ABSTRAK Penelitian ini mencoba untuk melakukan formulasi dalam menciptakan musik yang dapat dijadikan sarana terapi untuk menekan tingkat kecemasan serta memberikan rasa tenang dan nyaman terhadap pendengarnya khususnya ibu hamil. Target jangka panjang dari riset ini ialah bagaimana dampak dari musik terhadap psikologi ibu hamil diharapkan mampu memberikan efek positif terhadap ibu maupun janin yang sedang dikandung. Target jangka pendek yang dihasilkan dari riset dalam proposal berikut yakni mencoba melakukan analalisis kompositoris dan mencermati kaidah-kaidah musik terapi yang dikombinasikan dengan idiom musikal karawitan, dalam hal ini karawitan Jawa, Sunda, dan Bali. Pada akhirnya diharapkan dapat menghasilkan sebuah embrio dari model penciptaan musik terapi berbasis idiom musikal karawitan. Riset ini kemudian mencoba mengeksplorasi bunyi- bunyian lokal untuk dapat diolah kembali menjadi produk yang maslahat untuk masyarakat.Kata kunci: musik, terapi, karawitan, komposisi ABSTRACTThis study tries to formulate music that can be used as a therapy tool to reduce anxiety and provide a sense of calm and comfort to the listeners, especially pregnant women. The long-term target of this research is how the impact of music on the psychology of pregnant women is expected to have a positive effect on both the mother and the fetus being conceived. The short-term target resulting from the research in the following proposal is to try to do a compositorist analysis and observe the rules of therapeutic music combined with karawitan musical idioms, namely Javanese, Sundanese, and Balinese karawitan. Finally, it is hoped that it will produce an embryo of a therapeutic music model based on the musical idiom of karawitan. This research, then, tries to explore local sounds in order to be reprocessed into beneficial products for the community.Keywords: music, therapy, karawitan, composition
{"title":"MODEL KOMPOSISI MUSIK TERAPI RELAKSASI UNTUK IBU HAMIL BERBASIS IDIOM MUSIKAL KARAWITAN","authors":"Denis Setiaji","doi":"10.33153/ACY.V13I1.3818","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3818","url":null,"abstract":"ABSTRAK Penelitian ini mencoba untuk melakukan formulasi dalam menciptakan musik yang dapat dijadikan sarana terapi untuk menekan tingkat kecemasan serta memberikan rasa tenang dan nyaman terhadap pendengarnya khususnya ibu hamil. Target jangka panjang dari riset ini ialah bagaimana dampak dari musik terhadap psikologi ibu hamil diharapkan mampu memberikan efek positif terhadap ibu maupun janin yang sedang dikandung. Target jangka pendek yang dihasilkan dari riset dalam proposal berikut yakni mencoba melakukan analalisis kompositoris dan mencermati kaidah-kaidah musik terapi yang dikombinasikan dengan idiom musikal karawitan, dalam hal ini karawitan Jawa, Sunda, dan Bali. Pada akhirnya diharapkan dapat menghasilkan sebuah embrio dari model penciptaan musik terapi berbasis idiom musikal karawitan. Riset ini kemudian mencoba mengeksplorasi bunyi- bunyian lokal untuk dapat diolah kembali menjadi produk yang maslahat untuk masyarakat.Kata kunci: musik, terapi, karawitan, komposisi ABSTRACTThis study tries to formulate music that can be used as a therapy tool to reduce anxiety and provide a sense of calm and comfort to the listeners, especially pregnant women. The long-term target of this research is how the impact of music on the psychology of pregnant women is expected to have a positive effect on both the mother and the fetus being conceived. The short-term target resulting from the research in the following proposal is to try to do a compositorist analysis and observe the rules of therapeutic music combined with karawitan musical idioms, namely Javanese, Sundanese, and Balinese karawitan. Finally, it is hoped that it will produce an embryo of a therapeutic music model based on the musical idiom of karawitan. This research, then, tries to explore local sounds in order to be reprocessed into beneficial products for the community.Keywords: music, therapy, karawitan, composition","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131029502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this study was to determine the public’s response to the government policies in dealing with the COVID-19 outbreak. The forms of response that are the object of this research are performative forms uploaded on social media. The target of this research is an evaluation of government policies in dealing with the covid outbreak by observing the performative responses presented by the community. The method used is observation and interpretive interviews that rely on local knowledge. Through this method, this research can reveal three elements, the first is the aspect of performative forms, namely ritual forms, performance forms and short films. The second is the aspect of practical knowledge in the form of discourse. In this aspect of the discourse, it is known that the community concept of the corona virus is based on local knowledge. The meaning of the virus has expanded in accordance with the understanding developed by the local community which is sometimes related to the aspects of belief. The third is the performative response that contributes to the prevention of the spread of coronavirus and the recording of local knowledge in dealing with covid-19.Keywords: Performative, Local Knowledge, Covid-19, Pandemic
