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Journal of Indentureship and Its Legacies最新文献

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Excerpt from A Lantern in the Wind: A Fictional Autobiography (Hansib Publications, forthcoming) 节选自《风中的灯笼:虚构的自传》(Hansib出版社,即将出版)
Pub Date : 2021-09-01 DOI: 10.13169/jofstudindentleg.1.1.0149
A. Gafoor
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引用次数: 0
Indian indenture: History and historiography in a nutshell 印度契约:简而言之,历史和史学
Pub Date : 2021-09-01 DOI: 10.13169/jofstudindentleg.1.1.0001
B. Lal
The establishment of the academic study of Indentureship is a relatively recent development that has been led by descendants of indentured labourers from across the diaspora. This article highlights key moments in both the history and historiography of Indentureship. Looking first at the system established by the British on plantations across their colonies, it goes on to consider the variety of labourers' backgrounds and the process of social equalisation that was fostered by both voyage and plantation. Considering the injustices of the system, the author emphasises the ways in which labourers were able to disrupt the power of the plantocracy and analyses the particular perils the system held for women. The religious life of the labourers as well as the maintenance of the Panchayat and the importance of the Ramayana are also weighed. The historiography section of this article traces the attention paid to the system of indenture and the diaspora it created; from the initial attentions of missionaries and ‘benevolent’ organisations in the nineteenth century to the creation of a global network of scholars of Indentureship with roots in South Africa, Fiji, Mauritius, Guyana and Trinidad. It further emphasises key moments and publications during this period.
建立对契约制度的学术研究是一个相对较新的发展,它是由散居各地的契约劳工的后代领导的。这篇文章强调了在历史和历史编纂的契约的关键时刻。首先看看英国人在其殖民地的种植园建立的制度,接着考虑劳动者背景的多样性以及航海和种植园所促进的社会平等进程。考虑到该制度的不公正,作者强调了劳动者能够破坏工厂统治权力的方式,并分析了该制度对妇女的特殊危险。劳工的宗教生活以及村务委员会的维持和《罗摩衍那》的重要性也被权衡。本文的史学部分追溯了对契约制度及其造成的流散的关注;从19世纪传教士和“慈善”组织最初的关注,到在南非、斐济、毛里求斯、圭亚那和特立尼达建立一个全球契约学者网络。它进一步强调了这一时期的关键时刻和出版物。
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引用次数: 1
Changing Caribbean geographies: connections in flora, fauna and patterns of settlement from Indian inheritances 变化中的加勒比地理:来自印第安遗产的植物、动物和定居模式的联系
Pub Date : 2021-09-01 DOI: 10.13169/jofstudindentleg.1.1.0016
B. Samaroo
There can be no doubt that Indian immigration to the plantation colonies changed the geography of those colonies. However, most analyses have dealt with the sugar industry in the colonies after the abolition of slavery. This paper will argue that, apart from the sugar industry, Indian labour and ingenuity made other significant contributions to plantation economies. The girmityas (agreement signers) were well aware that they were going to agricultural occupations so they took with them an amazing array of dried fruits, seeds and cuttings, which survived the long crossing, adding to the flora of the plantations. Armed with this foreknowledge, the jahajis packed these items into their jahaji bundles alongside the Tulsi Ramayan and the Holy Qu'ran. Animals too formed part of this international trade. Sheep, goats and poultry which were not eaten on the outward voyage were sent to the estates, where they multiplied. When dangerous snakes threatened plantation security, cages of mongoose were dispatched to the Caribbean where they bravely tackled venomous creatures. At the urging of Indian labourers with long experience in the sugar industry, the plantations' owners imported Brahma bulls and Zebu cattle, which revolutionised transport on the estates and provided leather, manure and meat to the wider population.There is also the amazing story of the importation of hundreds of water buffaloes (bhaisa) from the Indo-Gangetic plains. Some nine breeds were imported and in the twentieth century Caribbean bio-geneticists were able to blend the best qualities of those Indian animals and created a new hybrid, the buffalypso, which combined the scientific name with Trinidad's fame as the land of the calypso. The buffalypso became a prized animal for haulage, meat, milk and leather and an item of export to Venezuela, Colombia, Miami and the wider Caribbean. Indian cultivars were continuously exported to the botanic gardens in the Caribbean and Indian forestry experts were sent to the region to advise on forest rehabilitation in the wake of large-scale deforestation, which sugar cultivation required. In these and other ways the physical character of the Caribbean underwent permanent change, which manifests itself today.
