Pub Date : 2022-12-20DOI: 10.18357/bigr41202221163
Edwin Hodge
IN BRIEF Climate change is a global issue that requires global cooperation. Despite this, contemporary international approaches to the climate crisis do the reverse by attempting to carve solutions into projects undertaken by nations within territorial boundaries. Public policy needs to work through existing international bodies and empower them to address the global crisis
{"title":"Borders and Sustainability in the Anthropocene","authors":"Edwin Hodge","doi":"10.18357/bigr41202221163","DOIUrl":"https://doi.org/10.18357/bigr41202221163","url":null,"abstract":"IN BRIEF \u0000 \u0000Climate change is a global issue that requires global cooperation. \u0000Despite this, contemporary international approaches to the climate crisis do the reverse by attempting to carve solutions into projects undertaken by nations within territorial boundaries. \u0000Public policy needs to work through existing international bodies and empower them to address the global crisis \u0000","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124149287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-20DOI: 10.18357/bigr32202220823
Stephanie Gruhlke
A short overview of the issue by one of the journal's managing editors.
该杂志的一位主编简要概述了这个问题。
{"title":"Letter of Introduction","authors":"Stephanie Gruhlke","doi":"10.18357/bigr32202220823","DOIUrl":"https://doi.org/10.18357/bigr32202220823","url":null,"abstract":"A short overview of the issue by one of the journal's managing editors.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125474857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.18357/bigr32202220457
S. Kerr
A book review of Sanctuary Cities: A Suspended State.
《庇护城市:暂停状态》的书评。
{"title":"Reviewing Sanctuary Cities: A Suspended State","authors":"S. Kerr","doi":"10.18357/bigr32202220457","DOIUrl":"https://doi.org/10.18357/bigr32202220457","url":null,"abstract":"A book review of Sanctuary Cities: A Suspended State.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126866246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.18357/bigr32202220787
Mario Jímenez Díaz
Drawing on visual studies, this mixed-media portfolio explores the mixed culture of the US–Mexico border. Emerging around the turn of the millennium as a multidisciplinary study from such diverse fields as art history, aesthetics, film theory, cultural studies, media theory, visual culture, postcolonial studies, and gender studies, visual studies respond to the need to analyze an area of growing importance in contemporary societies: that of visuality. Therefore, I try to account, without disciplinary restrictions, the processes of production of cultural meaning that have their origin in the public circulation of images. I could, thus, describe my work as investigations into “the social life of images”, analyzing the processes of the cultural construction of visuality.
{"title":"The Social Life of Images","authors":"Mario Jímenez Díaz","doi":"10.18357/bigr32202220787","DOIUrl":"https://doi.org/10.18357/bigr32202220787","url":null,"abstract":"Drawing on visual studies, this mixed-media portfolio explores the mixed culture of the US–Mexico border. Emerging around the turn of the millennium as a multidisciplinary study from such diverse fields as art history, aesthetics, film theory, cultural studies, media theory, visual culture, postcolonial studies, and gender studies, visual studies respond to the need to analyze an area of growing importance in contemporary societies: that of visuality. Therefore, I try to account, without disciplinary restrictions, the processes of production of cultural meaning that have their origin in the public circulation of images. I could, thus, describe my work as investigations into “the social life of images”, analyzing the processes of the cultural construction of visuality.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129337428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.18357/bigr32202220509
Hakan Ünay
A film review of the 1999 Turkish film Propaganda.
1999年土耳其电影《宣传》的影评。
{"title":"Propaganda: ‘Wire Mesh are Edge Decoration of States’","authors":"Hakan Ünay","doi":"10.18357/bigr32202220509","DOIUrl":"https://doi.org/10.18357/bigr32202220509","url":null,"abstract":"A film review of the 1999 Turkish film Propaganda.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123974106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.18357/bigr32202219915
Edgar Garcia Velozo, Caroline Schmidt Patricio
A film review of the 2019 Brazilian film Bacurau.
2019年巴西电影《Bacurau》的电影评论。
{"title":"Erasing Territorial Sovereignty: Bacurau","authors":"Edgar Garcia Velozo, Caroline Schmidt Patricio","doi":"10.18357/bigr32202219915","DOIUrl":"https://doi.org/10.18357/bigr32202219915","url":null,"abstract":"A film review of the 2019 Brazilian film Bacurau.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132659532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.18357/bigr32202220785
Chayanika Saxena
A book review of Homo Itinerans: Towards a Global Ethnography of Afghanistan.
书评《行程人:走向阿富汗的全球民族志》。
{"title":"Of Connections and Flows: Homo Afghanicus is Homo Itinerans","authors":"Chayanika Saxena","doi":"10.18357/bigr32202220785","DOIUrl":"https://doi.org/10.18357/bigr32202220785","url":null,"abstract":"A book review of Homo Itinerans: Towards a Global Ethnography of Afghanistan.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126257845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-12DOI: 10.18357/bigr32202220783
F. Lasserre, Enkeleda Arapi, M. Bennett
Between 1967 and 1986, the Albanian government built an estimated 750,000 small and medium-sized military bunkers for defense purposes. These concrete constructions were spread across the country’s territory, with many concentrated along borders and beaches, in cities, and near key industries, strategic points, and transportation infrastructure. Long symbols of the communist regime, after it collapsed in 1991, the bunkers lost their purpose. As a result, both the narratives surrounding bunkers and their actual uses experienced significant transformations. Originally designed to control borders and instill fear in the population, bunkers have since been abandoned, destroyed, and graffitied, as might be expected. More notably, local entrepreneurs have transformed some bunkers into hotels or restaurants, while the state and non-profit organizations have turned others into commemorative sites that respectively glorify or expose the communist regime’s undertakings. Our ethnographic research into the discursive and material shifts to Albania’s fortified landscape, based on several field trips, interviews and investigations carried out between 2007 and 2017, identifies four contemporary “bunker mentalities” in Albania: indifference, derision, commodification, and commemoration.
