Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/020
{"title":"Elenco degli oggetti d’arte esposti nelle Sale della Società Veneta Promotrice durante l’anno 1868","authors":"","doi":"10.30687/978-88-6969-294-9/020","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/020","url":null,"abstract":"","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"2021 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115607930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/004
Nicolò Zennaro
Historians writing about the History of Venice have rarely dealt with or mentioned the year 1868: to trace this moment it is essential to make direct reference to the Gazzetta di Venezia of that same year. Another useful source is the diary of Elena Pesaro Maurogonato (1853-1876), daughter of Isacco Pesaro Maurogonato (1817-1892), a central figure in the Venetian Jewish community and an important political figure. Among the most important events are the celebrations in St. Mark’s Square on the occasion of the Carnival, the representations at the Teatro La Fenice and events related to the translation of Daniele Manin’s ashes. This essay also traces a portrait of the social situation in Venice, ranging from the identification of differences between social classes to the creation of the ‘myth of Venice’, a collective cultural identity resulting from the association of several popular traditions.
撰写威尼斯历史的历史学家很少涉及或提及1868年:为了追溯这一时刻，有必要直接参考同年的《威尼斯公报》(Gazzetta di Venezia)。另一个有用的资料来源是Elena Pesaro Maurogonato(1853-1876)的日记，她是Isacco Pesaro Maurogonato(1817-1892)的女儿，Isacco Pesaro Maurogonato是威尼斯犹太社区的核心人物，也是一位重要的政治人物。其中最重要的活动是在狂欢节期间在圣马可广场举行的庆祝活动，在凤凰剧院举行的代表活动以及与翻译丹尼尔·马宁骨灰有关的活动。本文还描绘了威尼斯的社会状况，从社会阶层差异的识别到“威尼斯神话”的创造，这是一种由几种流行传统结合而成的集体文化认同。
{"title":"Un ritratto della società veneziana","authors":"Nicolò Zennaro","doi":"10.30687/978-88-6969-294-9/004","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/004","url":null,"abstract":"Historians writing about the History of Venice have rarely dealt with or mentioned the year 1868: to trace this moment it is essential to make direct reference to the Gazzetta di Venezia of that same year. Another useful source is the diary of Elena Pesaro Maurogonato (1853-1876), daughter of Isacco Pesaro Maurogonato (1817-1892), a central figure in the Venetian Jewish community and an important political figure. Among the most important events are the celebrations in St. Mark’s Square on the occasion of the Carnival, the representations at the Teatro La Fenice and events related to the translation of Daniele Manin’s ashes. This essay also traces a portrait of the social situation in Venice, ranging from the identification of differences between social classes to the creation of the ‘myth of Venice’, a collective cultural identity resulting from the association of several popular traditions.","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123868145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diario di Elena","authors":"R. Rizzardi","doi":"10.30687/978-88-6969-294-9/015","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/015","url":null,"abstract":"The diary of the fifteen-year-old Elena Pesaro Maurogonato traces the events in Venice between 1867 and 1868.","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130695537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/019
{"title":"Elenco degli oggetti d’arte ammessi alla Esposizione nelle sale della R. Accademia Veneta di Belle Arti, maggio 1868","authors":"","doi":"10.30687/978-88-6969-294-9/019","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/019","url":null,"abstract":"","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130929149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/013
Antonio Masala
This essay aims to give a reading of Guglielmo Ciardi’s painting Canale della Giudecca focused on light and synthesis of pictorial elements. The second half of the 19th century is a very intense period for Venice: the Serenissima experience recently ended and modernity is arriving in the form of new bridges and ferries. The Academy of Art is living a big revolution and artists are travelling, learning new techniques and painting en plein air. Guglielmo Ciardi is in this way a man of his times and he gives a very good proof of it in this painting. Thanks to critical readings and secondary sources Ciardi’s creative process will be here analysed and explained with particular stress on light and synthesis. Therefore, Canale della Giudecca is interpreted here as a manifesto and a ‘photo-synthesis’ of the painter’s art, of the landscape painting changes and as a symbol of the 1868 venetian historical and cultural context.
