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The Traces of a Media War: Archives of Dutch Broadcasts from London during the Second World War 媒体战争的痕迹:第二次世界大战期间伦敦荷兰广播档案
Pub Date : 2022-09-29 DOI: 10.18146/tmg.821
V. Kuitenbrouwer
The project ‘ Mediaoorlog ’ (media war) pioneers a digital humanities approach to analyse propaganda discourses in Dutch-language media during the Second World War. The core database at our disposal is the CLARIAH Media Suite, which brings together relevant collections of digitised sources, including the audio archive of the Netherlands Institute for Sound and Vision. This contribution reflects on our first efforts to study Radio Oranje, the daily broadcast of the Dutch government-in-exile from London to the occupied Netherlands. It is argued that the current online radio archive from the Second World War has its limits and that it therefore is necessary to employ a hybrid methodology, drawing on material from various collections, both digital audio fragments and paper transcripts. The following pages will provide an analysis of how these two source materials relate to each other by showing how they came into being and how they were transferred from Great Britain to the Netherlands. The first part of this contribution contains a historic overview of Radio Oranje and the trajectory of its archival records. The second part of this paper explores how these sources have been used in the late twentieth century to shape Dutch public memory of wartime radio broadcasting from London.
“Mediaoorlog”(媒体战争)项目开创了一种数字人文方法,分析第二次世界大战期间荷兰语媒体的宣传话语。我们使用的核心数据库是CLARIAH媒体套件,它汇集了相关的数字化资源集合,包括荷兰声音和视觉研究所的音频档案。这一贡献反映了我们对橙色广播电台(Radio Oranje)的首次研究。橙色广播电台是荷兰流亡政府从伦敦向被占领的荷兰的每日广播。有人认为,目前从第二次世界大战开始的在线广播档案有其局限性,因此有必要采用混合方法,利用各种收集的材料,包括数字音频片段和纸质抄本。以下几页将通过展示它们是如何形成的以及它们是如何从英国转移到荷兰的,来分析这两种原始材料是如何相互关联的。这篇文章的第一部分包含了奥兰治电台的历史概况及其档案记录的轨迹。本文的第二部分探讨了这些来源如何在20世纪后期被用来塑造荷兰公众对伦敦战时无线电广播的记忆。
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引用次数: 0
Researching Archival Histories of Radio 研究无线电档案历史
Pub Date : 2022-09-29 DOI: 10.18146/tmg.841
C. Birdsall, E. Harrison
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引用次数: 0
European Radio’s Silenced Witness: The European Broadcasting Union’s Written Archives 欧洲广播电台的沉默证人:欧洲广播联盟的书面档案
Pub Date : 2022-09-29 DOI: 10.18146/tmg.822
A. Badenoch
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引用次数: 0
An Invitation to Conversation: Photographs in Audience Studies of Film and Video 对话的邀请:电影和录像的观众研究中的照片
Pub Date : 2022-09-29 DOI: 10.18146/tmg.840
J. Wachelder
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引用次数: 0
The Audio Legacy of Finnish Radio: An Exploration of Key Factors in the Preservation of Radio Sound Collections 芬兰广播的声音遗产:无线电声音收藏保存的关键因素探讨
Pub Date : 2022-09-29 DOI: 10.18146/tmg.823
Pekka Salosaari
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引用次数: 0
‘A Faithful Steward of these Values’: The Valorisation of a Translocated German Sound Collection “这些价值观的忠实管家”:一个移位的德国声音收藏的价值
Pub Date : 2022-09-29 DOI: 10.18146/tmg.820
E. Harrison
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引用次数: 0
Lund Film Society and Interwar Cultural Propaganda 隆德电影协会与两次世界大战之间的文化宣传
Pub Date : 2022-06-07 DOI: 10.18146/tmg.801
E. Stjernholm
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引用次数: 0
What to do with 2.000.000 Historical Press Photos? The Challenges and Opportunities of Applying a Scene Detection Algorithm to a Digitised Press Photo Collection 如何处理200万张历史新闻照片?场景检测算法应用于数字化新闻照片集的挑战与机遇
Pub Date : 2022-06-07 DOI: 10.18146/tmg.815
M. Wevers, N. Vriend, Alexander De Bruin
In 1962, Dutch celebrity Ria Kuyken was attacked by a circus bear. Cees de Boer captured this moment, for which he was awarded both a World Press Photo and the Silver Camera (Zilveren Camera). Though this photo popularised Fotopersbureau De Boer, which Cees had founded in 1945, the importance of the collection lies in its scale. Approximately 2,000,000 photos taken of about 250,000 events in sixty years, accompanied by extensive metadata. Not only major nationwide events are represented, but also subjects of small scale, human interest, such as the shopkeeper around the corner. Our aim is not only the digitisation and publication of all 2,000,000 photo negatives of Fotopersbureau De Boer but also to explore how artificial intelligence can enrich this collection, benefiting both users of the archive and cultural historians studying historical photographs. One of our efforts focuses on scene detection, a method to detect the ‘scene’ represented in an image (Zhou et al, 2018). We will rely on transfer learning to adapt existing computer vision models to our collection and the needs of our users. Existing models can generate labels with high accuracy, however, these labels are ahistorical and more often than not irrelevant to our collection. We will label subsets of the images via crowdsourcing to train and improve existing models. As such, we can add labels relevant to our collection to the model, which are absent in existing models. In this paper, we will highlight the opportunities and challenges of applying artificial intelligence to a collection of historical photographs.
1962年,荷兰名人Ria Kuyken被马戏团的熊袭击。Cees de Boer捕捉到了这一刻,并因此获得了世界新闻摄影奖和银相机奖(Zilveren Camera)。尽管这张照片使Fotopersbureau De Boer (Cees于1945年创立)流行起来,但该系列的重要性在于它的规模。60年来拍摄了大约200万张照片,记录了大约25万个事件,并附有大量的元数据。不仅有全国性的重大事件,也有小尺度的、人类感兴趣的主题,比如街角的店主。我们的目标不仅是将Fotopersbureau De Boer的所有200万张照片底片数字化和出版,而且还探索人工智能如何丰富这些收藏,使档案用户和研究历史照片的文化历史学家都受益。我们的工作之一集中在场景检测上,这是一种检测图像中表示的“场景”的方法(Zhou等人,2018)。我们将依靠迁移学习来调整现有的计算机视觉模型,以适应我们的集合和用户的需求。现有的模型可以以很高的准确性生成标签,然而,这些标签是非历史的,并且通常与我们的集合无关。我们将通过众包的方式标记图像的子集,以训练和改进现有的模型。因此,我们可以向模型添加与我们的集合相关的标签,这些标签在现有模型中是不存在的。在本文中,我们将重点介绍将人工智能应用于历史照片集合的机遇和挑战。
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引用次数: 3
How to Digitise 15 Million Press Photos: The STERN Photo Archive at the Bayerische Staatsbibliothek 如何数字化1500万张新闻照片:巴伐利亚州立图书馆的STERN照片资料馆
Pub Date : 2022-06-07 DOI: 10.18146/tmg.830
Eva Kraus, Regina Retter
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引用次数: 0
The Decisive Network: Magnum Photos and the Postwar Image Market 决定性的网络:马格南图片社与战后影像市场
Pub Date : 2022-06-07 DOI: 10.18146/tmg.814
T. Smits
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引用次数: 1
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TMG Journal for Media History
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