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International Journal of Semiotics and Visual Rhetoric最新文献

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The Joker on the Couch 沙发上的小丑
Pub Date : 2019-01-01 DOI: 10.4018/IJSVR.2019010101
Joel West
Do tests for various mental illnesses work? How reliable are they and how well do they capture what we call “mental illness?” Since the infamous comic book character, the Joker, has often been called a “psychopath,” and this psychopathy is, culturally, conflated with mental illness, how would a model of the Joker be diagnosed using the current standard tools for psychiatric diagnosis? The authors tested this model Joker against DSM-5, ICD-10 and the PCL-R. They then discussed the results of these tests and concluded that the Joker as captured in Alan Moore and Brian Bolland's The Killing Joke is a psychopath according to current medical and psychiatric models. They also discussed issues with the models of mental illness used by these tests.
各种精神疾病的测试有效吗?它们有多可靠?它们在多大程度上反映了我们所说的“精神疾病”?由于臭名昭著的漫画人物小丑(Joker)经常被称为“精神病患者”,而这种精神病在文化上与精神疾病混为一谈,那么如何使用目前的标准精神病诊断工具来诊断小丑的模型呢?作者将这个模型小丑与DSM-5, ICD-10和PCL-R进行了测试。然后,他们讨论了这些测试的结果,并得出结论,根据目前的医学和精神病学模型,艾伦·摩尔和布莱恩·博兰的《杀人笑话》中捕捉到的小丑是一名精神病患者。他们还讨论了这些测试所使用的精神疾病模型的问题。
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引用次数: 4
Identity and Alterity of the Text in Translation 翻译中文本的同一性与互动性
Pub Date : 2019-01-01 DOI: 10.4018/IJSVR.2019010104
Susan Petrilli, A. Ponzio
The translated text is identical to the original text and at once altogether different from it, whether they are dealing with a verbal or nonverbal text. With respect to the globality of semiosis, the authors main focus in this essay is on interlingual translation, the relation among verbal texts translated, interpreted, transferred, transvaluated, transaccentuated, transintonated, transposed and readapted into the sign systems of other verbal languages. In the processes of interlingual translation, a central concern is the nature of the relation between the original text and the translated text and the reverse. Moreover, given that they are dealing with questions concerning the exchange among values and not simply meanings, the authors' perspective is more appropriately described as pertaining to semioethics.
翻译后的文本与原文相同,同时又与原文完全不同,无论他们处理的是语言文本还是非语言文本。关于符号学的全球性,本文作者主要关注语际翻译,即语言文本被翻译、解释、转移、重估、重调、转置和重新适应到其他语言符号系统中的关系。在语际翻译的过程中,一个中心问题是原文与译文之间关系的性质以及译文与译文之间关系的性质。此外,考虑到他们正在处理有关价值交换的问题,而不仅仅是意义,作者的观点被更恰当地描述为与符号学有关。
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引用次数: 1
Microanalysis of an Advertisement Through Semiotic Interpretation 从符号学解读看广告的微观分析
Pub Date : 2018-07-01 DOI: 10.4018/IJSVR.2018070104
V. Srikrishna
The purpose of this article is to understand how a semiotic analysis can spell out implications for practitioners in the advertising industry. The article presents a microanalysis of a television commercial, frame by frame, based on constructs identified from literature proposing a schema called the ‘Ad Heptameter.' This schema through its seven units - signs, codes, myths, syntagm, paradigm, denotation and connotation, facilitates in the questioning of meanings and serves as an entry point to engage with the advertising content or message. This work presents a theoretical overview of semiotics to practitioners and is also proposed as a venue for effective partnership between academia and practitioners in advertising. A semiotic Ad Heptameter is put forth to address the theory-practice gap. It has the potential to evaluate, assess and revisit storyboards, pre-production or production phases thereby enhancing the effectiveness of the advertising message.
本文的目的是了解符号学分析如何为广告行业的从业者阐明其含义。这篇文章对一个电视广告进行了一帧一帧的微观分析,基于从文献中确定的结构,提出了一个名为“广告七步法”的图式。该图式通过符号、代码、神话、句法、范式、外延和内涵这七个单元,促进了对意义的质疑,并作为参与广告内容或信息的切入点。这项工作提出了符号学的理论概述,并提出了一个场所,有效的合作伙伴关系的学术界和实践者之间的广告。为了弥补理论与实践的差距,本文提出了一种符号学七量纲。它有可能评估、评估和重新审视故事板、前期制作或制作阶段,从而提高广告信息的有效性。
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引用次数: 5
Social Media-Based Visual Strategies in Tourism Marketing 基于社交媒体的旅游营销视觉策略
Pub Date : 2018-07-01 DOI: 10.4018/IJSVR.2018070102
Jing Ge, U. Gretzel
Social media-based visual strategies are quintessential elements of tourism and social media marketing; yet, very little is known about how firms formulate and implement such strategies in a technologically advanced and consumer-driven communication context. Drawing on rhetorical structure theory, and marketing, tourism and social media marketing literature, this research examines and dissects the structure of social media-based visual strategies implemented by tourism marketers. 250 Weibo posts initiated by 5 Chinese provincial destination marketing organizations were collected and analyzed. The results show a diversity of social media-afforded visual modalities, a variety of visual content and marketing goals, and different rhetorical relations between visuals and their accompanying text. This research advances social media marketing and tourism literature by exploring essential structural aspects of social media-based visual rhetoric and offers firms a holistic overview of possible visual strategies.
基于社交媒体的视觉策略是旅游和社交媒体营销的典型元素;然而,对于企业如何在技术先进和消费者驱动的通信环境中制定和实施这种战略,人们知之甚少。借助修辞结构理论,以及市场营销、旅游和社交媒体营销文献,本研究对旅游营销人员实施的基于社交媒体的视觉策略结构进行了检验和剖析。收集并分析了中国5个省级目的地营销组织发布的250条微博。研究结果表明,社交媒体提供的视觉方式存在多样性,视觉内容和营销目标也存在多样性,视觉内容与其附带文本之间存在不同的修辞关系。本研究通过探索基于社交媒体的视觉修辞的基本结构方面,推动了社交媒体营销和旅游文献的发展,并为企业提供了可能的视觉策略的整体概述。
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引用次数: 10
Semiotic Landscape in Cyprus 塞浦路斯的象征性景观
Pub Date : 2018-07-01 DOI: 10.4018/IJSVR.2018070101
Aspasia Papadima, Evangelos Kourdis
The scope of this article is the semiotic study of the verbal, visual and spatial discourses as they are depicted on commercial signs in the city of Limassol, Cyprus that use modified verbal signs and verbo-cultural palimpsests for the purpose of commercial communication. It is widely believed that the marketplace of every city constitutes an aggregation of signs that form the image of the city. The contribution of this study lies in the fact that it focuses on the verbo-cultural palimpsests used on private signs, a special type of communication that scholars who study commercial communication have not yet paid much attention to.
本文的范围是符号学研究语言、视觉和空间话语,因为它们被描绘在塞浦路斯利马索尔市的商业标志上,这些商业标志使用修改的语言符号和动词文化重写来进行商业交流。人们普遍认为,每个城市的市场都是形成城市形象的标志的集合。本研究的贡献在于,它关注的是用于私人标志的动词文化复写,这是研究商业传播的学者尚未关注的一种特殊的传播类型。
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引用次数: 5
期刊
International Journal of Semiotics and Visual Rhetoric
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