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NEW METHODS OF PROMOTION MEDIA ON THE INTERNET 网络媒体推广的新方法
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.081
I. Mudra, Oleksandra Kukharska
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引用次数: 0
ATTRIBUTIVE CONNECTIVITY OF CONCEPT OF DIGNITY IN THE MODERN UKRAINIAN INTERNET DISCOURS 现代乌克兰网络话语中尊严概念的属性连通性
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.142
Сhrystyna Datsyshyn
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引用次数: 0
LINGUISTIC ERRORS OF TV PRESENTERS ON UKRAINIAN TV CHANNELS 乌克兰电视频道节目主持人语言错误
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.129
K. Bilohrats, Angelina Nechypir
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引用次数: 1
LEXICAL CREATIVITY AS DEMONSTRATION OF A JOURNALIST`S SKILL 词汇的创造性作为新闻记者技巧的展示
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.149
L. Konyukhova
Розглянуто креативні підходи сучасних журналістів до розв’язання питання про грамотне впровадження до мови засобів масової інформації власне української лексики. Зазначено, що під впливом російської мови усталилися певні лексичні одиниці, структура яких не відповідає українським нормам творення слів. На конкретних прикладах продемонстровано, як сучасні журналісти застосовують такі норми творення лексичних одиниць, які властиві українській мові. У статті проаналізовано журналістський текст з погляду лексичної креативності журналіста. Вказано, що ознаки лексичної креативності – влучні слова та економія мовних засобів. Акцентовано на тому, що основним способом компресії є професійне використання словотвірних ресурсів. Зазначено, що вміння правильно дібрати містке слово є важливою рисою журналістської майстерності. Проаналізовано мас-медійні тексти з погляду уживання не лише повнозначних, а й службових слів. Наведено приклади, які доводять, що сьогодні журналісти активізують прийменники, сполучники, частки, які донедавна рідко використовувалися, бо були замінені скалькованими з російської мови структурами. Особливу увагу звернуто на нормативність уживання темпоральних, логічних та просторових прийменників і підкреслено, що прийменники мають певні відтінки значень і тому журналісти повинні ретельно добирати їх у кожній мовній ситуації. Це дослідження доводить, що новітня журналістика, намагаючись захопити увагу споживача, передбачає добір ефективних способів інформування. Чіткість, ефективність і привабливість є ознаками сучасного стилю мас-медіа. Дослідження також засвідчує, що журналіст може активно сприяти лінгвістичній кодифікації української мови. Ключові слова: мас-медійні тексти, економія мови, процес компресії, словотвірні засоби, префікси, суфікси, словоскладання.
文章探讨了现代记者在解决大众媒体语言中适当引入乌克兰语词汇问题上的创造性方法。文章指出,在俄语的影响下,某些词汇单位已经形成,其结构不符合乌克兰语的构词规范。具体例子说明了现代记者如何使用乌克兰语固有的词汇单位构成规范。文章从记者词汇创造力的角度分析了新闻文本。文章指出,词汇创造力的标志是恰当的词语和语言手段的经济性。强调压缩的主要方法是专业地使用构词资源。指出选择恰当词语的能力是新闻技能的一个重要特征。对大众媒体文本进行分析时,不仅分析了正式用词的使用情况,也分析了服务用词的使用情况。我们举例说明,如今记者们在使用介词、连词和微词,而这些词直到最近才被从俄语中借用的结构所取代,因此很少使用。本研究特别关注时间、逻辑和空间介词使用的规范性,并强调介词具有一定的含义,因此记者应在每种语言环境中谨慎选择介词。本研究证明,现代新闻业为了吸引消费者的注意力,需要选择有效的信息传播方式。清晰、高效和吸引人是现代媒体风格的标志。研究还表明,记者可以为乌克兰语的语言编纂做出积极贡献。关键词:大众媒体文本、语言经济、压缩过程、组词手段、前缀、后缀、组词。
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引用次数: 0
THE ORIGIN AND DEVELOPMENT OF MEDIA FOR CHILDREN IN UKRAINE 乌克兰儿童媒体的起源与发展
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.053
Bozhena Bozhena Ivanytska, Juliana Kazimova
