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5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018, Science and Arts最新文献

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RENAISSANCE RESIDENCES OF THE RADZIWILL FAMILY IN THE TERRITORIES OF THE FORMER POLISH COMMONWEALTH 文艺复兴时期radziwill家族在前波兰联邦领土上的住所
B. Zin
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引用次数: 0
ARCHITECTS� DRAWINGS AS A PIECES OF ART 建筑师把图纸当作一件艺术品
A. Białkiewicz
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引用次数: 0
THE ROLE OF SOCIETY IN CREATING CONDITIONS FOR PROMOTING CREATIVITY IN EDUCATIONAL CONTEXT 在教育环境中,社会在创造促进创造力的条件方面的作用
Snježana Dubovicki
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引用次数: 0
BORDERS OF DIGITAL ART IN THE CONTEXT OF THE INFORMATION SOCIETY 信息社会背景下数字艺术的边界
Karolina Życzkowska, Jan Buczkowski
The article shows the relationship between the development of information technologies, the characteristics of the information society and digital art. The broad possibilities of the digital world related to recording, storing and processing data (cyber text, big data, smart services) and the creation of virtual worlds are pointed out. The influence of the development of information technologies on the character of the works of art (their variability and availability) is also considered. On the basis of representative examples, three areas of border-crossing in the manner of presenting and experiencing a digital art work are distinguished: entering the public space, virtual world and the recipient's private area. The possibilities of integrating the digital message within the architectural structure in the public space (media architecture using display technology and temporary projections) is indicated. The possibilities of digital art in the virtual world is also taken into consideration (generative art, Net Art, virtual museums). Moreover, the issue of digital art in the context of crossing the border of human privacy by means of information technology (monitoring, surveillance) is considered, stressing also the social aspect of interactive art. The article shows the almost unlimited possibilities in the field of digital art, which are determined only by the imagination of the artist.
文章阐述了信息技术的发展、信息社会的特点与数字艺术之间的关系。指出了数字世界在记录、存储和处理数据(网络文本、大数据、智能服务)和创建虚拟世界方面的广泛可能性。信息技术的发展对艺术作品的特性(其可变性和可用性)的影响也被考虑在内。在代表性案例的基础上,区分了数字艺术作品呈现和体验方式的三个跨界领域:进入公共空间、虚拟世界和接受者的私人区域。指出了在公共空间(使用显示技术和临时投影的媒体建筑)的建筑结构中整合数字信息的可能性。数字艺术在虚拟世界中的可能性也被考虑在内(生成艺术,网络艺术,虚拟博物馆)。此外,在通过信息技术(监控、监视)跨越人类隐私边界的背景下,数字艺术的问题被考虑,也强调了互动艺术的社会方面。这篇文章展示了数字艺术领域几乎无限的可能性,这些可能性只取决于艺术家的想象力。
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引用次数: 0
HISTORICAL-COMPARATIVE APPROACH REGARDING STABAT MATER IN MUSICAL REPERTOIRE OF THE LAST FOUR HUNDRED YEARS 关于近四百年来音乐保留曲目中固定主题的历史比较方法
Petruța-Maria Coroiu
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引用次数: 0
THE ROYAL SUMMER PALACE IN LOBZOW IN POLAND. CONSERVATION AND REASERCH PROBLEMS BEFORE AND AFTER ADAPTATION A HISTORICAL BUILDING TO THE NEW FUNCTION 波兰洛索夫的皇家颐和园。历史建筑适应新功能前后的保护与研究问题
K. Stala
{"title":"THE ROYAL SUMMER PALACE IN LOBZOW IN POLAND. CONSERVATION AND REASERCH PROBLEMS BEFORE AND AFTER ADAPTATION A HISTORICAL BUILDING TO THE NEW FUNCTION","authors":"K. Stala","doi":"10.5593/sgemsocialf2018/6.3/s15.042","DOIUrl":"https://doi.org/10.5593/sgemsocialf2018/6.3/s15.042","url":null,"abstract":"","PeriodicalId":265090,"journal":{"name":"5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018, Science and Arts","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116685727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE STEREOTYPES OF CROATIAN TEACHERS REGARDING PROFESSIONAL AND PERSONAL STATUS 克罗地亚教师对专业和个人地位的刻板印象
Maja Brust Nemet, Dubovicki Snježana
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引用次数: 0
MORAL CONTENT OF OPERAS BY V. MOZART IN THE N. ARNONCOURT PERFORMANCE INTERPRETATIONS 莫扎特歌剧的道德内涵在阿农考特演出中的诠释
S. Karkina
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引用次数: 0
VISUAL TRANSFORMATION OF THE NORM: TOWARD THE DIANE ARBUS� �FREAKS SHOW� 视觉规范的转变:走向戴安·阿勃丝的《怪胎秀》
I. Sakhno
{"title":"VISUAL TRANSFORMATION OF THE NORM: TOWARD THE DIANE ARBUS� �FREAKS SHOW�","authors":"I. Sakhno","doi":"10.5593/SGEMSOCIAL2018/6.2/S24.018","DOIUrl":"https://doi.org/10.5593/SGEMSOCIAL2018/6.2/S24.018","url":null,"abstract":"","PeriodicalId":265090,"journal":{"name":"5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018, Science and Arts","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116581452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ELEMENTS OF HERMENEUTICAL ANALYSIS IN THE MUSICAL REPRESENTATIONS OF DAVID�S PSALMS COMPOSED BY FRANZ LISZT 李斯特《大卫诗篇》音乐表现的解释学分析要素
A. Belibou
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引用次数: 0
期刊
5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018, Science and Arts
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