{"title":"PERFORMATIVITAS LOKAL DALAM WACANA WABAH","authors":"Isa Ansari","doi":"10.33153/ACY.V13I1.3820","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3820","url":null,"abstract":"The purpose of this study was to determine the public’s response to the government policies in dealing with the COVID-19 outbreak. The forms of response that are the object of this research are performative forms uploaded on social media. The target of this research is an evaluation of government policies in dealing with the covid outbreak by observing the performative responses presented by the community. The method used is observation and interpretive interviews that rely on local knowledge. Through this method, this research can reveal three elements, the first is the aspect of performative forms, namely ritual forms, performance forms and short films. The second is the aspect of practical knowledge in the form of discourse. In this aspect of the discourse, it is known that the community concept of the corona virus is based on local knowledge. The meaning of the virus has expanded in accordance with the understanding developed by the local community which is sometimes related to the aspects of belief. The third is the performative response that contributes to the prevention of the spread of coronavirus and the recording of local knowledge in dealing with covid-19.Keywords: Performative, Local Knowledge, Covid-19, Pandemic","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115977494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ranang Agung Sugihartono, Jaka Rianto, Sri Marwati
The Covid-19 pandemic changed all the aspects of life, including the arts. Traditional artists were badly affected. They do not have any requests for art performances at all, because the performances will definitely gather the masses, including the beber puppet (wayang beber). For that, it is necessary to find a solution to overcome this condition. Through this artistic research, the researcher created a model for presenting the beber wayang show using multi-platform technology, namely the integration of video conferencing and live streaming, abbreviated as Vicolming. This artistic research uses a type of practice-based research with a ‘Multi-Method’ approach with stages including information gathering, selection, preparation, analysis, evaluation, presentation, and communication. The results show that the wayang beber show performed with multi-platform technology can produce offerings or performance that are not only online but interesting, creative, interactive, collaborative, and can be watched from anywhere live and on demand. The results of this research are expected to become an online performance model that can be applied to other traditional performing arts.Keywords: Vicolming, multi-platform, wayang beber, and Covid-19
{"title":"PERGELARAN VICOLMING WAYANG BEBER 4 KOTA SEBAGAI SOLUSI DAMPAK COVID-19","authors":"Ranang Agung Sugihartono, Jaka Rianto, Sri Marwati","doi":"10.33153/ACY.V13I1.3823","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3823","url":null,"abstract":"The Covid-19 pandemic changed all the aspects of life, including the arts. Traditional artists were badly affected. They do not have any requests for art performances at all, because the performances will definitely gather the masses, including the beber puppet (wayang beber). For that, it is necessary to find a solution to overcome this condition. Through this artistic research, the researcher created a model for presenting the beber wayang show using multi-platform technology, namely the integration of video conferencing and live streaming, abbreviated as Vicolming. This artistic research uses a type of practice-based research with a ‘Multi-Method’ approach with stages including information gathering, selection, preparation, analysis, evaluation, presentation, and communication. The results show that the wayang beber show performed with multi-platform technology can produce offerings or performance that are not only online but interesting, creative, interactive, collaborative, and can be watched from anywhere live and on demand. The results of this research are expected to become an online performance model that can be applied to other traditional performing arts.Keywords: Vicolming, multi-platform, wayang beber, and Covid-19","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126640149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstrak Teknik hand-colouring merupakan sebuah teknik pewarnaan pada permukaan kertas foto yang dilakukan secara manual. Hand- colouring merupakan pewarnaan yang sudah dilakukan sejak sebelum ada fotografi warna, yang berguna untuk memberikan efek atau dramatisasi pada sebuah foto. Dari sisi metode, material pewarnanya serta pengetahuan pewarnaannya, teknik