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Literature and the Remains of the Death Penalty最新文献

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4. THE SENTENCE IS THE STORY 4. 句子就是故事
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-005
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引用次数: 0
3. IS JUSTICE BURNING? 3.正义在燃烧吗?
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-004
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引用次数: 0
1. BEGINNING WITH LITERATURE 1. 从文学开始
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-002
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引用次数: 0
2. ORWELL’S EXECUTION 2. 奥威尔的执行
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-003
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引用次数: 0
5. PLAYING THE LAW 5. 遵守法律
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-006
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引用次数: 0
ACKNOWLEDGMENTS 致谢
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-008
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引用次数: 0
INDEX 指数
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-010
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引用次数: 0
Frontmatter
Pub Date : 2020-12-31 DOI: 10.1515/9780823282326-fm
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引用次数: 0
The Sentence Is the Story 句子就是故事
Pub Date : 2018-10-16 DOI: 10.5422/FORDHAM/9780823282302.003.0005
Peggy Kamuf
This chapter takes up Norman Mailer’s 1979 novel The Executioner’s Song as chronicle of the “modern death penalty” era post-Gregg v. Georgia. Two questions or issues frame my analysis: the relation between narrative structure in general and the death penalty plot; the distinction between execution and suicide. The first issue is explored with the help of narratologists, but especially Walter Benjamin. The second reviews Kant’s argument that “no one can will [capital] punishment” and Derrida’s remarks, contra Kant, on the undecidability of execution and suicide. The chapter concludes with a brief reading of Mailer’s 1964 poem of the same title as his novel and speculates on how these two texts read the recent history of the U.S. death penalty.
本章以诺曼·梅勒1979年的小说《刽子手之歌》为例,记述了“现代死刑”时代后的格雷格诉乔治亚案。两个问题构成了我的分析框架:叙事结构与死刑情节的关系;处决和自杀的区别。第一个问题是在叙事学家的帮助下探讨的,尤其是沃尔特·本雅明。第二部分回顾了康德关于“没有人可以选择死刑”的观点,以及德里达关于死刑和自杀的不可判定性的言论,这与康德的观点相反。这一章的结尾是对梅勒1964年的同名诗歌的简短阅读,并推测这两篇文章如何解读美国最近的死刑历史。
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引用次数: 0
Orwell’s Execution 奥威尔的执行
Pub Date : 2018-10-16 DOI: 10.5422/fordham/9780823282302.003.0003
Peggy Kamuf
The question of the chapter is the role of the witness in a capital execution. In contrast to Foucault, who asserted the becoming-invisible of punishment, Derrida insists that “By definition, there will never have been any invisibility for a legal putting to death . . . the spectacle and the spectator are required.” George Orwell’s early short text “A Hanging” is read very closely here to discern how this essential trait of non-secrecy is put to the test when the witness’s testimony is consigned to a literary text and thus to a set of sealed traces.
这一章的问题是证人在死刑执行中的作用。与福柯相反,德里达坚持认为,“根据定义,法律上的死刑永远不会是隐形的……”场面和观众是必需的。”乔治·奥威尔(George Orwell)早期的短篇小说《绞刑》(A Hanging)在这里被仔细阅读,以了解当证人的证词被委托给文学文本,从而成为一组密封的痕迹时,这种非保密的基本特征是如何受到考验的。
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引用次数: 1
期刊
Literature and the Remains of the Death Penalty
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