The Covid-19 virus is still spreading throughout the world. In fact, many are worried about being exposed to this virus, especially the elderly. Anxious feelings due to excessive Covid-19 will lower his immunity. Over time, this anxiety disorder can get worse and interfere with the sufferer's quality of life, therefore anxiety needs to be managed. One way to deal with anxiety is through art therapy.Art therapy used in this study is through drawing and fruit creation, where the media used for art therapy is in accordance with the one chosen by the participants. This study used a qualitative analysis based on: Self Report (Interview and Anxiety Scale using the measurement of anxiety levels using the TMAS (Taylor Manifest Anxiety Scale) instrument compiled and developed by Tylor, given three times, namely (pretest, posttest and follow up). Ratiing By other, and Observation (Re-checting). The results of this study indicate a change in anxiety levels before and after the intervention. Evidence obtained from the four participants shows a change in the total value of anxiety. Thus, art therapy has been shown to reduce anxiety in the elderly due to the Covid-19 pandemicKeywords: Art therapy, Anxiety Disorders and Covid-19
{"title":"TERAPI SENI UNTUK MENGATASI GANGGUAN KECEMASAN PADA LANSIA AKIBAT PANDEMI COVID-19","authors":"Nunuk Nur Shokiyah, S. Syamsiar","doi":"10.33153/acy.v13i2.4145","DOIUrl":"https://doi.org/10.33153/acy.v13i2.4145","url":null,"abstract":"The Covid-19 virus is still spreading throughout the world. In fact, many are worried about being exposed to this virus, especially the elderly. Anxious feelings due to excessive Covid-19 will lower his immunity. Over time, this anxiety disorder can get worse and interfere with the sufferer's quality of life, therefore anxiety needs to be managed. One way to deal with anxiety is through art therapy.Art therapy used in this study is through drawing and fruit creation, where the media used for art therapy is in accordance with the one chosen by the participants. This study used a qualitative analysis based on: Self Report (Interview and Anxiety Scale using the measurement of anxiety levels using the TMAS (Taylor Manifest Anxiety Scale) instrument compiled and developed by Tylor, given three times, namely (pretest, posttest and follow up). Ratiing By other, and Observation (Re-checting). The results of this study indicate a change in anxiety levels before and after the intervention. Evidence obtained from the four participants shows a change in the total value of anxiety. Thus, art therapy has been shown to reduce anxiety in the elderly due to the Covid-19 pandemicKeywords: Art therapy, Anxiety Disorders and Covid-19","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"20 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127869718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research with the title Making Video Tutorials for Application of Graphic Art Techniques in Creating Artwork for Elementary School Children During the Covid 19 Pandemic is intended as a response to the situation and conditions in Indonesia which is experiencing the Covid 19 pandemic. To stop the potential spread of Covid 19, the government makes a policy teaching and learning activities are diverted at home. Through this research, the authors want to contribute by making video tutorials on the application of various techniques in graphic arts in the creation of works for elementary school children that can be practiced at home. Graphic art has a wealth of techniques that can be applied in the creation of works for elementary school children. In this study, the authors will focus on relief techniques and stencil techniques. Selected video tutorials for creators as media to be easy to understand, practical, interactive and in line with government regulations during the Covid 19 pandemic to carry out social restrictions and physical distancing. With video tutorials, creators can share the technique of creating this work with more people using social media (via youtube or whatsapp). The artist hopes that with art activities, children can be more comfortable and at home with activities at home because in the activity of creating works of art there are aspects to express pent-up feelings and thoughts. Through art activities, children can communicate what is in their minds and the world around them. Art is believed to have a cathartic function so that it can release tension and pressure while studying at home during the Covid 19 pandemic.Keywords: covid 19 pandemic, graphic art techniques, elementary school children, video tutorials