hand-colouring secara manual manjadi hal yang lebih menarik bila dibicarakan melalui konteks seni dan berkesenian, terlebih teknik tersebut telah lama digantikan oleh teknik pewarnaan secara digital.Berdasarkan uraian di atas, dapat dikatakan bahwa penulis akan menampilkan kembali teknik hand-colouring yang dilakukan secara manual menggunakan alat pewarna dan memiliki efek warna khas dan menjadi sesuatu yang unik dan menarik bila dimunculkan di masa kini, di mana kesan masa lalu menjadi kekuatan utama pada tampilan visual nantinya. Hand-colouring dalam penelitian kali ini akan dimunculkan pada karya multiple exposure photogram yang juga memiliki nilai estetis dan esensi fotografi yang sesungguhnya.Multiple exposure dalam karya photogram, menjadi teknik sajian dalam menampilkan imaji foto, yang merupakan sebuah teknik yang menjadi fokus penulis sejak tahun 2016. Dengan segala kerumitan dan kesulitan yang sering dihadapai saat mencipta karya, ditemukan photogram memiliki potensi besar untuk dapat dieksplorasi lebih dalam lagi. Perlu diketahui bahwa photogram merupakan sebuah teknik eksplorasi yang dilakukan di kamar gelap, yang membutuhkan kesabaran, ketelatenan di samping pengetahuan teknis secara mendasar yang harus dikuasai. Photogram tidak hanya berkaitan dengan bayangan yang dihasilkan, namun juga berkaitan dengan bagaimana teknik tersebut dapat dieksplorasi dan dilakukan eksperimentasi yang pada akhirnya akan memperkaya dan memperkuat penguasaan teknik yang sudah penulis miliki hingga saat ini.Kata kunci: hand-colouring, photogram, multiple exposure
{"title":"HAND-COLOURING PADA MULTIPLE EXPOSURE PHOTOGRAM","authors":"Anin Astiti","doi":"10.33153/ACY.V13I1.3845","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3845","url":null,"abstract":"Abstrak Teknik hand-colouring merupakan sebuah teknik pewarnaan pada permukaan kertas foto yang dilakukan secara manual. Hand- colouring merupakan pewarnaan yang sudah dilakukan sejak sebelum ada fotografi warna, yang berguna untuk memberikan efek atau dramatisasi pada sebuah foto. Dari sisi metode, material pewarnanya serta pengetahuan pewarnaannya, teknik hand-colouring secara manual manjadi hal yang lebih menarik bila dibicarakan melalui konteks seni dan berkesenian, terlebih teknik tersebut telah lama digantikan oleh teknik pewarnaan secara digital.Berdasarkan uraian di atas, dapat dikatakan bahwa penulis akan menampilkan kembali teknik hand-colouring yang dilakukan secara manual menggunakan alat pewarna dan memiliki efek warna khas dan menjadi sesuatu yang unik dan menarik bila dimunculkan di masa kini, di mana kesan masa lalu menjadi kekuatan utama pada tampilan visual nantinya. Hand-colouring dalam penelitian kali ini akan dimunculkan pada karya multiple exposure photogram yang juga memiliki nilai estetis dan esensi fotografi yang sesungguhnya.Multiple exposure dalam karya photogram, menjadi teknik sajian dalam menampilkan imaji foto, yang merupakan sebuah teknik yang menjadi fokus penulis sejak tahun 2016. Dengan segala kerumitan dan kesulitan yang sering dihadapai saat mencipta karya, ditemukan photogram memiliki potensi besar untuk dapat dieksplorasi lebih dalam lagi. Perlu diketahui bahwa photogram merupakan sebuah teknik eksplorasi yang dilakukan di kamar gelap, yang membutuhkan kesabaran, ketelatenan di samping pengetahuan teknis secara mendasar yang harus dikuasai. Photogram tidak hanya berkaitan dengan bayangan yang dihasilkan, namun juga berkaitan dengan bagaimana teknik tersebut dapat dieksplorasi dan dilakukan eksperimentasi yang pada akhirnya akan memperkaya dan memperkuat penguasaan teknik yang sudah penulis miliki hingga saat ini.Kata kunci: hand-colouring, photogram, multiple exposure","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115170177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Currently eco-friendly trends among Indonesians are in great demand, eco-fashion is one example of the application of eco-friendly trends to maintain the environment by reducing textile waste. However, not many people know about eco-fashion trends. In the making of this Final Task the author will create a fashion campaign photo work, the strength in fashion photography itself is to be able to record images and communicate certain beauty and is expected to be able tokanlkan eco-fashion trends to the public at large. In this fashion campaign photo, the author takes the concept of Ayu Lan Praseja. Ayu Lan Praseja is taken from javanese language which has a beautiful and simple meaning. Ayu Lan Praseja’s concept tells about the nature and behavior of Javanese people inspired by javanese philosophy of “nrima ing pandum” which means to “take for granted whatever happens as God’s will or destiny”. The use of basic photography techniques is used in this Final Task and the result obtained by the author in this Final Task work is Fashion Campaign Photography that can convey the message that the author wants to convey, namely about Ayu Lan Praseja, with a mature concept and also good photo-taking techniques. Keywords: Eco-Fashion, Weaving Gedog Tuban, Fashion Photography.
