Pub Date : 1900-01-01DOI: 10.15643/libartrus-2022.3.3
M. Jaremba
{"title":"History of the Bamars from the Kingdom of Pagan to the end of socialism in Burma (1988)","authors":"M. Jaremba","doi":"10.15643/libartrus-2022.3.3","DOIUrl":"https://doi.org/10.15643/libartrus-2022.3.3","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128245519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2021.3.5
R. R. Lukmanova, A. A. Utrobina
{"title":"Specialized English-Russian online dictionary of the term sphere “higher education” in the globalization era: the content and technologies for the implementing","authors":"R. R. Lukmanova, A. A. Utrobina","doi":"10.15643/libartrus-2021.3.5","DOIUrl":"https://doi.org/10.15643/libartrus-2021.3.5","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127212741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2021.6.9
G. Popova, I. A. Danilov
{"title":"National and cultural semantics and semiotic interpretation of the Yakut lexeme Ilge (on the material of Olonkho texts)","authors":"G. Popova, I. A. Danilov","doi":"10.15643/libartrus-2021.6.9","DOIUrl":"https://doi.org/10.15643/libartrus-2021.6.9","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121449043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2021.5.2
A. Chumakov
{"title":"Relict radiation of the “Philosophers’ steamboat”","authors":"A. Chumakov","doi":"10.15643/libartrus-2021.5.2","DOIUrl":"https://doi.org/10.15643/libartrus-2021.5.2","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121948254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2021.5.4
V. V. Borisenkov
{"title":"The problem of state countering extremism: world and Russian experience","authors":"V. V. Borisenkov","doi":"10.15643/libartrus-2021.5.4","DOIUrl":"https://doi.org/10.15643/libartrus-2021.5.4","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"38 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131717151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2022.2.6
форма медиапамяти, образ Петра, I. в, анимационных фильмах
The article is devoted to the study of animation as a form of media memory on the example of studying the image of Peter I in animated films. Cartoons on historical themes have become the most important element of media memory, which constructs collectively shared ideas about the Past in the digital environment. The author considers media memory in the article as a special mechanism for storing and reproducing images of the Past, using visualization as the main tool for representing history. The historical figure of Peter I occupies a special place in modern media memory, being extremely mythologized. The main myths about the Peter the Great era are reflected in animated films dedicated to the first Russian emperor. The author explores not only studio animation works, but also those made by non-professionals, fans of animation and history. The participation of non-professionals, who make up the masses of Internet users, is characteristic of reproducing ideas about the Past in media memory. Having mastered digital technologies, including for the production of animated films, Internet users create their own versions of history, subjecting it to a deep interpretation. Professional animators who create historical cartoons are also not free from mass stereotypes of perception of the Past and often use history as a background for artistic creativity. Animated films with the mention of Peter the Great show that history has become part of popular culture, undergoing mediatization in a digital society.
{"title":"Animation as a form of media memory: the image of Peter the Great in animated films","authors":"форма медиапамяти, образ Петра, I. в, анимационных фильмах","doi":"10.15643/libartrus-2022.2.6","DOIUrl":"https://doi.org/10.15643/libartrus-2022.2.6","url":null,"abstract":"The article is devoted to the study of animation as a form of media memory on the example of studying the image of Peter I in animated films. Cartoons on historical themes have become the most important element of media memory, which constructs collectively shared ideas about the Past in the digital environment. The author considers media memory in the article as a special mechanism for storing and reproducing images of the Past, using visualization as the main tool for representing history. The historical figure of Peter I occupies a special place in modern media memory, being extremely mythologized. The main myths about the Peter the Great era are reflected in animated films dedicated to the first Russian emperor. The author explores not only studio animation works, but also those made by non-professionals, fans of animation and history. The participation of non-professionals, who make up the masses of Internet users, is characteristic of reproducing ideas about the Past in media memory. Having mastered digital technologies, including for the production of animated films, Internet users create their own versions of history, subjecting it to a deep interpretation. Professional animators who create historical cartoons are also not free from mass stereotypes of perception of the Past and often use history as a background for artistic creativity. Animated films with the mention of Peter the Great show that history has become part of popular culture, undergoing mediatization in a digital society.","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132353181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2021.5.3