{"title":"PEMBUATAN VIDEO TUTORIAL APLIKASI TEKNIK-TEKNIK SENI GRAFIS PADA PENCIPTAAN KARYA UNTUK ANAK SEKOLAH DASAR SELAMA MASA PANDEMI COVID 19","authors":"Theresia Agustina Sitompul","doi":"10.33153/acy.v13i2.4144","DOIUrl":"https://doi.org/10.33153/acy.v13i2.4144","url":null,"abstract":"The research with the title Making Video Tutorials for Application of Graphic Art Techniques in Creating Artwork for Elementary School Children During the Covid 19 Pandemic is intended as a response to the situation and conditions in Indonesia which is experiencing the Covid 19 pandemic. To stop the potential spread of Covid 19, the government makes a policy teaching and learning activities are diverted at home. Through this research, the authors want to contribute by making video tutorials on the application of various techniques in graphic arts in the creation of works for elementary school children that can be practiced at home. Graphic art has a wealth of techniques that can be applied in the creation of works for elementary school children. In this study, the authors will focus on relief techniques and stencil techniques. Selected video tutorials for creators as media to be easy to understand, practical, interactive and in line with government regulations during the Covid 19 pandemic to carry out social restrictions and physical distancing. With video tutorials, creators can share the technique of creating this work with more people using social media (via youtube or whatsapp). The artist hopes that with art activities, children can be more comfortable and at home with activities at home because in the activity of creating works of art there are aspects to express pent-up feelings and thoughts. Through art activities, children can communicate what is in their minds and the world around them. Art is believed to have a cathartic function so that it can release tension and pressure while studying at home during the Covid 19 pandemic.Keywords: covid 19 pandemic, graphic art techniques, elementary school children, video tutorials","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128528988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Iklan televisi masih menjadi salah satu media paling efektif untuk mempromosikan produk, mengkampanyekan program dan lain sebagainya. Promosi yang dilakukan perusahaan biasanya melibatkan banyak media baik media offline maupun onlineserta menggunakan berbagai cara seperti persuasif terang-terangan maupun dengan terselubung sehingga iklan yang ditampilkan bebas dilihat oleh para pemirsa sesuai visualisasi yang ditangkap dan berdasarkan pengalamannya masing-masing. Tujuan menayangkan iklan biasanya adalah mempromosikan produk atau bertujuan untuk meningkatkan citra sebuah perusahaan. Pada penelitian ini penulis mencoba membedah iklan televisi Pertamina Edisi Ramadhan 1442 H menggunakan metode penelitian kualitatif melalui teknik analisis semiotika Roland Barthes. Pengumpulan data melalui observasi dan dokumentasi iklan video pertamina pada bulan April - Mei 2021. Hasil penelitian menunjukkan bahwa iklan televisi Pertamina Edisi Ramadhan 1442 H memiliki dua tujuan yaitu mempromosikan produk terbaru dan meningkatkan citra perusahaan.
{"title":"Analisis Semiotik Roland Barthes Pada Iklan Televisi Pertamina Edisi Ramadan 1442 H","authors":"Arifansyah Wicaksono, Afiati Handayu Diyah Fitriyani","doi":"10.33153/acy.v13i2.3939","DOIUrl":"https://doi.org/10.33153/acy.v13i2.3939","url":null,"abstract":"Iklan televisi masih menjadi salah satu media paling efektif untuk mempromosikan produk, mengkampanyekan program dan lain sebagainya. Promosi yang dilakukan perusahaan biasanya melibatkan banyak media baik media offline maupun onlineserta menggunakan berbagai cara seperti persuasif terang-terangan maupun dengan terselubung sehingga iklan yang ditampilkan bebas dilihat oleh para pemirsa sesuai visualisasi yang ditangkap dan berdasarkan pengalamannya masing-masing. Tujuan