毫无疑问,印度移民到种植园殖民地改变了这些殖民地的地理。然而,大多数分析都是针对废除奴隶制后殖民地的制糖业。本文将论证,除了制糖业,印度的劳动力和聪明才智对种植园经济做出了其他重大贡献。girmityas(协议签署人)很清楚他们要去从事农业工作,所以他们随身携带了大量的干果、种子和插枝,它们在漫长的穿越中幸存下来,为种植园的植物群增添了活力。有了这种先见之明,圣战分子将这些物品与图尔西罗摩衍和神圣的古兰经一起打包到他们的圣战包中。动物也成为这种国际贸易的一部分。在外航行中没有被吃掉的绵羊、山羊和家禽被送到庄园,在那里它们繁殖。当危险的蛇威胁到种植园的安全时,猫鼬的笼子被派往加勒比海,在那里它们勇敢地对付有毒的生物。在具有长期制糖业经验的印度劳工的敦促下,种植园主进口了布拉马牛和泽布牛,这彻底改变了庄园的运输方式,为更广泛的人口提供了皮革、粪便和肉类。还有从印度恒河平原进口数百头水牛(bhaisa)的惊人故事。大约有9个品种被引进,在20世纪,加勒比生物遗传学家能够将这些印度动物的最佳品质混合在一起,创造出一种新的杂交品种,即水牛,它将学名与特立尼达作为加利普索之乡的名声结合在一起。水牛成为一种珍贵的动物,用于运输、肉类、牛奶和皮革,并出口到委内瑞拉、哥伦比亚、迈阿密和更广阔的加勒比海地区。印度品种不断出口到加勒比地区的植物园,印度林业专家被派往该区域,就大规模砍伐森林后的森林恢复问题提供咨询意见,这是甘蔗种植所需要的。以这些和其他方式,加勒比的自然特征发生了永久的变化,这种变化今天也表现出来。
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引用次数: 2
kreoling sisters: (un)intimate relationships, child marriages and women spirits 姐妹:亲密关系,童婚和女性精神
Pub Date : 2021-09-01 DOI: 10.13169/jofstudindentleg.1.1.0114
Gitan Djeli
The non-fiction piece, ‘kreoling sisters’, explores the overlapped histories of slavery and indenture in the Indian Ocean context, Mauritius in particular. It merges memoir writing, indenture studies and Black study and theory to discuss antiblack/antikreol racism and unfreedom during the critical historical time between the beforelife of indenture (that is slavery) and the afterlife of slavery during indenture. ‘kreoling sisters’ unearths a personal story that touches on the (un)intimacy or unofficialised intimacy between Black mothers and men of Indian descent and their Black-Indo/Kreol children. The aim is to discuss the entanglement between freedom, intimacy, slavery, antiblackness and indenture and disrupt the official, institutional, colonial and patriarchal narratives. The question the piece finally asks is how intimacy and love can exist, with the thought of what freedom could have been in the colony and could be in contemporary times. ‘kreoling sisters’ wishes to envision how Indenture studies can engage with a Black philosophy of freedom and abolition, that is the abolition of the plantation police, prison and property, inherited from colonialism.
