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On the Threshold of Eurasia最新文献

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Postscript 附言
Pub Date : 2018-10-15 DOI: 10.7591/cornell/9781501726507.003.0006
Leah Feldman
This postscript discusses the poetry of Mikayil Refili through his collection “The Window” penned in the new Latin alphabet after the Latinization reforms, which severed supranational ties to the Turkic and Persianate world and cemented the creation of an Azerbaijani national canon. This section thus concludes the book by tracing the transformation of poetry in the 1920s, both institutionally through the consolidation of power in Moscow and the creation of the national republics, as well as aesthetically through the ways in which lexical shifts and script reforms shaped the weight of a new materialist conception of the poetic word.
这篇附言讨论了Mikayil Refili在拉丁化改革后用新拉丁字母写的诗集“the Window”,拉丁化改革切断了与突厥和波斯世界的超国家联系,并巩固了阿塞拜疆民族经典的创造。因此,这一部分通过追溯20世纪20年代诗歌的转变来结束本书,这一转变既通过莫斯科权力的巩固和民族共和国的建立在制度上,也通过词汇的转变和剧本的改革在美学上塑造了诗歌词的新唯物主义概念的重要性。
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引用次数: 0
Parodic and Messianic Genealogies 模仿和弥赛亚的家谱
Pub Date : 2018-10-15 DOI: 10.7591/CORNELL/9781501726507.003.0002
Leah Feldman
This chapter discusses Russian imperial poetics and its Azeri translations in the work of Nikolai Gogol and Jalil Memmedquluzade. Taking up Gogol’s parodic prose as central to the Russian literary canon and Formalist poetics, I discuss Memmedquluzade’s interest in Gogolean parody as central to the development of a native Azeri prose canon and understandings of Russian and non-Russian ethnicity as well as the relationship between metropole and periphery through the period of revolutionary transition.
这一章讨论了俄罗斯帝国诗学及其在果戈理和贾利勒·梅梅库鲁扎德作品中的阿塞拜疆语翻译。我将果戈理的戏仿散文作为俄罗斯文学经典和形式主义诗学的核心,讨论Memmedquluzade对果戈理戏仿的兴趣,并将其作为阿塞拜疆本土散文经典发展的核心,以及对俄罗斯和非俄罗斯种族的理解,以及在革命过渡时期大都市和外围之间的关系。
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引用次数: 0
A Window onto the East 向东的一扇窗
Pub Date : 2018-10-15 DOI: 10.7591/CORNELL/9781501726507.003.0004
Leah Feldman
This chapter shifts to the immediate post-revolutionary moment to discuss the beginnings of the Soviet consolidation of the empire. In particular, it takes up the construction of an idea of an Eastern International developed by Russian/Soviet orientalists as central to Soviet agitprop. Much of the chapter focuses on the role played by avant-garde poetics in the imperial imaginary, contesting the notion that socialist realism was the only strategy applied to Soviet nation building.
本章转到革命后不久,讨论苏联帝国巩固的开端。特别是,它将俄罗斯/苏联东方主义者所发展的东方国际理念的构建作为苏联鼓动的核心。这一章的大部分内容都集中在先锋派诗学在帝国想象中所扮演的角色,对社会主义现实主义是苏联国家建设唯一策略的观点提出了质疑。
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引用次数: 0
Broken Verse 破碎的诗句
Pub Date : 2018-10-15 DOI: 10.7591/cornell/9781501726507.003.0005
Leah Feldman
This chapter discusses the influence of materialist aesthetics on the formation of Azerbaijani Soviet nationalism, which emerged as a cohesive discourse during the first ten years of Soviet control in the poetry of the Baku Red Pens. This chapter highlights the role of Marxist speech acts in shaping the revolution on the periphery.
本章讨论唯物主义美学对阿塞拜疆苏维埃民族主义形成的影响,这种民族主义在苏联控制的头十年里以巴库红笔诗歌的形式出现。本章强调马克思主义言论行为在塑造外围革命中的作用。
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引用次数: 0
Aesthetics of Empathy 共情美学
Pub Date : 2018-10-15 DOI: 10.7591/CORNELL/9781501726507.003.0003
Leah Feldman
This chapter discusses the Azeri poetry of Mirza Fatali Axundov and Abbas Sehhet’s translations of the Russian imperial sublime. The chapter focuses on the geography of the sublime as central to the construction of a Turkic supranational community defined through a boundless ethics of empathy and intuition drawing on both Russian Orientalist tropes and Islamic thought.
本章讨论了Mirza Fatali Axundov的阿塞拜疆诗歌和Abbas seheet对俄罗斯帝国崇高的翻译。这一章的重点是崇高的地理,作为突厥超国家共同体建设的核心,通过俄罗斯东方主义比喻和伊斯兰思想的移情和直觉的无限伦理来定义。
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引用次数: 0
期刊
On the Threshold of Eurasia
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