menayangkan iklan biasanya adalah mempromosikan produk atau bertujuan untuk meningkatkan citra sebuah perusahaan. Pada penelitian ini penulis mencoba membedah iklan televisi Pertamina Edisi Ramadhan 1442 H menggunakan metode penelitian kualitatif melalui teknik analisis semiotika Roland Barthes. Pengumpulan data melalui observasi dan dokumentasi iklan video pertamina pada bulan April - Mei 2021. Hasil penelitian menunjukkan bahwa iklan televisi Pertamina Edisi Ramadhan 1442 H memiliki dua tujuan yaitu mempromosikan produk terbaru dan meningkatkan citra perusahaan. ","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133421051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Ecoprint is a process of transferring colors and shapes to the fabric through direct contact between the leaves and the fabric. Ecoprint technique is an advancement technique in ecofashion that produces environmentally friendly fashion products. The coloring that are often used by the techniques are iron blanket technique and pounding technique. Furthermore, another technique used for coloring ecoprint fabric is using the leaves as ecoprint stamps. It works by coloring the leaf sheet with natural or synthetic dye and followed by adhering the leaf onto the fabric. By pressing the leaves that have been covered in dye, a leaf motif with its tissue will appear on the fabric. The ecoprint stamp technique is easier than other techniques. In the implementation, this technique is still considered taking a long time in the process that an eco-rotary printing technique needs to be developed. Its technique is expected to solve problems that ecoprint stamp techniques have. The engineering of eco rotary print tool as a medium on cap rotary printing technique is resulting 2 prototypes. i.e., 2 roll model, and 3 roll model. The eco-rotary printing method is inspired by a motif roll paint that are able to give color motif on the walls in a relatively fast time. Thus, the leaves are affixed to the roll combined with natural dyes to create a leaf motif on the surface of the fabric. The test results from the two prototypes of the tool are presented. The 3 roll model gives the result of leaf motif color on the fabric with better quality than the 2 roll model. This makes production more effective and efficient in terms of the time of the production process. And, finally, the results of this study are very possible to be utilized in the production of large-scale ecoprint fabric. Key word : Ecoprint, Ecofashion, Eco Rotary Print
{"title":"OPTIMASI PRODUKSI ECOPRINT FABRIC DENGAN TEKNIK ROTARY PRINTING","authors":"Agung Cahyana, Afrizal Afrizal","doi":"10.33153/acy.v13i2.4049","DOIUrl":"https://doi.org/10.33153/acy.v13i2.4049","url":null,"abstract":"Abstract Ecoprint is a process of transferring colors and shapes to the fabric through direct contact between the leaves and the fabric. Ecoprint technique is an advancement technique in ecofashion that produces environmentally friendly fashion products. The coloring that are often used by the techniques are iron blanket technique and pounding technique. Furthermore, another technique used for coloring ecoprint fabric is using the leaves as ecoprint stamps. It works by coloring the leaf sheet with natural or synthetic dye and followed by adhering the leaf onto the fabric. By pressing the leaves that have been covered in dye, a leaf motif with its tissue will appear on the fabric. The ecoprint stamp technique is easier than other techniques. In the implementation, this technique is still considered taking a long time in the process that an eco-rotary printing technique needs to be developed. Its technique is expected to solve problems that ecoprint stamp techniques have. The engineering of eco rotary print tool as a medium on cap rotary printing technique is resulting 2 prototypes. i.e., 2 roll model, and 3 roll model. The eco-rotary printing method is inspired by a motif roll paint that are able to give color motif on the walls in a relatively fast time. Thus, the leaves are affixed to the roll combined with natural dyes to create a leaf motif on the surface of the fabric. The test results from the two prototypes of the tool are presented. The 3 roll model gives the result of leaf motif color on the fabric with better