L. V. Udalova, S. E. Gorshkova, V. Lebedev, L. Y. Meshcheryakova
{"title":"Actualization of spiritual and moral values as a way to the health of young people","authors":"L. V. Udalova, S. E. Gorshkova, V. Lebedev, L. Y. Meshcheryakova","doi":"10.15643/libartrus-2021.5.3","DOIUrl":"https://doi.org/10.15643/libartrus-2021.5.3","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132765830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2021.5.1
V. Ilyin
{"title":"Philosophy of crisis: renovation of metaphysics","authors":"V. Ilyin","doi":"10.15643/libartrus-2021.5.1","DOIUrl":"https://doi.org/10.15643/libartrus-2021.5.1","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129825293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2022.1.6
I. Atamanova, A. Y. Fedorovsky
{"title":"Manifestation of foreign language anxiety among students majoring in linguistics","authors":"I. Atamanova, A. Y. Fedorovsky","doi":"10.15643/libartrus-2022.1.6","DOIUrl":"https://doi.org/10.15643/libartrus-2022.1.6","url":null,"abstract":"","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134018362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.15643/libartrus-2023.2.2
G. Ishimbaeva
The article presents systematic and holistic analysis of the novel “Tristan 1946” by the Polish writer Maria Kuncewiczowa, where the traditional Tristan plot is transformed in an original way. In this regard, the origins of the story about Tristan and Isolde and the history of its artistic interpretation in world culture are considered. Special attention is paid to the structure and core of the Tristan plot, the meaning of oppositions associated with the images of the forest and the sea, denouement and conclusion. It is proved that 1) Kuncewiczowa’s novel gives grounds for considering it from the perspective of gender literature and “women’s writing”; 2) the artistic world of the novel is conceptualized as overcoming a given archetypal matrix; 3) the finale of the novel changes the themes and problems of the Tristan plot: modern Tristan and Isolde, each of them realizing the American dream in their own way, unwittingly discredits the high pathos and apology of love of the medieval novel; 4) the text of the novel, focused on the substrate of Tristan history, carries out a cultural transfer and demonstrates the possibility of the ancient legend existence in new circumstances: socio-cultural, political, philosophical, ethical, aesthetic, national. It is concluded that the intertextuality of the novel has increased the semantic valence of the traditional plot and amended its codification based on new epistemological, aesthetic and axiological, ideological and worldview principles.
{"title":"Transformation of the traditional plot in the novel “Tristan 1946” by M. Kuncewiczowa","authors":"G. Ishimbaeva","doi":"10.15643/libartrus-2023.2.2","DOIUrl":"https://doi.org/10.15643/libartrus-2023.2.2","url":null,"abstract":"The article presents systematic and holistic analysis of the novel “Tristan 1946” by the Polish writer Maria Kuncewiczowa, where the traditional Tristan plot is transformed in an original way. In this regard, the origins of the story about Tristan and Isolde and the history of its artistic interpretation in world culture are considered. Special attention is paid to the structure and core of the Tristan plot, the meaning of oppositions associated with the images of the forest and the sea, denouement and conclusion. It is proved that 1) Kuncewiczowa’s novel gives grounds for considering it from the perspective of gender literature and “women’s writing”; 2) the artistic world of the novel is conceptualized as overcoming a given archetypal matrix; 3) the finale of the novel changes the themes and problems of the Tristan plot: modern Tristan and Isolde, each of them realizing the American dream in their own way, unwittingly discredits the high pathos and apology of love of the medieval novel; 4) the text of the novel, focused on the substrate of Tristan history, carries out a cultural transfer and demonstrates the possibility of the ancient legend existence in new circumstances: socio-cultural, political, philosophical, ethical, aesthetic, national. It is concluded that the intertextuality of the novel has increased the semantic valence of the traditional plot and amended its codification based on new epistemological, aesthetic and axiological, ideological and worldview principles.","PeriodicalId":254979,"journal":{"name":"Liberal Arts in Russia","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134375657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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