目前，印尼人对环保趋势的需求很大，生态时尚是应用环保趋势通过减少纺织品废物来保护环境的一个例子。然而，了解生态时尚趋势的人并不多。在这个Final Task的制作中，作者将创作一个时尚运动摄影作品，时尚摄影本身的优势在于能够记录图像并传达一定的美，并希望能够将生态时尚趋势传达给广大公众。在这张时尚活动照片中，作者采用了Ayu Lan Praseja的概念。Ayu Lan Praseja取自爪哇语，有一个美丽而简单的意思。Ayu Lan Praseja的概念讲述了爪哇人的本性和行为，灵感来自爪哇人的“nrima ing pandum”哲学，意思是“把发生的任何事情都视为上帝的意志或命运”。在这个Final Task中使用了基本的摄影技术，作者在这个Final Task作品中获得的结果是Fashion Campaign photography，可以传达作者想要传达的信息，即关于Ayu Lan Praseja，具有成熟的概念和良好的摄影技术。关键词:生态时尚，编织格狗土包，时尚摄影
{"title":"TREN ECO-FASHION DENGAN KAIN TENUN GEDOG TUBAN DALAM FASHION FOTOGRAFI CAMPAIGN","authors":"Nina Firdaus, Pongky Adhi Purnama, Ratih Candrastuti","doi":"10.33153/ACY.V13I1.3822","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3822","url":null,"abstract":"Currently eco-friendly trends among Indonesians are in great demand, eco-fashion is one example of the application of eco-friendly trends to maintain the environment by reducing textile waste. However, not many people know about eco-fashion trends. In the making of this Final Task the author will create a fashion campaign photo work, the strength in fashion photography itself is to be able to record images and communicate certain beauty and is expected to be able tokanlkan eco-fashion trends to the public at large. In this fashion campaign photo, the author takes the concept of Ayu Lan Praseja. Ayu Lan Praseja is taken from javanese language which has a beautiful and simple meaning. Ayu Lan Praseja’s concept tells about the nature and behavior of Javanese people inspired by javanese philosophy of “nrima ing pandum” which means to “take for granted whatever happens as God’s will or destiny”. The use of basic photography techniques is used in this Final Task and the result obtained by the author in this Final Task work is Fashion Campaign Photography that can convey the message that the author wants to convey, namely about Ayu Lan Praseja, with a mature concept and also good photo-taking techniques. Keywords: Eco-Fashion, Weaving Gedog Tuban, Fashion Photography.","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131592774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AbstractThe phenomenon of infographics as a visual strategy to attract readers of digital newspapers in order to realize the importance of the protocol issued by WHO and the government of the Republic of Indonesia in an effort to deal with the Covid-19 pandemic, is currently quite prevalent by online media press. The visual form of infographics published by the digital-based press (online) is usually derived to accompany the main article on the front page (headline). The important message of the infographic that is prioritized is not to spread quickly, namely by maintaining social distancing, encouraging work at home, and always maintaining cleanliness and wearing a mask when leaving the house, even then with restrictions. How the form of visual communication design in the form of an infographic is able to provide aesthetic appeal in visual rhetoric to readers who will be the attention of this study. Through a qualitative research method approach to the phenomenon of infographic design from the perspective of text study from the aesthetic value of symbolic visual rhetoric with visual communication design analysis in terms of harmony achievement through its persuasive informative constituent elements. The findings of this study are related to the form of the infographic which is more portrait or vertical dominant. Colors tend to be strong colors red, yellow, blue, and black to indicate pandemic-related color psychology. Visual rhetoric tends to be iconic and header and copy letters are dominant in using sanserif to persuade understanding and reading of information to the reading audience. To remind adherence to health protocols, such as messages from mothers, namely wearing masks, washing hands and maintaining social distancing are the keywords to break this pandemic.Keywords: Covid-19 infographics, aesthetics, visual rhetoric, online press media
{"title":"RETORIKA INFOGRAFIS PANDEMI CORONA VIRUS MEDIA JURNALISTIK DIGITAL ONLINE","authors":"Handriyotopo Handriyotopo","doi":"10.33153/ACY.V13I1.3819","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3819","url":null,"abstract":"AbstractThe phenomenon of infographics as a visual strategy to attract readers of digital newspapers in order to realize the importance of the protocol issued by WHO and the government of the Republic of Indonesia in an effort to deal with the Covid-19 pandemic, is currently quite prevalent by online media press. The visual form of infographics published by the digital-based press (online) is usually derived to accompany the main article on the front page (headline). The important message of the infographic that is prioritized is not to spread quickly, namely by maintaining social distancing, encouraging work at home, and always maintaining cleanliness and wearing