这篇非虚构作品《kreoling姐妹》探讨了印度洋背景下奴隶制和契约的重叠历史,尤其是毛里求斯。它融合了回忆录写作,契约研究,黑人研究和理论,讨论了在契约前(即奴隶制)和契约后奴隶制之间的关键历史时期,反黑人/反黑人种族主义和不自由。“kreoling姐妹”揭示了一个个人故事,触及黑人母亲和印度裔男性以及他们的黑人印度人/Kreol孩子之间(非)亲密或非正式的亲密关系。其目的是讨论自由、亲密关系、奴隶制、反黑人和契约之间的纠缠,并打破官方的、制度的、殖民的和父权的叙事。这篇文章最后提出的问题是亲密和爱是如何存在的,同时考虑到殖民地和当代的自由可能是什么。“kreoling姐妹”希望设想契约研究如何与黑人的自由和废除哲学相结合,即废除殖民主义遗留下来的种植园、警察、监狱和财产。
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引用次数: 1
Embodiments of bitter narratives: constructing possible Indo-Caribbean identities through the karela 苦涩叙事的体现:通过卡雷拉构建可能的印度-加勒比身份
Pub Date : 2021-09-01 DOI: 10.13169/jofstudindentleg.1.1.0084
P. Swamy, Sarojini Lewis
This critical conversation between multidisciplinary artist Sarojini Lewis and curator Priya Swamy explores the possibilities of exhibiting and telling histories of Indian indentured labour otherwise. Focusing on the installation Why Do You Have a Face Like a Sopropo? (Worldmuseum Rotterdam, 2020), Lewis details why and how she sees a bitter, resilient and uniquely shaped vegetable like bitter gourd (‘karela’ in Hindi, ‘sopropo’ in Sranang Tongo) as an extension of memory and ancestry. The authors begin by discussing the karela as an ‘alternative text’ (Mahabir 2009), before contextualising Lewis' wider artistic practice. They then discuss in depth the installation Why Do You Have a Face Like a Sopropo?, its implications, and its methods. Finally, as a form of conclusion, both authors reflect upon what it means to have worked on this installation together, from within their distinct positionalities, and what this may imply for Indian indentured labour histories and experiences in the context of global Indian diaspora narratives.
多学科艺术家Sarojini Lewis和策展人Priya Swamy之间的这次重要对话探讨了展示和讲述印度契约劳工历史的可能性。聚焦于装置作品《为什么你有一张像soppropo的脸?》(鹿特丹世界博物馆,2020年),刘易斯详细介绍了她为什么以及如何将苦瓜(印度语为“karela”,斯兰唐哥语为“sopropo”)这种苦涩、坚韧、形状独特的蔬菜视为记忆和祖先的延伸。作者首先讨论了karela作为“替代文本”(Mahabir 2009),然后将Lewis的更广泛的艺术实践置于背景中。然后,他们深入讨论了装置“为什么你有一张像soppropo一样的脸?”、它的含义和它的方法。最后,作为结论的一种形式,两位作者从他们不同的立场出发,反思了共同创作这个装置的意义,以及这对印度契约劳工的历史和全球印度侨民叙事背景下的经历可能意味着什么。
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引用次数: 0
Kala pani revisited: Indian labour migrants and the sea crossing 卡拉帕尼重访:印度劳工移民和渡海
Pub Date : 2021-09-01 DOI: 10.13169/jofstudindentleg.1.1.0036
Crispin Bates, M. Carter
This article examines the reconstruction and deconstruction of the concept of काला पानी or kālā pānā, meaning the ‘black waters’, which all Indians must cross when migrating overseas. From its origin as a Brahmanic text warning about the dangers of oceanic voyages, through its dissemination as a more generalised stricture against emigration and its use and abuse as a British colonial construction, to its recasting as a historical trope and a literary device, the ever-changing influence and meaning of kala pani is interrogated and assessed. Contextualising the kala pani trope against the setting of sepoy, convict and indentureship voyages, this study also evaluates its historical validity and importance in colonial and nationalist realities. Finally, the symbolic value of the kala pani and its reworking as a literary device are explored.