quality than the 2 roll model. This makes production more effective and efficient in terms of the time of the production process. And, finally, the results of this study are very possible to be utilized in the production of large-scale ecoprint fabric. Key word : Ecoprint, Ecofashion, Eco Rotary Print ","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122643454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Para a arte social, esta expresión adoita utilizarse como un movemento para explorar as posibilidades que poden facer os artistas para representar a súa existencia e, ao mesmo tempo, crear preocupación pola comunidade. A presenza de obras de arte non se limita á arte só en aras da arte, senón que se pode utilizar como un medio de comunicación máis amplo, mesmo máis alá dos límites do diálogo verbal. Varias condicións sociais da sociedade poden ser dirixidas a ser comunicadas, comprometidas e colaboradas na forma de arte. O brote do virus corona, como unha condición que cambia moito o estilo de vida das persoas, é un evento ao que poden responder as formas de arte creativas e innovadoras. A arte tradicional que ten un profundo significado filosófico-simbólico cómpre mostrar nos matices das mensaxes e das esperanzas para a comunidade. A presenza da arte tradicional en forma de novos patróns dará unha profunda impresión para que poida presentar un discurso sobre o desenvolvemento de obras posteriores. Este traballo de investigación é unha das respostas ao propósito de desenvolver este traballo. Este estudo utiliza un método de exploración de motivos na creación de obras de arte artesanal, é dicir, traer novos motivos a partir dunha combinación de motivos tradicionais e obxectos do virus da corona en forma de creacións de obras de arte tradicionais. Esta obra está empaquetada cunha exposición de técnicas de talla en semirelevo aplicando un novo patrón de motivos cultivados de acordo co ámbito das técnicas de talla en madeira. Este método derrama motivos e imaxes tradicionais do virus da corona nun estilo tridimensional con tamaños proporcionais como un esforzo para aumentar a comprensión pública da artesanía cunha nova aparencia.Palabras clave: Corona Virus, Motivo Tradicional, Talla en madeira
{"title":"EKSPRESI VISUAL VIRUS KORONA DALAM MOTIF KREASI KARYA KRIYA KAYU","authors":"R. A. Prabowo, A. Supriyanto","doi":"10.33153/acy.v13i2.4051","DOIUrl":"https://doi.org/10.33153/acy.v13i2.4051","url":null,"abstract":"Para a arte social, esta expresión adoita utilizarse como un movemento para explorar as posibilidades que poden facer os artistas para representar a súa existencia e, ao mesmo tempo, crear preocupación pola comunidade. A presenza de obras de arte non se limita á arte só en aras da arte, senón que se pode utilizar como un medio de comunicación máis amplo, mesmo máis alá dos límites do diálogo verbal. Varias condicións sociais da sociedade poden ser dirixidas a ser comunicadas, comprometidas e colaboradas na forma de arte. O brote do virus corona, como unha condición que cambia moito o estilo de vida das persoas, é un evento ao que poden responder as formas de arte creativas e innovadoras. A arte tradicional que ten un profundo significado filosófico-simbólico cómpre mostrar nos matices das mensaxes e das esperanzas para a comunidade. A presenza da arte tradicional en forma de novos patróns dará unha profunda impresión para que poida presentar un discurso sobre o desenvolvemento de obras posteriores. Este traballo de investigación é unha das respostas ao propósito de desenvolver este traballo. Este estudo utiliza un método de exploración de motivos na creación de obras de arte artesanal, é dicir, traer novos motivos a partir dunha combinación de motivos tradicionais e obxectos do virus da corona en forma de creacións de obras de arte tradicionais. Esta obra está empaquetada cunha exposición de técnicas de talla en semirelevo aplicando un novo patrón de motivos cultivados de acordo co ámbito das técnicas de talla en madeira. Este método derrama motivos e imaxes tradicionais do virus da corona nun estilo tridimensional con tamaños proporcionais como un esforzo para aumentar a comprensión pública da artesanía cunha nova aparencia.Palabras clave: Corona Virus, Motivo Tradicional, Talla en