{"title":"Representing the migrant body and performing displacement","authors":"I. Jain","doi":"10.4324/9781351270267-9","DOIUrl":"https://doi.org/10.4324/9781351270267-9","url":null,"abstract":"","PeriodicalId":205310,"journal":{"name":"Dramaturgy of Migration","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126137432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-24DOI: 10.4324/9781351270267-14
A. Babayants
{"title":"Resisting the monolingual lens","authors":"A. Babayants","doi":"10.4324/9781351270267-14","DOIUrl":"https://doi.org/10.4324/9781351270267-14","url":null,"abstract":"","PeriodicalId":205310,"journal":{"name":"Dramaturgy of Migration","volume":"36 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132722480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This chapter considers how multilingual and transnational actors can use translation strategies as performance tools and a means of creative, professional, and political empowerment. The example under discussion is the Irish-Polish staging of a one-woman play about growing up in Poland: Rewolucja Balonowa (Bubble Revolution) by Julia Holewinska. The analysis of the production’s process and performance show how translation is transformed into acting tools and how such a process allows the actor to contribute actively to the field of theatre and theatre translation. The chapter points towards the still unexplored potential of both non-native English accents onstage and of actors performing translations.
{"title":"Acting as the act of translation","authors":"Kasia Lech","doi":"10.4324/9781351270267-5","DOIUrl":"https://doi.org/10.4324/9781351270267-5","url":null,"abstract":"This chapter considers how multilingual and transnational actors can use translation strategies as performance tools and a means of creative, professional, and political empowerment. The example under discussion is the Irish-Polish staging of a one-woman play about growing up in Poland: Rewolucja Balonowa (Bubble Revolution) by Julia Holewinska. The analysis of the production’s process and performance show how translation is transformed into acting tools and how such a process allows the actor to contribute actively to the field of theatre and theatre translation. The chapter points towards the still unexplored potential of both non-native English accents onstage and of actors performing translations.","PeriodicalId":205310,"journal":{"name":"Dramaturgy of Migration","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115170817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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