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引用次数: 0
POLITICAL TALK SHOW ON UKRAINIAN TV CHANNELS: OBSERVANCE OF THE PRINCIPLE OF OBJECTIVITY (ON THE EXAMPLE OF THE TV CHANNEL 1+1, THE PROGRAM “PRAVO NA VLADU”) 乌克兰电视频道的政治谈话节目:遵守客观性原则(以电视频道1+1的“pravo na vladu”节目为例)
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.037
Iryna Putsіata
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引用次数: 0
CLASSIFICATION OF JOURNALISM BLOGS 新闻博客分类
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.076
I. Mudra
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引用次数: 0
MEMES AS MARKERS OF FAKES AND PROPAGANDA TOPICS IN MEDIA REPRESENTATIONS OF THE RUSSIAN-UKRAINIAN CONFLICT 米姆在媒体对俄乌冲突的表述中作为虚假和宣传话题的标记
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.087
L. Pavlyuk
The article deals with memes as expressive rhetorical resource in media representations of the Russian-Ukrainian hybrid war and military conflict. It explores textual slogans of Russian propaganda that serve to legitimize external aggression. When these units are mirrored as intertextual material in the Ukrainian counter-discourse, they become critical targets for deconstructing fakes and decontamination of manipulative programs. The network of memetic signs is subordinated to the task of symbolic identification of conflict sides and their objectives. Thematic groups of memes, referring to the scenario of military confrontation, reproduce senses of the main “battles for meaning” and the key narratives of the Russian-Ukrainian information warfare. The memetic markers give an opportunity to analyze such basic strategies of Russian propaganda as justification of aggression through appeal to historical myths, falsification of the meaning of the conflict and programs aimed at the protection of Ukraine’s sovereignty, concealment of facts about the real perpetrators of aggression and origin of weapons, and spread of the threat formulas for intimidation of potential partners. І n the counter-discourse of Ukrainian media, fragments of the speech referring to the opposite side in ideological and military confrontation are presented with the accompaniment of figurative and factual means of distancing and rejection. The reconstructive strategies of Ukrainian media in relation to propaganda formulas are based on the use of factual information, in particular personal stories told by witnesses of events, investigative material, statistical data, and documents. The counter-frames, or interpretive frameworks of the Ukrainian mass media, work to substantially deny primary content of the propaganda “source”. also explains the for understanding of the as interstate opposed to one. The aim at demonstrating that Checking and state
本文探讨了在俄乌混合战争和军事冲突的媒体表述中,模因作为表达性修辞资源的作用。它探讨了俄罗斯宣传中的文本口号,这些口号有助于使外部侵略合法化。当这些单位在乌克兰的反话语中被反映为互文材料时,它们就成为解构虚假和净化操纵程序的关键目标。模因符号网络隶属于冲突双方及其目标的符号识别任务。模因的主题组,指的是军事对抗的场景,再现了主要的“意义之战”的感觉和俄罗斯-乌克兰信息战的关键叙述。模因标记为分析俄罗斯宣传的基本策略提供了机会,如通过诉诸历史神话为侵略辩护,伪造冲突的意义和旨在保护乌克兰主权的计划,隐瞒真正的侵略肇事者和武器来源的事实,以及传播恐吓潜在合作伙伴的威胁公式。І在乌克兰媒体的反话语中,在意识形态和军事对抗中提及对方的演讲片段伴随着距离和拒绝的比喻和事实手段。乌克兰媒体在宣传方式方面的重建策略基于使用事实信息,特别是事件目击者讲述的个人故事、调查材料、统计数据和文件。乌克兰大众传播媒介的反框架或解释框架基本上否认宣传“来源”的主要内容。也解释了对州际公路的理解,而不是州际公路。目的是证明检查和状态
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引用次数: 2
SOCIAL NETWORK INSTAGRAM AS A MODERN PLATFORM FOR POPULARIZATION OF THE JOURNALISTIC CONTENT 社交网络instagram作为新闻内容大众化的现代平台
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.095
Natalia Semen, Juliana Kazimova