madeira","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131170859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research on the accuracy of diction in the placement of product placement in the soap opera Tukang Ojek Pengkolan (TOP) at the RCTI Television Station is interesting considering that there are advertising products that are inserted when the soap opera is running. Product placement has become a trend to be shown in soap operas and films in Indonesia with the aim of introducing products effectively because at the same time as the broadcast time, TOP soap operas are one of the soap operas that air on RCTI with high viewership ratings. The story in this soap opera is relatively light about the life of a motorcycle taxi driver. The problem in this research is how to choose an effective diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and how to place the product placement in the soap opera Tukang Ojek Pangkalan when viewed from the nature of the advertisement. The purpose of this study was to find an effective choice of diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and to describe the advertising nature of the product placement found in the soap opera Tukang Ojek Pengkolan. This type of research is a qualitative descriptive research. The data source in this study is the primary data source in the form of the soap opera Tukang Ojek Pengkolan (TOP).Keywords : Product placement, advertisement, soap opera TOP
{"title":"PILIHAN DIKSI DALAM PRODUCT PLACEMENT DALAM SINETRON TUKANG OJEK PENGKOLAN","authors":"Ana Rosmiati","doi":"10.33153/acy.v13i2.3998","DOIUrl":"https://doi.org/10.33153/acy.v13i2.3998","url":null,"abstract":"This research on the accuracy of diction in the placement of product placement in the soap opera Tukang Ojek Pengkolan (TOP) at the RCTI Television Station is interesting considering that there are advertising products that are inserted when the soap opera is running. Product placement has become a trend to be shown in soap operas and films in Indonesia with the aim of introducing products effectively because at the same time as the broadcast time, TOP soap operas are one of the soap operas that air on RCTI with high viewership ratings. The story in this soap opera is relatively light about the life of a motorcycle taxi driver. The problem in this research is how to choose an effective diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and how to place the product placement in the soap opera Tukang Ojek Pangkalan when viewed from the nature of the advertisement. The purpose of this study was to find an effective choice of diction placement in the product placement of the soap opera Tukang Ojek Pengkolan and to describe the advertising nature of the product placement found in the soap opera Tukang Ojek Pengkolan. This type of research is a qualitative descriptive research. The data source in this study is the primary data source in the form of the soap opera Tukang Ojek Pengkolan (TOP).Keywords : Product placement, advertisement, soap opera TOP","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124989831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Batik modern dan kontemporer lebih bebas dalam menata atau mengkomposisikan motif atau ornament, berinovasi secara lebih bebas menjadi pilihan dalam berkreasi. Kebebasan berekspresi tidak hanya terletak pada motif atau ornament saja, konsep yang diangkat juga menjadi sebuah kebebasan berekpresi. Batik Histologi merupakan batik dengan ide dasar dari jaringan organ tubuh manusia. Histologi adalah studi tentang jaringan tubuh manusia. Penelitian ini akan mengkaji batik Histologi dari segi estetika visual Monroe Curtis Beardsley dimana dia membagi tiga bagian dalam melihat sebuah keindahan pada karya seni. Ketiga bagian tersebut adalah unity, complexity dan intensity. Metodologi penelitian yang digunakan kualitatif deskriptif. Penelitian ini akan menjabarkan bagaimana transformasi jaringan organ tubuh manusia distilasi menjadi motif batik.