本文探讨了काला पानी或kālā pānā概念的重建和解构,这意味着所有印度人移民海外时必须跨越的“黑色水域”。从它最初作为婆罗门文本警告海洋航行的危险,通过它作为一种更广泛的反对移民的限制的传播,以及作为英国殖民建筑的使用和滥用,到它作为一种历史比喻和文学手段的重新塑造,kala pani不断变化的影响和意义被质疑和评估。本研究将卡拉帕尼比喻与印度兵、罪犯和契约船员的航行背景相结合,并评估其在殖民和民族主义现实中的历史有效性和重要性。最后,探讨了“卡拉帕尼”的象征价值及其作为一种文学手段的改造。
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引用次数: 3
Stories the mangroves hold: reflections on Indo-Caribbean feminist community archiving 红树林所承载的故事:对印度-加勒比女权主义社区档案的反思
Pub Date : 2021-09-01 DOI: 10.13169/jofstudindentleg.1.1.0063
This article invites the reader into conversation about silenced stories, intergenerational connection and what it means to reimagine Indo-Caribbean feminist histories. The authors of this article are coauthors of a digital archive, Ro(u)ted by Our Stories, which centres the stories of Indo-Caribbean women and those of marginalised genders in the US across generations. In this piece, we draw from historical material, our lived experiences as descendants of indenture, and a recorded conversation we had between members of our collective about our experiences working to create a community-owned digital archive. We share our visions for creating the archive and questions we have grappled with throughout the process, including our own limitations and reflections on archives as always unfinished and incomplete. Furthermore, we discuss the ways in which we see storytelling as a healing practice, our efforts to remain grounded in the needs and desires of community members and our hopes for the future of the archive. By including multiple voices in this piece, we hope to lift up the collaboration, interdependence and ‘weaving together’ of stories that informs the lens we bring to this work.
本文邀请读者讨论被沉默的故事、代际联系,以及重新构想印度-加勒比女权主义历史的意义。本文作者是我们的故事(Our Stories)创建的数字档案Ro(u)的共同作者,该档案以印度-加勒比女性和美国几代被边缘化性别的故事为中心。在这篇文章中,我们从历史材料中提取,我们作为契约后裔的生活经历,以及我们集体成员之间关于我们努力创建社区拥有的数字档案的经历的录音对话。我们分享了我们创建档案的愿景和我们在整个过程中遇到的问题,包括我们自己的局限性和对档案始终未完成和不完整的反思。此外,我们讨论了我们将讲故事视为一种治疗实践的方式,我们努力保持在社区成员的需求和愿望以及我们对档案未来的希望的基础上。通过在这件作品中加入多种声音,我们希望提升合作,相互依赖和“编织”故事,从而为我们带来的镜头提供信息。
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引用次数: 0
Reclaiming power 回收能力
Pub Date : 1900-01-01 DOI: 10.13169/jofstudindentleg.2.2.0006
Preity R. Kumar
Intimate partner violence against women and children is a growing concern for feminist scholarship in the Anglophone Caribbean. This scholarship is significant in challenging patriarchal gender ideologies at the intersections of race, class and sexuality. This body of work reveals how violence is embedded in the state and governmental bodies, and highlights the overall disparities in the implementation of laws. Furthermore, this work demonstrates how neoliberal restructuring policies implicate and affect women differently based on their positionality. While this work is critical in addressing intimate partner violence against women and children, the LGBTQ community in the region has remained vulnerable to violence at multiple levels of society. This article contributes to this work by focusing on same-sex intimate partner violence between women in Guyana. The aim of this article is twofold: first, to map out the traditional gendered framing of violence against heterosexual and women loving women; second, to argue that in Guyana’s context of persistent social, political and economic inequalities, women loving women use violence as a resource of resolution to reclaim and secure power.
