Pub Date : 2009-07-01DOI: 10.1017/CBO9780511984440.007
Minhyong Kim
This is an essay to accompany the author's lecture at the introductory workshop on `Nonabelian fundamental groups in arithmetic geometry' at the Newton Institute, Cambridge in July, 2009.
{"title":"Galois Theory and Diophantine geometry","authors":"Minhyong Kim","doi":"10.1017/CBO9780511984440.007","DOIUrl":"https://doi.org/10.1017/CBO9780511984440.007","url":null,"abstract":"This is an essay to accompany the author's lecture at the introductory workshop on `Nonabelian fundamental groups in arithmetic geometry' at the Newton Institute, Cambridge in July, 2009.","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117181325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1998-12-11DOI: 10.1142/9789812815989_0002
S. Simon
The composite fermion picture has had a remarkable number of recent successes both in the description of the fractional quantized Hall states and in the description on the even denominator Fermi liquid like states. In this review we give an introductory account of the Chern-Simons fermion theory, focusing on the description of the even denominator states as unusual Fermi liquids.
{"title":"The Chern-Simons Fermi Liquid Description of Fractional Quantum Hall States","authors":"S. Simon","doi":"10.1142/9789812815989_0002","DOIUrl":"https://doi.org/10.1142/9789812815989_0002","url":null,"abstract":"The composite fermion picture has had a remarkable number of recent successes both in the description of the fractional quantized Hall states and in the description on the even denominator Fermi liquid like states. In this review we give an introductory account of the Chern-Simons fermion theory, focusing on the description of the even denominator states as unusual Fermi liquids.","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"294 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1998-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116261947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1017/CBO9781139236201.013
H. Small
‘I dispense with style’, M. Blandois/Rigaud tells Abel Flintwinch, with a Gallic wave of the hand ( LD , i, 30, 345). He does and does not mean it. The lack of any stylistic attractions, any marks of fashion or elegance, about the Clennam house is irrelevant to Blandois’s purposes there, and no obstacle to pressing an entry; he is, at the same time and in his own person, an excrescence of style – a florid incursion of melodramatic mannerism into the mix of styles that constitutes and troubles Dickensian realism – one that must ultimately be ‘squashed’ (to borrow Garrett Stewart’s apposite verb) to permit a harmonious narrative conclusion for Little Dorrit . Critics standardly observe that Dickensian stylistic excess has a companion principle, a kind of counterweight in restraint or adherence to ‘limits’. It is a less obvious proposition that there might be, beyond this tension or contest between the unleashing and the control of expressive energy, and outside the specific acts of repression required for Dickens’s novels to conclude, any effort towards ‘plain style’. Applied across the whole career, the proposal would not (to invoke one of Dickens’s favoured objects of humour) have legs. But the first part of this essay tests the claim that, in so far as he had a worked-out theory of style (he had clear principles and gave consistent advice to others, but never spelled out a complete ‘theory’), he afforded a high place to Hazlitt’s definition of ‘plain style’. The virtues expressed in the idea of ‘plain style’ were at the heart of his sense of how good writing is to be distinguished from bad, and in many aspects of his writing he both abided by them himself and encouraged (or directed) others to do so.
布兰多斯/里高德对阿贝尔·弗林特温奇(Abel Flintwinch)说:“我摒弃了风格。”他挥舞着高卢式的手(LD, I, 30,345)。他是有意的，也不是有意的。克莱南的房子没有任何风格上的吸引力，没有任何时尚或优雅的标志，这与布兰多斯在那里的目的无关，也没有妨碍他强行进入;与此同时，就他个人而言，他是一种风格的赘生物——一种夸张的矫情主义华丽的入侵，进入了构成和困扰狄更斯现实主义的各种风格的混合体——一种最终必须被“压碎”(借用加勒特·斯图尔特的对应动词)的东西，以便为《小杜丽》提供一个和谐的叙事结论。评论家们标准地观察到，狄更斯风格的过度有一个配套原则，一种克制或坚持“限制”的平衡。这是一个不太明显的命题，在释放和控制表达能量之间的紧张或竞争之外，在狄更斯的小说需要结束的特定压抑行为之外，可能存在任何对“朴素风格”的努力。如果把这个建议应用到狄更斯的整个职业生涯中，那就站不住脚了(借用狄更斯最喜欢的幽默对象之一)。但这篇文章的第一部分测试了这样一种说法，即就他的风格理论而言(他有明确的原则，并向他人提供一致的建议，但从未详细阐述过一个完整的“理论”)，他对黑兹利特对“朴素风格”的定义给予了高度评价。“朴素风格”所表达的美德是他区分好作品和坏作品的核心，在他写作的许多方面，他自己都遵守这些美德，并鼓励(或指导)别人这样做。
{"title":"Dispensing with Style","authors":"H. Small","doi":"10.1017/CBO9781139236201.013","DOIUrl":"https://doi.org/10.1017/CBO9781139236201.013","url":null,"abstract":"‘I dispense with style’, M. Blandois/Rigaud tells Abel Flintwinch, with a Gallic wave of the hand ( LD , i, 30, 345). He does and does not mean it. The lack of any stylistic attractions, any marks of fashion or elegance, about the Clennam house is irrelevant to Blandois’s purposes there, and no obstacle to pressing an entry; he is, at the same time and in his own person, an excrescence of style – a florid incursion of melodramatic mannerism into the mix of styles that constitutes and troubles Dickensian realism – one that must ultimately be ‘squashed’ (to borrow Garrett Stewart’s apposite verb) to permit a harmonious narrative conclusion for Little Dorrit . Critics standardly observe that Dickensian stylistic excess has a companion principle, a kind of counterweight in restraint or adherence to ‘limits’. It is a less obvious proposition that there might be, beyond this tension or contest between the unleashing and the control of expressive energy, and outside the specific acts of repression required for Dickens’s novels to conclude, any effort towards ‘plain style’. Applied across the whole career, the proposal would not (to invoke one of Dickens’s favoured objects of humour) have legs. But the first part of this essay tests the claim that, in so far as he had a worked-out theory of style (he had clear principles and gave consistent advice to others, but never spelled out a complete ‘theory’), he afforded a high place to Hazlitt’s definition of ‘plain style’. The virtues expressed in the idea of ‘plain style’ were at the heart of his sense of how good writing is to be distinguished from bad, and in many aspects of his writing he both abided by them himself and encouraged (or directed) others to do so.","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114568131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4324/9781315654263-15