{"title":"Seni dan Sains: Mengenal Sistem Jaringan dan Organ Tubuh Manusia Melalui Batik Histologi","authors":"Fatma Wati","doi":"10.33153/acy.v13i2.3961","DOIUrl":"https://doi.org/10.33153/acy.v13i2.3961","url":null,"abstract":"Batik modern dan kontemporer lebih bebas dalam menata atau mengkomposisikan motif atau ornament, berinovasi secara lebih bebas menjadi pilihan dalam berkreasi. Kebebasan berekspresi tidak hanya terletak pada motif atau ornament saja, konsep yang diangkat juga menjadi sebuah kebebasan berekpresi. Batik Histologi merupakan batik dengan ide dasar dari jaringan organ tubuh manusia. Histologi adalah studi tentang jaringan tubuh manusia. Penelitian ini akan mengkaji batik Histologi dari segi estetika visual Monroe Curtis Beardsley dimana dia membagi tiga bagian dalam melihat sebuah keindahan pada karya seni. Ketiga bagian tersebut adalah unity, complexity dan intensity. Metodologi penelitian yang digunakan kualitatif deskriptif. Penelitian ini akan menjabarkan bagaimana transformasi jaringan organ tubuh manusia distilasi menjadi motif batik.","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125720735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRAK Penelitian dengan judul Studi Pustaka Tari Srimpi Muncar Gaya Yogyakarta dengan Gaya Mangkunegaran Surakarta, merupakan penelitian membandingkan dua judul tari yang sama guna menemukan persamaan untuk ditarik ke dalam konklusi baru. Penelitian pustaka ini bersifat kualitatif, dengan menggunakan metode studi pustaka dan pendekatan koreografi.Hasil penelitian menunjukan bahwa, tari Srimpi Muncar yang berkembang di Mangkunagaran Surakarta memiliki persamaan nama dan bentuk dengan tari yang berkembang di Istana Yogyakarta. Jenis tarian yang pada awalnya memiliki nilai sakral dan dipergelarkan di kalangan terbatas yaitu istana, seiring perubahan jaman menjadi pertunjukan hiburan dan disajikan dikalangan masyarakat.Tari Srimpi Muncar di Yogyakarta diciptaan olah Hamengku Buwana ke VI sedang Srimpi Muncar di Mangkunegaran Surakarta disusun kembali oleh Mangkunegara VII. Di dalam sajiannya kedua Tari Srimpi Muncar terdapat perbedaan dan persamaan yang menarik. Tari Srimpi Muncar disusun dengan gerakan tari yang bersumber dari tari bedhaya, dalam penyajiannya terdapat pengembangan gerak yang spesifik yaitu gerak sojah dan gerak guladrahan, dalam seluruh sajiannya memiliki teknis atau gaya yang berbeda. Adapun persamaannya, struktur sajian, iringan yang digunakan gending Muncar, desain kostum yang digunakan juga menyesuaikan dengan tokoh yang diperankannya yaitu putri cina dan putri jawa. Tema yang diangkat adalah percintaan dengan sumber ceritera mengambil dari Serat Menak yang bernafaskan ke-Islaman. Kata Kunci: Tari, Muncar, Sojah, Guladrahan, Putri Cina ABSTRACTThe research entitled Literature Review about Srimpi Muncar Dance in Yogyakarta and Mangkunegaran Surakarta Style is a research that compare same dance in two different style. It aimed to find some similarities and then integrated into a new conclusion. It is a qualitatively research which uses literature method and choreography approach.Research result shows that Srimpi Muncar Dance which has developed at Mangkunegaran Surakarta actually has some similarities such as name and format with one else at Yogyakarta Palace. At first, this dance with sacred value performed for special audience. But now, it performed for all audience and come to be entertainment material. Srimpi Muncar dance either in Yogyakarta style or Mangkunegaran style, still in relation with its history. Both of dances have some differences and similarities in performance. Srimpi Muncar dance arranged with specific movements based on bedaya dance. They have specific movement such as sojah and goladraham but different in technique and style. They are equally accompanied by gendhing called Muncar. Costume for these dance allowing characters, Chinese and Javanese princes. Dance theme is romance inspired by Serat Menak with Islamic nuance. Keywords: Muncar Dance, Sojah, Guladrahan, Chinese princess.