亲密伴侣对妇女和儿童的暴力行为是加勒比英语国家女权主义研究日益关注的问题。这项研究在挑战种族、阶级和性的交叉点上的男权性别意识形态方面具有重要意义。这一系列工作揭示了暴力是如何根植于国家和政府机构的,并突出了法律执行方面的总体差异。此外,这项工作表明,新自由主义的重组政策如何根据妇女的地位不同,对她们产生不同的影响和影响。虽然这项工作对于解决针对妇女和儿童的亲密伴侣暴力至关重要,但该地区的LGBTQ社区仍然容易受到社会多个层面的暴力侵害。本文通过关注圭亚那妇女之间的同性亲密伴侣暴力为这项工作做出了贡献。本文的目的是双重的:首先,绘制出传统的性别框架对异性恋和女人爱女人的暴力;其次,在圭亚那持续存在的社会、政治和经济不平等的背景下,爱女人的女人使用暴力作为一种解决办法,以收回和确保权力。
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引用次数: 1
Trans-oceanic erotics: sexing indentureship 跨洋情色:性别契约
Pub Date : 1900-01-01 DOI: 10.13169/jofstudindentleg.2.2.0149
Amar Wahab
Through creative speculation and intervention, this research project probes the ‘coolie homoerotic’ (Wahab 2019) as a critical reflection on the place of the homoerotic and queerness within the trans-oceanic lifeworld of coolie indentureship. The four artworks presented are informed by a series of questions that might help to build a platform for queering indentureship and trans-oceanic space beyond identity recovery and respectability politics. In this regard, the work in progress is aimed at sexing indenture by (1) focusing on Brown same-sex sexual intimacies and erotic relations on coolie ships, as a way of undoing the historically constructed disconnect between the categories ‘sex’ and ‘indentured labour’, and (2) critically engaging the colonial heteropatriarchal discourse of ‘sex/gender/sexuality’ that continues to condition the unthinkability of same-sex relations in the context of indentureship and its legacies.
通过创造性的思考和干预,本研究项目探讨了“苦力同性恋”(Wahab 2019),作为对苦力契约的跨洋生活世界中同性恋和酷儿地位的批判性反思。展出的四件艺术作品反映了一系列问题,这些问题可能有助于为酷儿契约和跨洋空间建立一个超越身份恢复和体面政治的平台。在这方面,正在进行的工作旨在通过(1)关注布朗同性性亲密关系和苦力船上的色情关系,作为消除历史上构建的“性”和“契约劳工”类别之间的分离的一种方式,以及(2)批判性地参与“性/性别/性”的殖民异性父权制话语,这种话语继续在契约及其遗产的背景下限制同性关系的不可想象性。
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引用次数: 0
Offspring of a virgin’s womb 处女所生的
Pub Date : 1900-01-01 DOI: 10.13169/jofstudindentleg.2.2.0081
Michael Mitchell
Robert Antoni’s Divina Trace has not yet found the wide readership that might be expected of the winner of the Commonwealth Writers’ Prize, perhaps because it does not conform to its readers’ expectations of a Caribbean novel. And yet it is of particular relevance to the legacy of indentureship and the East Indian presence in Trinidad and to the relationships among the different ethnic groups on the island through its central concern with a black madonna on a fictional island unmistakeably resembling the Divina Siparia worshipped by Catholics or the Hindu Siparia Mai. This essay examines the author’s postmodern techniques with particular reference to his treatment of sexuality, stereotypes, the grotesque and religious themes to discover what could be the significance of the idea of the Virgin and her representation in the black madonna. In doing so it engages with Deleuze’s ideas on repetition to investigate the relationship between storytelling and reality, and the nature of the creative imagination.
罗伯特·安东尼(Robert Antoni)的《Divina Trace》尚未获得英联邦作家奖(Commonwealth Writers’Prize)得主应有的广泛读者,也许是因为它不符合读者对加勒比小说的期望。然而,它与契约制度的遗产和东印度人在特立尼达的存在以及岛上不同种族群体之间的关系特别相关,因为它的中心关注的是一个虚构岛屿上的黑色圣母,它无疑与天主教徒崇拜的Divina Siparia或印度教的Siparia Mai相似。本文考察了作者的后现代手法,特别是他对性、刻板印象、怪诞和宗教主题的处理,以发现圣母的概念及其在黑色圣母中的表现的意义。在此过程中,它结合了德勒兹关于重复的观点,探讨了故事讲述与现实之间的关系,以及创造性想象力的本质。
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引用次数: 0
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Journal of Indentureship and Its Legacies
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