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5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018, Science and Arts最新文献

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THE IMPORTANCE OF A PROJECT TO ENHANCE THE WATERMARKS OF THE CODEX ATLANTICUS BY LEONARDO DA VINCI 一项增强列奥纳多·达·芬奇《大西洋抄本》水印的工程的重要性
C. Calì
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引用次数: 1
"INSPIRATION BANK" PROJECT � SOCIALLY ENGAGED ART IN URBAN SPACES: THE CASE STUDY OF GDANSK “灵感银行”项目——城市空间中的社会参与艺术:格但斯克的案例研究
J. Borucka
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引用次数: 0
SYMBIOSIS OF ART AND TECHNOLOGY - FROM RENAISSANCE TO INTERACTIVE ART 艺术与科技的共生——从文艺复兴到互动艺术
Jan Buczkowski, Karolina Życzkowska
The article presents the mutual relations between art and technology from the Renaissance to the interactive art of today. It indicates important factors influencing the possibilities of imaging and interpreting reality by artists, ranging from the development of oil painting techniques, linear perspective, the invention of printing and photography, to achievements related to the development of information technologies (computers, interfaces), offering a range of tools to create and co-create a work of art by the recipient.The subsequent stages of the symbiosis of these two seemingly distant domains of human activity are distinguished, along with examples of their practical realizations. In this way, four basic types of mutual inspirations of art and technology were pointed out - from one-sided relations (technology as an inspiration for art and vice versa), through two-way relations (the cooperation between an artist and an engineer in creating artistic works and technical solutions), up to and including the recipient in the process of creating an artwork, opening many new possibilities for interactive art. The paper shows that the co-existence of art and technology determines new possibilities for the creative work of both artists and engineers, also in the field of architecture. In the face of progressive digitization it gives a new dimension to art providing interactivity through various interfaces which can increase also the social dimensions of art.
从文艺复兴到今天的互动艺术,艺术与技术之间的相互关系。它指出了影响艺术家成像和解释现实的可能性的重要因素,从油画技术的发展、线性透视、印刷和摄影的发明,到与信息技术(计算机、界面)发展有关的成就,为接受者创造和共同创造艺术作品提供了一系列工具。这两个看似遥远的人类活动领域共生的后续阶段被区分开来,并附有它们实际实现的例子。由此,指出了艺术与技术相互启发的四种基本类型——从单方关系(技术作为艺术的灵感,反之亦然),到双向关系(艺术家与工程师在创作艺术作品和技术解决方案方面的合作),直至并包括艺术创作过程中的接受者,为互动艺术开辟了许多新的可能性。本文表明,艺术与技术的共存决定了艺术家和工程师在建筑领域的创造性工作的新可能性。面对不断进步的数字化,它为艺术提供了一个新的维度,通过各种界面提供交互性,也增加了艺术的社会维度。
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引用次数: 0
META-COGNITION � AN ESSENTIAL STRATEGY FOR PRACTICE 元认知——实践的基本策略
A. Preda-Uliță
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引用次数: 0
TOPOS OF THE CITY IN EUROPEAN PAINTING 欧洲绘画中的城市景观
Halina Rutyna
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引用次数: 0
FUNDAMENTAL THEORETICAL PROVISIONS AND METHODOLOGICAL RECOMMENDATIONS FOR SCIENTIFIC COPYING OF MONUMENTAL ART WORKS 纪念性艺术作品科学复制的基本理论规定和方法建议
T. Laska
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引用次数: 0
WILLIAM HAZLITT�S LECTURES ON ENGLISH COMIC WRITERS TWO CENTURIES LATER IN THE UNIVERSITY CURRICULUM GLOBAL CONTEXT 威廉·黑兹利特关于两个世纪后英国漫画作家的讲座在大学课程的全球背景下
O. Anossova
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引用次数: 0
THE SECOND-PERSON NARRATION AS A NATURAL HABITAT OF 360? STEREOSCOPIC SPHERICAL CINEMA 第二人称叙事作为360的自然栖息地?立体球面影院
A. Ceplitis
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引用次数: 0
MEMORY OF CHILD NARRATOR IN LITERARY WORK ABOUT TRAUMA OF FACSISM: HITLER, MY NEIGHBOUR BY EDGAR FEUCHTWANGER 关于法西斯主义创伤的文学作品中的儿童叙述者的记忆:希特勒,我的邻居埃德加·福希万格
Zuzana Stanislavová
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引用次数: 0
THE INFLUENCE OF THE EVOLUTION OF DAYLIGHTING SYSTEMS OF EXHIBITION SPACE ON THE ARCHITECTURE OF THE MUSEUM�S BUILDING 展览空间采光系统的演变对博物馆建筑结构的影响
M. Roginska-Niesluchowska
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引用次数: 0
期刊
5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018, Science and Arts
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