit structures, hilltop forts, stone-walled enclosures, and trackways. Dating from the 14th to the early 19th century, the culture is one of the Later Farming Community cultures of Zimbabwe. The stone architecture and several other cultural aspects differ from those of the more famous Zimbabwe Culture, such that, although the two entities partly overlapped chronologically, Nyanga represents a separate cultural development in Zimbabwe’s history. The purpose of the stone structures has been a subject of archaeological debate for some time. The majority of scholars generally agree that the terracing and pit structures were constructed for agricultural and animal herding practices. However, since the early 2010s, some scholars have somewhat unconvincingly argued that gold-mining and processing were the primary motivation for the Nyanga architectural remains. The traditional view of the communities associated with the Nyanga stone architecture has largely seen them as representing basic peasant agricultural people lacking complex sociopolitical organization. However, examination of the scale and extent of the architecture, including consideration of the size of the enclosures and their spatial distribution, strongly suggests that the Nyanga people were organized as fairly complex sociopolitical formations that are archaeologically consistent with the chiefdom level, at the very least.
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