J. Wallis
{"title":"'Atrophied', 'engorged', 'debauched': muscle wastage, degenerate mass and moral worth in the general paralytic patient","authors":"J. Wallis","doi":"10.4324/9781315654263-15","DOIUrl":"https://doi.org/10.4324/9781315654263-15","url":null,"abstract":"","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114135691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4324/9781315696607-15
H. Bailey
{"title":"Typology and subjectivity in Faulkner and Beowulf","authors":"H. Bailey","doi":"10.4324/9781315696607-15","DOIUrl":"https://doi.org/10.4324/9781315696607-15","url":null,"abstract":"","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133112386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1017/CBO9781139152259.023
Tiffany Stern
{"title":"Before the beginning; after the end: when did plays start and stop?","authors":"Tiffany Stern","doi":"10.1017/CBO9781139152259.023","DOIUrl":"https://doi.org/10.1017/CBO9781139152259.023","url":null,"abstract":"","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114998577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1164/ajrccm-conference.2015.191.1_MeetingAbstracts.A3548
C. Turnbull, A. Manuel, J. Stradling
{"title":"Does greater obesity alter the relationship between autoset continuous positive airways pressure (CPAP) and either obstructive sleep apnoea (OSA) severity or the obesity itself","authors":"C. Turnbull, A. Manuel, J. Stradling","doi":"10.1164/ajrccm-conference.2015.191.1_MeetingAbstracts.A3548","DOIUrl":"https://doi.org/10.1164/ajrccm-conference.2015.191.1_MeetingAbstracts.A3548","url":null,"abstract":"","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127504188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1002/9781118613504.CH36
Adriana X. Jacobs
{"title":"The Go‐Betweens: Leah Goldberg, Yehuda Amichai, and the Figure of the Poet‐Translator","authors":"Adriana X. Jacobs","doi":"10.1002/9781118613504.CH36","DOIUrl":"https://doi.org/10.1002/9781118613504.CH36","url":null,"abstract":"","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"180 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123001922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1484/m.mcs-eb.5.113517
H. Appleton
A late twelfth-century manuscript that once belonged to the Abbey at Sawley in Yorkshire, but was produced in Durham, contains a collection of texts focused on the history of princes, bishops, and abbots. The manuscript is now divided in two as Cambridge, Corpus Christi College MS, 66 and Cambridge, University Library MS, Ff.I.27. The manuscript is an important record of Anglo-Saxon verse as it preserves the only surviving copy of the late Old English poem Durham, a short piece in praise of the resting place of Cuthbert. It is also the only manuscript with a northern provenance to contain AEthelwulf’s De abbatibus, a ninth-century Latin poem on a cell of Lindisfarne. The poems are found in the final part of the manuscript, which focuses on northern England, and the city of Durham in particular. De abbatibus and its associated miscellanea precede a section containing Symeon of Durham’s Libellus de exordio atque procursu istius, hoc est dunhelmensis, ecclesie and the Anonymous Historia de sancto Cuthberto; the section concludes with the Old English poem Durham. The two Anglo-Saxon poems, composed more than two centuries apart, share an interest in the saints and holy men of Northumbria. Together with their associated miscellanea they are employed in the manuscript to aid Symeon’s work in demonstrating the pre-eminence of the Durham community and their patron saint, Cuthbert.
{"title":"'Æðele geferes’: northern saints in a Durham manuscript","authors":"H. Appleton","doi":"10.1484/m.mcs-eb.5.113517","DOIUrl":"https://doi.org/10.1484/m.mcs-eb.5.113517","url":null,"abstract":"A late twelfth-century manuscript that once belonged to the Abbey at Sawley in Yorkshire, but was produced in Durham, contains a collection of texts focused on the history of princes, bishops, and abbots. The manuscript is now divided in two as Cambridge, Corpus Christi College MS, 66 and Cambridge, University Library MS, Ff.I.27. The manuscript is an important record of Anglo-Saxon verse as it preserves the only surviving copy of the late Old English poem Durham, a short piece in praise of the resting place of Cuthbert. It is also the only manuscript with a northern provenance to contain AEthelwulf’s De abbatibus, a ninth-century Latin poem on a cell of Lindisfarne. The poems are found in the final part of the manuscript, which focuses on northern England, and the city of Durham in particular. De abbatibus and its associated miscellanea precede a section containing Symeon of Durham’s Libellus de exordio atque procursu istius, hoc est dunhelmensis, ecclesie and the Anonymous Historia de sancto Cuthberto; the section concludes with the Old English poem Durham. The two Anglo-Saxon poems, composed more than two centuries apart, share an interest in the saints and holy men of Northumbria. Together with their associated miscellanea they are employed in the manuscript to aid Symeon’s work in demonstrating the pre-eminence of the Durham community and their patron saint, Cuthbert.","PeriodicalId":238120,"journal":{"name":"ORA review team","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125899634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：