本文旨在解读古列尔莫·恰尔迪(Guglielmo Ciardi)的画作《Canale della Giudecca》，这幅画关注的是光线和图像元素的合成。19世纪下半叶对威尼斯来说是一个非常紧张的时期:塞伦尼西玛的经历最近结束了，现代性以新的桥梁和渡轮的形式到来。艺术学院正在经历一场巨大的革命，艺术家们四处旅行，学习新技术，在空气中作画。在这方面，古列尔莫·恰尔迪是他那个时代的人物，他在这幅画中很好地证明了这一点。由于批判性阅读和二手资料，Ciardi的创作过程将在这里进行分析和解释，特别强调光和合成。因此，Canale della Giudecca在这里被解释为画家艺术的宣言和“合成”，山水画的变化，以及1868年威尼斯历史和文化背景的象征。
{"title":"La fotosintesi del cambiamento","authors":"Antonio Masala","doi":"10.30687/978-88-6969-294-9/013","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/013","url":null,"abstract":"This essay aims to give a reading of Guglielmo Ciardi’s painting Canale della Giudecca focused on light and synthesis of pictorial elements. The second half of the 19th century is a very intense period for Venice: the Serenissima experience recently ended and modernity is arriving in the form of new bridges and ferries. The Academy of Art is living a big revolution and artists are travelling, learning new techniques and painting en plein air. Guglielmo Ciardi is in this way a man of his times and he gives a very good proof of it in this painting. Thanks to critical readings and secondary sources Ciardi’s creative process will be here analysed and explained with particular stress on light and synthesis. Therefore, Canale della Giudecca is interpreted here as a manifesto and a ‘photo-synthesis’ of the painter’s art, of the landscape painting changes and as a symbol of the 1868 venetian historical and cultural context.","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132630227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/011
Gianluca Cappellazzo
This study deals with the situation of the Academy of Fine Arts in Venice in 1868. Particular attention was given to the activities of the different ‘schools’ of the Institute, analysing both the statistical data and the programs prepared by professors. Two volumes published in 2016, edited by Nico Stringa, on the Academy of Fine Arts have been particularly valuable to reconstruct those topics, as well as the archival material present within the Academy itself. Finally, the points of continuity and discontinuity with the academic years of the first half of the 19th century were highlighted.
{"title":"L'Accademia di Belle Arti attorno al 1868","authors":"Gianluca Cappellazzo","doi":"10.30687/978-88-6969-294-9/011","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/011","url":null,"abstract":"This study deals with the situation of the Academy of Fine Arts in Venice in 1868. Particular attention was given to the activities of the different ‘schools’ of the Institute, analysing both the statistical data and the programs prepared by professors. Two volumes published in 2016, edited by Nico Stringa, on the Academy of Fine Arts have been particularly valuable to reconstruct those topics, as well as the archival material present within the Academy itself. Finally, the points of continuity and discontinuity with the academic years of the first half of the 19th century were highlighted.","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"200 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124488067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/006
Carlo Montanaro
Photography in Venice around 1868 was going through a period of great vitality. Mapping the main photographic studios, located mainly around St. Mark Square, includes indeed about a hundred operators who create images in various formats, from the large ‘imperial’ to the small ‘visiting cards’ with all the suggestions allowed by the existing techniques, from monochrome imbibitions to printing on pre-colored paper to the romantic ‘moonlight’ effect. From Antonio Perini to Carlo Ponti to Carlo Naya, these professionals trace a new path to the creation of images, inventing new tools and leaving evidence of fascinating views of the city of Venice, such as the one that portrays the R. Scuola Superiore di Commercio.
