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Bellies, bowels and entrails in the eighteenth century最新文献

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Pub Date : 2018-08-31 DOI: 10.7765/9781526127068.00028
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引用次数: 0
Rotund bellies and double chins 大腹便便,双下巴
Pub Date : 2018-08-31 DOI: 10.7765/9781526127068.00022
F. Ogée
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引用次数: 0
The legibility of the bowels 肠的易读性
Pub Date : 2018-08-31 DOI: 10.7765/9781526127068.00017
A. Mahler
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引用次数: 0
Digesting in the long eighteenth century 消化在漫长的十八世纪
Pub Date : 2018-08-31 DOI: 10.7228/MANCHESTER/9781526127051.003.0004
I. Miller
This essay investigates the emergence and evolution of philosophical and scientific inquiries into the nature of human digestion in the long eighteenth century. It suggests that shifting perspectives on digestion encouraged deep anxieties to form around the gut. Ultimately, these concerns underpinned a new set of therapeutic regimes designed to safeguard both dietary and bodily health.
本文考察了在漫长的18世纪,哲学和科学研究对人类消化本质的出现和演变。研究表明,对消化的看法的转变会促使肠道周围形成深度焦虑。最终,这些担忧支撑了一套新的治疗方案,旨在保护饮食和身体健康。
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引用次数: 2
List of illustrations 插图列表
Pub Date : 2018-08-31 DOI: 10.7765/9781526127068.00004
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引用次数: 0
The intestinal labours of Paris 巴黎的肠蠕动
Pub Date : 2018-08-08 DOI: 10.7765/9781526127068.00010
S. Barles, A. Guillerme
This chapter focuses on the treatment of waste and sewage in eighteenth-century Paris and on the numerous small manufactures that flourished around the cesspits of the French capital and produced saltpeter for the conservation of dried meat, gut for musical instruments or for Spain’s chorizo factories, lime from the hides coming from the butcher’s shops… It also focuses on life underground, in the cellars, and on the extreme urban mortality due to the pervasive insalubrity generated by the digestive process at work in the city.
这一章的重点是18世纪巴黎对废物和污水的处理,以及在法国首都的污水坑周围蓬勃发展的众多小型制造业,它们生产用于保存干肉的硝石、用于乐器或西班牙香肠工厂的内脏、来自肉店的兽皮的石灰……它还关注地下生活,在地窖里,以及由于城市中消化过程产生的普遍不健康而导致的极端城市死亡率。
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引用次数: 0
‘Words have no smell’ “言语没有气味”
Pub Date : 2018-08-08 DOI: 10.7765/9781526127068.00016
Jennifer Ruimi
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引用次数: 0
Visceral visions: art, pedagogy and politics in Revolutionary France 发自内心的愿景:法国大革命时期的艺术、教育学和政治
Pub Date : 2018-08-08 DOI: 10.7765/9781526127068.00025
Dorothy Johnson
In late eighteenth-century France, at the seeming height of neoclassicism in the arts with its goal of idealized form al’antica in the depiction of the human figure, an intensified fascination with the visual experience of viscera emerged.  Picturing viscera became increasingly common in visual culture.  These developments occurred during a period of intense political and cultural upheaval and concomitant violence and bloodshed in France. Graphic anatomical plates, prints, and caricatures as well as wax models of viscera cast from the body parts of corpses, were used for pedagogical instruction as were écorché figures, either sculpted or cast from cadavers. Paintings were made that engaged the subject of death and disembowelment. We also see the actual participation in dissection by artists as well as anatomists. Artists, anatomists, and amateurs (sometimes working in concert) produced compelling images of what lies beneath the skin for a variety of purposes and functions.
在18世纪晚期的法国,新古典主义艺术似乎达到了顶峰,其目标是在人物形象的描绘中理想化的形式,对内脏视觉体验的强烈迷恋出现了。描绘内脏在视觉文化中变得越来越普遍。这些发展发生在法国激烈的政治和文化动荡以及随之而来的暴力和流血事件期间。图形解剖板、版画、漫画以及用尸体的身体部位铸造的内脏蜡模型被用于教学教学,还有用尸体雕刻或铸造的人体雕像。绘画的主题是死亡和开膛破肚。我们也看到艺术家和解剖学家实际参与了解剖。艺术家、解剖学家和业余爱好者(有时是协同工作)为各种目的和功能制作了令人信服的皮肤下的图像。
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引用次数: 0
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Bellies, bowels and entrails in the eighteenth century
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