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Music Educators Journal最新文献

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Another Perspective: Rediscovering Recreational Listening through Music Listening Clubs 另一种视角:通过音乐聆听俱乐部重新发现娱乐性聆听
Pub Date : 2023-12-01 DOI: 10.1177/00274321231218456
Lisa D. Martin
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引用次数: 0
Take Note: Serving the Profession: “We Are Here to Help Each Other” 注意:为专业服务:"我们在这里互相帮助
Pub Date : 2023-12-01 DOI: 10.1177/00274321231217293
John C. Donaldson, Douglas C. Orzolek
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引用次数: 0
From the Academic Editor: STEM/STEAM and Music Education 来自学术编辑:STEM/STEAM 与音乐教育
Pub Date : 2023-12-01 DOI: 10.1177/00274321231218871
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引用次数: 0
Take Note: “Buff, but Don’t Sculpt”—Some Thoughts on Writing and Editing from an Interview with Ella Wilcox 注意:“Buff,但不要雕刻”——对Ella Wilcox的采访中关于写作和编辑的一些想法
Pub Date : 2023-09-01 DOI: 10.1177/00274321231200203
John C. Donaldson, Douglas C. Orzolek
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引用次数: 0
Harnessing the Power of Feedback to Improve Student Learning in Music 利用反馈的力量来提高学生的音乐学习
Pub Date : 2023-09-01 DOI: 10.1177/00274321231196132
Nicholas Matherne, Jennifer Blackwell
What does effective feedback look like in the music classroom? In this article, we explore a prominent perspective on feedback proposed by scholar John Hattie and his colleagues and then provide practical examples for application in music contexts. We begin by defining what feedback is and then explore what makes it effective and provide strategies for teachers to develop more effective feedback skills. Using this understanding of what makes feedback effective for learners, teachers can help students be active partners in the learning process and to achieve their goals with greater musical understanding.
在音乐课堂上,有效的反馈是什么样子的?在这篇文章中,我们探讨了由学者John Hattie和他的同事提出的一个突出的反馈观点,然后提供了在音乐背景下应用的实际例子。我们首先定义什么是反馈,然后探索是什么使反馈有效,并为教师提供策略来发展更有效的反馈技能。利用这种对反馈对学习者有效的理解,教师可以帮助学生在学习过程中成为积极的合作伙伴,并通过更好的音乐理解来实现他们的目标。
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引用次数: 0
Toward a Decentered Music Education Using a Rhizomatic Approach 用根茎教学法进行去中心化的音乐教育
Pub Date : 2023-09-01 DOI: 10.1177/00274321231195823
Hyesoo Yoo
As we work to connect equity to our curriculum and pedagogy, a rhizomatic approach may provide a valuable lens for reconsidering traditional conventions. Such an approach underlines interconnected multiplicity with a noncentered, nonhierarchical emphasis. Applying a rhizomatic method, I offer music teachers some practical applications to challenge conventional curricular tendencies in subtle but important ways. Instead of using an additive approach to the Western classical canon, this approach helps to engage in music comparatively or relationally, which can enable teachers and students to think broadly across categories by recognizing the interconnections between musics. More important, lessons adopting a rhizomatic approach may help teachers and students consider all musics as bearers of equal status and honor many diverse forms of music.
当我们努力将公平与我们的课程和教学方法联系起来时,根治性方法可能为重新考虑传统惯例提供一个有价值的视角。这种方法强调相互联系的多样性,强调非中心、非等级。运用根茎法,我为音乐教师提供了一些实际应用,以微妙但重要的方式挑战传统的课程倾向。这种方法不是使用西方古典经典的附加方法,而是有助于比较或关系地参与音乐,这可以使教师和学生通过认识音乐之间的相互联系来进行跨类别的广泛思考。更重要的是,采用根茎法的课程可以帮助教师和学生将所有音乐视为平等地位的承载者,并尊重许多不同形式的音乐。
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引用次数: 0
Creativity Is Instrumental: Instrument-Specific Strategies and Suggestions for Assisting Learners with Physical Disabilities and Differences in General and Instrumental Music 创造力是器乐的:帮助身体残疾和器乐差异学习者的器乐特定策略和建议
Pub Date : 2023-09-01 DOI: 10.1177/00274321231199411
Mara E. Culp, Sara K. Jones
Playing musical instruments represents an engaging and important feature of music-making for children. Music teachers can support students with physical differences and disabilities using inclusive mindsets and practices, such as making adaptations to the instruments or the playing style. If teachers are aware of the variety of options available, they will be better able help all players achieve their fullest potential. This article draws on relevant research and literature to describe who faces limitations in instrumental settings, conceptualize disability, outline music-specific options for accommodating learners’ physical differences, and offer instrument-specific strategies that may be useful to both general and instrumental music teachers. Focusing on students’ strengths, increasing teacher knowledge and awareness, and using instrument-specific adaptations can improve educational opportunities for all.
演奏乐器是儿童音乐创作中一个引人入胜的重要特征。音乐教师可以通过包容的心态和实践来支持有身体差异和残疾的学生,例如适应乐器或演奏风格。如果老师们意识到各种各样的选择,他们就能更好地帮助所有的球员发挥他们最大的潜力。本文借鉴相关研究和文献,描述了在器乐设置方面面临的限制,将残疾概念化,概述了适应学习者身体差异的特定音乐选择,并提供了可能对普通音乐和器乐教师都有用的特定乐器策略。注重学生的优势,提高教师的知识和意识,并采用针对特定工具的调整,可以改善所有人的教育机会。
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引用次数: 0
Idea Bank: Stress-Reduction Strategies for Music Teachers 创意银行:音乐教师减压策略
Pub Date : 2023-09-01 DOI: 10.1177/00274321231199863
Margaret H. Berg, Megan L. Lewin
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引用次数: 0
Link to the Library of Congress: Transcribing Sheet Music of the Musical Theater 链接到国会图书馆:抄写音乐剧乐谱
Pub Date : 2023-09-01 DOI: 10.1177/00274321231199240
Cait Miller
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引用次数: 0
For Your Library 给你的图书馆
Pub Date : 2023-09-01 DOI: 10.1177/00274321231200481
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引用次数: 0
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Music Educators Journal
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