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The Nature of the Agonistic in a Pragmatics of Fiction 小说语用学中激动性的本质
Pub Date : 2021-09-30 DOI: 10.1515/9783839458808-011
T. Wood
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引用次数: 0
Negating the Human, Narrating a World Without Us 否定人类,叙述一个没有我们的世界
Pub Date : 2021-09-30 DOI: 10.1515/9783839458808-005
Mahlu Mertens
In this article, Mahlu Mertens discusses the narrative possibilities of representing a »world without us« in Ontroerend Goed's play of the same name for an audience or reader who obviously still exists. In »Negating the Human, Narrating a World Without Us«, she argues that part of the text manages to evoke, through its list-like form, tense, and accompanying rhythm, mixed feelings of sadness and comfort in the face of human extinction - instead of the feeling of 'activist melancholia' often elicited by ecological elegies.
在这篇文章中,Mahlu Mertens讨论了在Ontroerend Goed的同名戏剧中为仍然存在的观众或读者呈现“没有我们的世界”的叙事可能性。在《否定人类,叙述一个没有我们的世界》一书中,她认为,部分文本通过其列表式的形式,紧张和伴随的节奏,设法唤起面对人类灭绝的悲伤和安慰的混合感觉,而不是生态挽歌经常引起的“激进主义忧郁症”的感觉。
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引用次数: 0
Frontmatter
Pub Date : 2021-09-30 DOI: 10.14361/9783839458808-fm
R. L. V. Pöhls, Mariane Utudji
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引用次数: 0
Refiguring Reader-Response: Experience and Interpretation in J.G. Ballard's Crash 重构读者反应:巴拉德《撞车》的经验与解读
Pub Date : 2021-09-30 DOI: 10.14361/9783839458808-006
Ciarán Kavanagh
In »Refiguring Reader-Response: Experience and Interpretation in J.G. Ballard's Crash«, Ciarán Kavanagh seeks to establish a methodological basis for reader-response analysis and to give substance to theory through its deployment in his study of Ballard's novel, a text which combines and subverts multiple frameworks. His chapter thus focusses on the microcosmic, line-by-line reading experience provided by two excerpts that exemplify Ballard's clinical over-description of damaged and refigured bodies, as well as on macrocosmic interpretive frameworks relating to genre, embodiment, and aesthetics
在“重新定义读者反应:J.G.巴拉德的崩溃中的经验和解释”中,Ciarán Kavanagh试图建立读者反应分析的方法论基础,并通过在巴拉德小说的研究中运用理论来充实理论,巴拉德小说是一个结合并颠覆了多种框架的文本。因此,他的这一章侧重于微观的、逐行阅读体验,这两个节选体现了巴拉德对受损和重塑身体的临床过度描述,以及与体裁、化身和美学相关的宏观解释框架
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引用次数: 0
Repeated Pleasure: Reading the Threesome Ménage Romance as Digital Literature 重复的乐趣:阅读数字文学中的三人传奇
Pub Date : 2021-09-30 DOI: 10.1515/9783839458808-004
E. Valovirta
In this chapter, Elina Valovirta discusses a type of romantic love explored by recent New Adult literature; the polyamorous romance. Titles, such as Two Close for Comfort (2015) and Two Billionaires for Christmas (2017) are examples of the 'reverse harem' or 'MFM menage' e-romance bracket, which capitalizes on the erotic and exotic obstacle of two male friends falling in love with - and, ultimately, sharing - the same woman. The polyamorous romance's particular way of eliciting pleasure in readers is tied with specific stylistic strategies, such as alternating first-person narrators and using the plural form in dialogue. The chapter interrogates, how these elements are repeated throughout the genre to titillate and arouse readers.
在这一章中,Elina Valovirta讨论了最近新成人文学中探索的一种浪漫爱情;多角恋的浪漫。《两个亲密的安慰》(2015年)和《两个亿万富翁的圣诞节》(2017年)就是“反向后宫”或“MFM管理”电子浪漫类型的例子,这类游戏利用了两个男性朋友爱上并最终分享同一个女人的色情和异国情调障碍。多角恋浪漫小说吸引读者的独特方式与特定的风格策略有关,比如交替使用第一人称叙述者,在对话中使用复数形式。本章探讨了这些元素如何在整个体裁中反复出现,以刺激和唤起读者。
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引用次数: 0
The Relevance of Turning a Page: Monotony and Complexity in §25 of David Foster Wallace's The Pale King 翻开一页的相关性:大卫·福斯特·华莱士《苍白的国王》第25节的单调与复杂
Pub Date : 2021-09-30 DOI: 10.14361/9783839458808-012
Sixta Quassdorf
Sixta Quassdorf analyzes §25 of David Foster Wallace's novel The Pale King. In both form and content, the chapter reveals a masterly condensation of the human in a dehumanized bureaucracy. While the phrase »turns a page« is repeated about 100 times, representing the power of monotony and alienation, we also find variation, rhythmic disruption and flashes of poetic insight that reveal the unassailability of human creativity. In addition, by experiencing formal elements that echo the narrative's meaning, the reader is almost put into the protagonists' position, which goes beyond simply »turning pages.«
西克斯塔·夸斯多夫分析了大卫·福斯特·华莱士小说《苍白之王》的第25节。在形式和内容上,这一章揭示了在一个非人性化的官僚机构中巧妙地凝聚了人性。“翻一页”这个短语被重复了大约100次,代表了单调和异化的力量,我们也发现了变化,节奏中断和诗意洞察力的闪光,揭示了人类创造力的无懈可击。此外,通过体验与叙事意义相呼应的形式元素,读者几乎被置于主角的位置,而不仅仅是“翻页”
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引用次数: 0
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Powerful Prose
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