{"title":"Bunker Mentalities: The Shifting Imaginaries of Albania’s Fortified Landscape","authors":"F. Lasserre, Enkeleda Arapi, M. Bennett","doi":"10.18357/bigr32202220783","DOIUrl":"https://doi.org/10.18357/bigr32202220783","url":null,"abstract":"Between 1967 and 1986, the Albanian government built an estimated 750,000 small and medium-sized military bunkers for defense purposes. These concrete constructions were spread across the country’s territory, with many concentrated along borders and beaches, in cities, and near key industries, strategic points, and transportation infrastructure. Long symbols of the communist regime, after it collapsed in 1991, the bunkers lost their purpose. As a result, both the narratives surrounding bunkers and their actual uses experienced significant transformations. Originally designed to control borders and instill fear in the population, bunkers have since been abandoned, destroyed, and graffitied, as might be expected. More notably, local entrepreneurs have transformed some bunkers into hotels or restaurants, while the state and non-profit organizations have turned others into commemorative sites that respectively glorify or expose the communist regime’s undertakings. Our ethnographic research into the discursive and material shifts to Albania’s fortified landscape, based on several field trips, interviews and investigations carried out between 2007 and 2017, identifies four contemporary “bunker mentalities” in Albania: indifference, derision, commodification, and commemoration.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123578207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-11DOI: 10.18357/bigr32202220778
Madeleine Filippi
This essay discusses the performative work of Sarah Trouche, whose meticulous field approach and bodily involvement at the edges of borders questions cultural rooting and geopolitical hazards. Essai sur l’œuvre performative de Sarah Trouche, depuis une approche de terrain minutieuse, son implication corporelle aux abords des frontières interroge sur l’enracinement culturel et les aléas géopolitiques.
the performative work of This essay discusses Trouche莎拉,别meticulous field方针和bodily参与》(at the edges of cultural rooting国界问题geopolitical危害。一篇关于Sarah Trouche表演作品的文章，从细致的实地方法，她的身体参与接近边界，质疑文化根源和地缘政治的不确定性。
{"title":"\"Sarah Trouche, Performing Borders\" / Sarah Trouche, performer les frontières","authors":"Madeleine Filippi","doi":"10.18357/bigr32202220778","DOIUrl":"https://doi.org/10.18357/bigr32202220778","url":null,"abstract":"This essay discusses the performative work of Sarah Trouche, whose meticulous field approach and bodily involvement at the edges of borders questions cultural rooting and geopolitical hazards. \u0000Essai sur l’œuvre performative de Sarah Trouche, depuis une approche de terrain minutieuse, son implication corporelle aux abords des frontières interroge sur l’enracinement culturel et les aléas géopolitiques.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121164875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-11DOI: 10.18357/bigr32202220779
Clara Bolívar
En este texto, la coordinadora del proyecto internacional Objetos antes y después del muro presenta las prácticas artísticas que abordan de manera crítica el fenómeno de los muros fronterizos contemporáneos y los desplazamientos migratorios desde la caída del Muro de Berlín el 9 de noviembre de 1989, incluyendo perspectivas político-estéticas y el despliegue de nuevas identidades globales. In this short text, the coordinator of the international project Objects Before and After the Wall introduces the reader to artistic practices that critically address contemporary border walls and migratory displacements since the fall of the Berlin Wall on November 9, 1989, including political-aesthetic perspectives and the deployment of new global identities.
本案文草案协调员、国际对象之前和之后的墙艺术批评处理做法介绍了当代边境墙移徙和流离失所现象,从柏林围墙倒塌的1989年11月9日,包括前景político-estéticas和全球部署新的身份。short text In this, the协调员of the international and After the Wall当the reader法院提起project Objects to address当代艺术practices that critically border柏林墙壁and以来迁移displacements the fall of the Wall on 9、1989年11月,包括political-aesthetic perspectives and the deployment of new global identities。
{"title":"El muro como objeto desde perspectivas Latinoamericanas / \"The Wall as an Object from Latin-American Perspectives\"","authors":"Clara Bolívar","doi":"10.18357/bigr32202220779","DOIUrl":"https://doi.org/10.18357/bigr32202220779","url":null,"abstract":"En este texto, la coordinadora del proyecto internacional Objetos antes y después del muro presenta las prácticas artísticas que abordan de manera crítica el fenómeno de los muros fronterizos contemporáneos y los desplazamientos migratorios desde la caída del Muro de Berlín el 9 de noviembre de 1989, incluyendo perspectivas político-estéticas y el despliegue de nuevas identidades globales. \u0000In this short text, the coordinator of the international project Objects Before and After the Wall introduces the reader to artistic practices that critically address contemporary border walls and migratory displacements since the fall of the Berlin Wall on November 9, 1989, including political-aesthetic perspectives and the deployment of new global identities.","PeriodicalId":216107,"journal":{"name":"Borders in Globalization Review","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116511029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：