{"title":"STUDI PUSTAKA TARI SRIMPI MUNCAR GAYA YOGYAKARTA DAN GAYA MANGKUNAGARAN SURAKARTA","authors":"Soemaryatmi Soemaryatmi","doi":"10.33153/acy.v13i2.4123","DOIUrl":"https://doi.org/10.33153/acy.v13i2.4123","url":null,"abstract":"ABSTRAK Penelitian dengan judul Studi Pustaka Tari Srimpi Muncar Gaya Yogyakarta dengan Gaya Mangkunegaran Surakarta, merupakan penelitian membandingkan dua judul tari yang sama guna menemukan persamaan untuk ditarik ke dalam konklusi baru. Penelitian pustaka ini bersifat kualitatif, dengan menggunakan metode studi pustaka dan pendekatan koreografi.Hasil penelitian menunjukan bahwa, tari Srimpi Muncar yang berkembang di Mangkunagaran Surakarta memiliki persamaan nama dan bentuk dengan tari yang berkembang di Istana Yogyakarta. Jenis tarian yang pada awalnya memiliki nilai sakral dan dipergelarkan di kalangan terbatas yaitu istana, seiring perubahan jaman menjadi pertunjukan hiburan dan disajikan dikalangan masyarakat.Tari Srimpi Muncar di Yogyakarta diciptaan olah Hamengku Buwana ke VI sedang Srimpi Muncar di Mangkunegaran Surakarta disusun kembali oleh Mangkunegara VII. Di dalam sajiannya kedua Tari Srimpi Muncar terdapat perbedaan dan persamaan yang menarik. Tari Srimpi Muncar disusun dengan gerakan tari yang bersumber dari tari bedhaya, dalam penyajiannya terdapat pengembangan gerak yang spesifik yaitu gerak sojah dan gerak guladrahan, dalam seluruh sajiannya memiliki teknis atau gaya yang berbeda. Adapun persamaannya, struktur sajian, iringan yang digunakan gending Muncar, desain kostum yang digunakan juga menyesuaikan dengan tokoh yang diperankannya yaitu putri cina dan putri jawa. Tema yang diangkat adalah percintaan dengan sumber ceritera mengambil dari Serat Menak yang bernafaskan ke-Islaman. Kata Kunci: Tari, Muncar, Sojah, Guladrahan, Putri Cina ABSTRACTThe research entitled Literature Review about Srimpi Muncar Dance in Yogyakarta and Mangkunegaran Surakarta Style is a research that compare same dance in two different style. It aimed to find some similarities and then integrated into a new conclusion. It is a qualitatively research which uses literature method and choreography approach.Research result shows that Srimpi Muncar Dance which has developed at Mangkunegaran Surakarta actually has some similarities such as name and format with one else at Yogyakarta Palace. At first, this dance with sacred value performed for special audience. But now, it performed for all audience and come to be entertainment material. Srimpi Muncar dance either in Yogyakarta style or Mangkunegaran style, still in relation with its history. Both of dances have some differences and similarities in performance. Srimpi Muncar dance arranged with specific movements based on bedaya dance. They have specific movement such as sojah and goladraham but different in technique and style. They are equally accompanied by gendhing called Muncar. Costume for these dance allowing characters, Chinese and Javanese princes. Dance theme is romance inspired by Serat Menak with Islamic nuance. Keywords: Muncar Dance, Sojah, Guladrahan, Chinese princess. ","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132967358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research discusses the meaning of the symbol sengkalan relief sukuh temple located in Ngargoyoso, Karanganyar, Central Java. The research focuses on the problem of the interpretation of the meaning of sukuh temple relief symbols in a cultural perspective through Clifford Geertz’s hermeneutic theory, that the symbol is a special sign that is arbritrer or not the same as the one marked and can only be understood in the context interpreted by the culture itself, or is culturally specific. Furthermore, this research reviews the meaning of the presence and visualization of the relief of Sukuh temple which is considered the last relic of Majapahit kingdom. So the purpose of the research is more to explore the presence and meaning of relief sengkalan in Sukuh temple as part of the sign system in Javanese culture. At the same time as an effort to preserve the value of tradition about pralambang in the form of sengkalan that is often used by Javanese people in temple relief, in this context is sukuh temple so that it can be understood by Javanese people now as a way of understanding themselves, life and life as part of the ‘Eastern’ culture. The making of sukuh temple relief sting is possible to uncover events or events at the end of majapahit’s heyday, which may have escaped the historical track record of majapahit kingdom that has been understood. Let the temples speak, so they are not merely banners that lead us to myth and mysticism, but there is a lot of wisdom that they will whisper from the hidden meaning behind the relief of Sukuh temple.Keywords: Meaning, Relief, Sengkalan, Sukuh Temple.