a mask when leaving the house, even then with restrictions. How the form of visual communication design in the form of an infographic is able to provide aesthetic appeal in visual rhetoric to readers who will be the attention of this study. Through a qualitative research method approach to the phenomenon of infographic design from the perspective of text study from the aesthetic value of symbolic visual rhetoric with visual communication design analysis in terms of harmony achievement through its persuasive informative constituent elements. The findings of this study are related to the form of the infographic which is more portrait or vertical dominant. Colors tend to be strong colors red, yellow, blue, and black to indicate pandemic-related color psychology. Visual rhetoric tends to be iconic and header and copy letters are dominant in using sanserif to persuade understanding and reading of information to the reading audience. To remind adherence to health protocols, such as messages from mothers, namely wearing masks, washing hands and maintaining social distancing are the keywords to break this pandemic.Keywords: Covid-19 infographics, aesthetics, visual rhetoric, online press media","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121031752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sigit Purnomo Adi, Pande Made Sukerta, Martinus Dwi Marianto, S. Hadi
Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking.
{"title":"PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL","authors":"Sigit Purnomo Adi, Pande Made Sukerta, Martinus Dwi Marianto, S. Hadi","doi":"10.33153/ACY.V13I1.3824","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3824","url":null,"abstract":"Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking. ","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134237084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research is motivated by a unique phenomenon about Sindhenan which has a unique aesthetic, namely Pesindhen Suryati. As a singer, Suryati represents the aesthetic of kulonan (Banyumasan with Pasundan style) especially in gending Banyumasan. The concept of kulonan aesthetics is a new kind of aesthetic which has never been definitively revealed what are the elements that make up the aesthetic. The problems of this research are 1) What is the background of the Suryati’s sindhenan style so that it can represent the kulonan aesthetic? 2) How is the practice of kulonan aesthetics in Suryati’s sindhenan? 3) what are the elements that make up the kulonan aesthetics of Suryati’s sindhenan?This research was conducted qualitatively, with the stages: observation, literature study, interviews, conceptual determination, data analysis, and report writing. To reveal the problems, this study uses the theory of Lono Lastoro SimatupangThe conclusions of this research are 1) the Suryati’s sindhenan of kulonan aesthetics is formed by: bodily experiences influenced by genes, environment and social culture. 2) The constituent elements of Suryati’s kulonan aesthetics are recitation techniques, vocal ornamentation, and musical taste as well as impression.Keyword: Aeshtetics, sindhenan, kulonan, Suryati, Banyumas
{"title":"ESTETIKA SINDHENAN KULONAN SURYATI DALAM GENDHING BANYUMASAN","authors":"Muriah Budiarti","doi":"10.33153/ACY.V13I1.3821","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3821","url":null,"abstract":"This research is motivated by a unique phenomenon about Sindhenan which has a unique aesthetic, namely Pesindhen Suryati. As a singer, Suryati represents the aesthetic of kulonan (Banyumasan with Pasundan style) especially in gending Banyumasan. The concept of kulonan aesthetics is a new kind of aesthetic which has never been definitively revealed what are the elements that make up the aesthetic. The problems of this research are 1) What is the background of the Suryati’s sindhenan style so that it can represent the kulonan aesthetic? 2) How is the practice of kulonan aesthetics in Suryati’s sindhenan? 3) what are the elements that make up the kulonan aesthetics of Suryati’s sindhenan?This research was conducted qualitatively, with the stages: observation, literature study, interviews, conceptual determination, data analysis, and report writing. To reveal the problems, this study uses the theory of Lono Lastoro SimatupangThe conclusions of this research are 1) the Suryati’s sindhenan of kulonan aesthetics is formed by: bodily experiences influenced by genes, environment and social culture. 2) The constituent elements of Suryati’s kulonan aesthetics are recitation techniques, vocal ornamentation, and musical taste as well as impression.Keyword: Aeshtetics, sindhenan, kulonan, Suryati, Banyumas","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134359122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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