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Modernism/modernity最新文献

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Saul Steinberg's Literary Journeys by Jessica R. Feldman (review) 杰西卡·费尔德曼的索尔·斯坦伯格的文学之旅（评论）
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0043
D. Mao
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引用次数: 0
Cinema as Method: Re-vision in Ramón Gómez de la Serna's Film Script Cifras (1930) 电影作为一种方法：拉蒙·戈麦斯·德拉塞尔纳电影剧本人物的重新审视（1930年）
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0036
Anna Torres-Cacoullos
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引用次数: 0
On the Translatability of Walter Benjamin's Moscow Diary: A Critical View from the Twenty-First Century 论本雅明《莫斯科日记》的可译性:21世纪的批评视角
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0042
S. Gillespie
is Bard College Fellow in Translation and Translatability and Founding Director and former Director of the Institute for International Liberal Education at Bard. Her published translations from German include Theodor W. Adorno, Essays on Music (University of California Press, 2002); Paul Celan, Corona. Selected Poems of Paul Celan (Station Hill Press, 2013); and Paul Celan and Ilana Shmueli, Correspondence (The Sheep Meadow Press, 2011), which was a finalist for the National Translation Prize. modernism / modernity volume twenty nine, number four, pp 871–884. © 2023
是巴德学院翻译与可译性研究员，巴德国际通识教育研究所创始所长和前所长。她出版的德语译本包括西奥多·W·阿多诺的《音乐随笔》（加州大学出版社，2002年）；保罗·策兰，科罗纳。《保罗·策兰诗选》（车站山出版社，2013年）；Paul Celan和Ilana Shmueli，《通信》（绵羊草地出版社，2011年），入围国家翻译奖。现代主义/现代性第二十九卷第四期，第871-884页。©2023
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引用次数: 0
Charlie Chaplin, Modern Times, and the International Discourse of the Little Man 卓别林、现代与小人物的国际话语
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0041
M. Clarke
Clarke is an Associate Professor of English at the University of Calgary in Canada, where he specializes in US literature and culture since the Civil War. He is the author of These Days of Large Things: The Culture of Size in America, 1865–1930 (Michigan University Press, 2007) and co-editor of Scale in Literature and Culture (Palgrave Macmillan, 2017). modernism / modernity volume twenty nine, number four, pp 849–869. © 2023
克拉克是加拿大卡尔加里大学的英语副教授，专门研究美国内战以来的文学和文化。他是《大事物的这些日子:美国的规模文化，1865-1930》(密歇根大学出版社，2007年)的作者，也是《文学与文化中的规模》(Palgrave Macmillan出版社，2017年)的共同编辑。现代主义/现代性，第29卷，第4号，849-869页。© 2023年
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引用次数: 0
Willa and Edwin Muir's Alternative Kafka: Translation, Imitation, and the Fable 薇拉和埃德温·缪尔的《另类卡夫卡:翻译、模仿和寓言》
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0035
Gregory Ariail, Anna Torres-Cacoullos, Caleb Fridell, I. Hanson, Jodie Medd, Jonathan C. Najarian, M. Clarke, S. Gillespie, D. Mao, Zan Cammack, Michael Löwy, Lukas Moe, K. Bluemel, Pardis Dabashi, K. Chandran, Meryl Altman
received his Ph.D. in English Language and Literature from the University of Michigan with a dissertation on Franz Kafka’s impact on Anglo-American late modernism; he received his M.St. from the University of Oxford and M.F.A from the University of Alabama, Tuscaloosa, where he currently teaches. His first novel, The Gospel of Rot, was published by Mercer University Press in 2022. modernism / modernity volume twenty nine, number four, pp 693–715. © 2023
获密歇根大学英语语言文学博士学位，论文题目为卡夫卡对英美后现代主义的影响；他在牛津大学获得硕士学位，在阿拉巴马大学塔斯卡卢萨分校获得硕士学位。他的第一部小说《腐烂的福音》于2022年由默瑟大学出版社出版。现代主义/现代性第二十九卷第四期，第693-715页。©2023
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引用次数: 0
Super Schoolmaster: Ezra Pound as Teacher, Then and Now by Robert Scholes and David Ben-Merre (review) 《超级校长：埃兹拉·庞德老师，当时和现在》，作者：罗伯特·斯科尔斯和大卫·本·梅里（评论）
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0049
K. Chandran
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引用次数: 0
"True Lovers of their Land": Reading, Writing, and Making it New in British Conscientious Objector Narratives of the First World War “他们的土地的真正爱好者”:阅读，写作，并使它成为新的英国良心拒服兵役者的第一次世界大战的叙述
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0038
I. Hanson
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引用次数: 0
"And words were images to him": Narrative Remediation in Rockwell Kent “对他来说，文字就是图像”:《罗克韦尔·肯特》的叙事补救
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0040
Jonathan C. Najarian
ian is Visiting Assistant Professor of Writing and Rhetoric at Colgate University and the editor of Comics and Modernism: History, Form, Culture, forthcoming with the University Press of Mississippi. He is also at work on a book manuscript entitled The Intermedial Era: Collaboration and Contact in Global Modernism, which details how the emerging in visual/verbal form of modernist art and literature helped artists conceptualize shifting boundaries of geographical space and imagine a new ideal of collaboration. m ode rnism / modernity volum e twe nty nine , num b e r four, p p 817–847. © 2023
ian是高露洁大学写作与修辞学客座助理教授，也是即将在密西西比大学出版社出版的《漫画与现代主义：历史、形式、文化》的编辑。他还在撰写一本名为《中间时代：全球现代主义中的合作与联系》的手稿，该书详细介绍了现代主义艺术和文学的视觉/语言形式如何帮助艺术家概念化地理空间的边界，并想象一种新的合作理想。现代主义/现代性卷第二十九卷，第四卷，第817-847页。©2023
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引用次数: 0
Classical Reception for Modernists: An Update 现代主义者的古典接受：更新
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0050
Meryl Altman
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引用次数: 0
Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review) 焦虑的影迷:电影中的快乐与危险莎拉·凯勒(评论)
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Modernism/modernity
Pub Date : 2022-11-01 DOI: 10.1353/mod.2022.0048
Pardis Dabashi
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引用次数: 0
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