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引用次数: 1
PUBLIC MARKERS OF POETIC TEXTS OF VASYL SIMONENKO: WORD – LOGOS – ACT 西蒙年科诗歌文本的公共标记:文字-标志-行为
Pub Date : 2019-06-01 DOI: 10.23939/SJS2019.01.160
I. Pavlyuk
formative elements of creation of poetized journalistic and prose texts on the basis of author’s and public philosophical, psychological, ideological ideological models, life ethic, prospects of their engagement in contemporary cultural and informational domestic space. As a direct mirror of life, “newspaper literature”, that is, journalism, is in the permanent formation, development, form, content, form content. Adequate social life awaits the writer of artistic discoveries and at the same time the truth of life as an organic essence of true art. And talented journalism is perhaps the simplest form of justification for these ethical and aesthetic expectations. Therefore, we will try to analyze how artistic methods of comprehension of historical time and methods of written influence on social-political events “full of dynamism” have changed, since scientific research objectivism involves conscious ignoring of psycho-philosophical, ideological dogmas and all kinds of prejudices. The formulated questions generate, provoke a whole body of discussion, polemical, scientific and journalistic thoughts, ideas, comments and facts. So, without claiming their final coverage, a monopoly of truth, but for the greatest objectivity, authority in the selection of scientific theoretical literature, we adhere to the principle: to balance the number of opinions of the researchers of the poet’s creativity on the specialty of publicists and poetry researchers, some of whom were friends with themselves the poet or just knew him personally. We will try to find between two, sometimes quite opposing views on his life-creation and creativity of this Vasyl Simonenko. The formulated questions generate, provoke a whole body of discussion, polemical, scientific and journalistic thoughts, ideas, comments and facts. So, without claiming their final coverage, a monopoly of truth, but for the greatest objectivity, authority in the selection of scientific theoretical literature, we adhere to the principle: to balance the number of opinions of the researchers of the poet’s creativity on the specialty of publicists and poetry researchers, some of whom were friends with themselves the poet or just knew him personally. We will try to find between two, sometimes quite opposing views on his life-creation and text-creation of this Vasyl Simonenko.
基于作者与公众的哲学、心理、意识形态、思想模式、生活伦理、参与当代文化与信息国内空间的前景,诗化新闻与散文文本创作的形成要素。作为生活的直接反映,“报纸文学”,也就是新闻,是在不断地形成、发展,形式、内容、形式、内容。充足的社会生活等待着艺术发现的作者,同时也等待着作为真正艺术的有机本质的生活的真理。有才华的新闻工作者也许是这些道德和审美期望的最简单的证明形式。因此,我们将试图分析理解历史时间的艺术方法和对“充满活力”的社会政治事件的书面影响的方法是如何变化的,因为科学研究的客观主义涉及到有意识地忽视心理哲学、意识形态教条和各种偏见。这些公式化的问题引发了一系列的讨论、争论、科学和新闻思想、观点、评论和事实。所以,我们不要求他们的最终报道,真理的垄断,但为了最大程度的客观性,在科学理论文献的选择上的权威,我们坚持这样的原则:为了平衡研究诗人创造力的研究者对公共学家和诗歌研究者的专业观点的数量,其中一些人是诗人的朋友,或者只是私下认识他。我们将试着在两种,有时是截然相反的观点之间找到他的生活,创造和这个Vasyl Simonenko的创造力。这些公式化的问题引发了一系列的讨论、争论、科学和新闻思想、观点、评论和事实。所以,我们不要求他们的最终报道,真理的垄断,但为了最大程度的客观性,在科学理论文献的选择上的权威,我们坚持这样的原则:为了平衡研究诗人创造力的研究者对公共学家和诗歌研究者的专业观点的数量,其中一些人是诗人的朋友,或者只是私下认识他。我们将试着找到两种,有时是截然相反的观点来看待他对Vasyl Simonenko的生活创作和文本创作。
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Bulletin of Lviv Polytechnic National University. Series: Journalistic sciences
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