{"title":"MAKNA SIMBOL RELIEF SENGKALAN CANDI SUKUH","authors":"Achmad Syafi'i","doi":"10.33153/acy.v13i2.4050","DOIUrl":"https://doi.org/10.33153/acy.v13i2.4050","url":null,"abstract":"This research discusses the meaning of the symbol sengkalan relief sukuh temple located in Ngargoyoso, Karanganyar, Central Java. The research focuses on the problem of the interpretation of the meaning of sukuh temple relief symbols in a cultural perspective through Clifford Geertz’s hermeneutic theory, that the symbol is a special sign that is arbritrer or not the same as the one marked and can only be understood in the context interpreted by the culture itself, or is culturally specific. Furthermore, this research reviews the meaning of the presence and visualization of the relief of Sukuh temple which is considered the last relic of Majapahit kingdom. So the purpose of the research is more to explore the presence and meaning of relief sengkalan in Sukuh temple as part of the sign system in Javanese culture. At the same time as an effort to preserve the value of tradition about pralambang in the form of sengkalan that is often used by Javanese people in temple relief, in this context is sukuh temple so that it can be understood by Javanese people now as a way of understanding themselves, life and life as part of the ‘Eastern’ culture. The making of sukuh temple relief sting is possible to uncover events or events at the end of majapahit’s heyday, which may have escaped the historical track record of majapahit kingdom that has been understood. Let the temples speak, so they are not merely banners that lead us to myth and mysticism, but there is a lot of wisdom that they will whisper from the hidden meaning behind the relief of Sukuh temple.Keywords: Meaning, Relief, Sengkalan, Sukuh Temple.","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126820431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Upaya meningkatkan strategi bisnis dari lapak Serba Lukis yang buka di Night Market Nagarsopuro menjadi permasalahn yang dialami oleh lapak Serba Lukis yang hanya berjualan sekali dalam seminggu sesuai program, yakni pada malam minggu saja. Sehingga menjadikan pelanggan tidak dapat leluasa bertransaksi setiap hari, dan omzet penjualan dari lapak Serba Lukis selama ini mengalami stagnan. Karena tidak banyak orang yang tau tentang lapak Serba Lukis dan produk kreatifya. Oleh sebab itu melalui pelatihan inovasi promosi dan produk secara bertahap yang dilakukan dalam program yang dirancang ini, sebagai upaya untuk menangani permasalahan tersebut Program ini lebih fokus pada kegiatan Pelatihan dan pendampingan sebagai strategi inovasi pemasaran, meliputi: kemitraan dengan marketplace / e-commerce produk kreatif, perancangan alternatif program promosi sesuai dengan target pasar, dan promosi di sosial media. Adapun pelatihan strategi promosi melalui perancangan desain identitas visual yang diaplikasikan pada berbagai media, seperti: kartunama, katalog, portofolio usaha, , desain lebel produk, seragam dan media promosi online. Metode yang digunakan adalah pelatihan dan pendampingan dengan pendekatan partisipatif kolaboratif. Kata kunci: promosi, produk, lapak Serba Lukis, Night market Ngarsopuro
{"title":"INOVASI PROMOSI DAN PRODUK DALAM MENUNJANG SDM UNGGUL MELALUI PELATIHAN BERMITRA DENGAN PEDAGANG LAPAK SERBA LUKIS DI NIGHT MARKET PASAR NGARSOPURO","authors":"Arif - Fiyanto","doi":"10.33153/ACY.V13I1.3714","DOIUrl":"https://doi.org/10.33153/ACY.V13I1.3714","url":null,"abstract":"Upaya meningkatkan strategi bisnis dari lapak Serba Lukis yang buka di Night Market Nagarsopuro menjadi permasalahn yang dialami oleh lapak Serba Lukis yang hanya berjualan sekali dalam seminggu sesuai program, yakni pada malam minggu saja. Sehingga menjadikan pelanggan tidak dapat leluasa bertransaksi setiap hari, dan omzet penjualan dari lapak Serba Lukis selama ini mengalami stagnan. Karena tidak banyak orang yang tau tentang lapak Serba Lukis dan produk kreatifya. Oleh sebab itu melalui pelatihan inovasi promosi dan produk secara bertahap yang dilakukan dalam program yang dirancang ini, sebagai upaya untuk menangani permasalahan tersebut Program ini lebih fokus pada kegiatan Pelatihan dan pendampingan sebagai strategi inovasi pemasaran, meliputi: kemitraan dengan marketplace / e-commerce produk kreatif, perancangan alternatif program promosi sesuai dengan target pasar, dan promosi di sosial media. Adapun pelatihan strategi promosi melalui perancangan desain identitas visual yang diaplikasikan pada berbagai media, seperti: kartunama, katalog, portofolio usaha, , desain lebel produk, seragam dan media promosi online. Metode yang digunakan adalah pelatihan dan pendampingan dengan pendekatan partisipatif kolaboratif. Kata kunci: promosi, produk, lapak Serba Lukis, Night market Ngarsopuro ","PeriodicalId":252796,"journal":{"name":"Acintya : Jurnal Penelitian Seni Budaya","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130886510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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