1868年前后，威尼斯的摄影经历了一段极具活力的时期。主要的摄影工作室，主要位于圣马可广场附近，包括大约100名操作员，他们制作各种格式的图像，从大的“帝国”到小的“名片”，所有现有技术允许的建议，从单色到彩色纸张印刷，再到浪漫的“月光”效果。从Antonio Perini到Carlo Ponti再到Carlo Naya，这些专业人士开辟了一条新的图像创作之路，发明了新的工具，并留下了威尼斯城市迷人景色的证据，例如描绘R. Scuola Superiore di Commercio的照片。
{"title":"Sulla storia della fotografia attorno al 1868","authors":"Carlo Montanaro","doi":"10.30687/978-88-6969-294-9/006","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/006","url":null,"abstract":"Photography in Venice around 1868 was going through a period of great vitality. Mapping the main photographic studios, located mainly around St. Mark Square, includes indeed about a hundred operators who create images in various formats, from the large ‘imperial’ to the small ‘visiting cards’ with all the suggestions allowed by the existing techniques, from monochrome imbibitions to printing on pre-colored paper to the romantic ‘moonlight’ effect. From Antonio Perini to Carlo Ponti to Carlo Naya, these professionals trace a new path to the creation of images, inventing new tools and leaving evidence of fascinating views of the city of Venice, such as the one that portrays the R. Scuola Superiore di Commercio.","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123446588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/003
M. Rossi
At the end of the Austrian domination, the city of Venice lived in a critical situation characterized by an elevated rate of poverty and a dramatic lack of trades. In the years between 1866 and 1868, aiming to improve the Italian commercial activities and to restore the city to its former glory, a group of venetian delegations supported the establishment of a ‘Scuola superiore di commercio’ in Venice, that was officially founded in 1868. The School was realized in order to become a national and european model of high studies, educating students on the field of economics and commerce and introducing them at the careers as experts, consuls or professors. Through the articles published on the Gazzetta di Venezia in 1868, the essay retraces a complete report of the most important events and negotiations that brought to the opening of the School.
在奥地利统治的末期，威尼斯城处于一个危急的境地，其特点是贫困率上升，贸易严重缺乏。1866年至1868年间，为了改善意大利的商业活动，恢复城市昔日的辉煌，一群威尼斯代表团支持在威尼斯建立“Scuola superiore di commercio”，并于1868年正式成立。该学院的目标是成为全国和欧洲高等教育的典范，培养经济和商业领域的学生，并将他们引入专家，顾问或教授的职业生涯。通过1868年发表在《威尼斯公报》上的文章，这篇文章追溯了一篇完整的报道，讲述了学校开学前最重要的事件和谈判。
{"title":"Verso la fondazione della Scuola Superiore di Commercio","authors":"M. Rossi","doi":"10.30687/978-88-6969-294-9/003","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/003","url":null,"abstract":"At the end of the Austrian domination, the city of Venice lived in a critical situation characterized by an elevated rate of poverty and a dramatic lack of trades. In the years between 1866 and 1868, aiming to improve the Italian commercial activities and to restore the city to its former glory, a group of venetian delegations supported the establishment of a ‘Scuola superiore di commercio’ in Venice, that was officially founded in 1868. The School was realized in order to become a national and european model of high studies, educating students on the field of economics and commerce and introducing them at the careers as experts, consuls or professors. Through the articles published on the Gazzetta di Venezia in 1868, the essay retraces a complete report of the most important events and negotiations that brought to the opening of the School.","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129746019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-14DOI: 10.30687/978-88-6969-294-9/018
M. Berengo
{"title":"La fondazione della Scuola Superiore di commercio di Venezia","authors":"M. Berengo","doi":"10.30687/978-88-6969-294-9/018","DOIUrl":"https://doi.org/10.30687/978-88-6969-294-9/018","url":null,"abstract":"","PeriodicalId":179706,"journal":{"name":"Venezia 1868: l’anno di Ca’ Foscari","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126450777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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