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Qué ves cuando las ves. Las mafias italianas en los paisajes lingüísticos de la Ciudad de Buenos Aires 当你看到他们时,你看到了什么。布宜诺斯艾利斯语言景观中的意大利黑手党
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14278
María Soledad Balsas, Francesca Capelli
In this article we question the visual references to the Italian mafias in the linguistic landscapes in the City of Buenos Aires, through a discursive and ethnographic approach. By analyzing the thematic, rhetorical and enunciative features deployed by the textual surfaces that circulate in public and/or virtual spaces, as well as some significant absences, we aim at problematizing the visual common sense that shapes our individual and collective perceptions on mafia. Due to the proliferation of those visualities and their tendency to spectacularization of the phenomenon of mafias, they would result in a «gaslighting» which tends to naturalize a poorly informed (if not openly biased) interpretation, which paradoxically hides more than what it shows.
在本文中,我们通过话语和民族志的方法,对布宜诺斯艾利斯城市语言景观中意大利黑手党的视觉参考提出质疑。通过分析在公共和/或虚拟空间中流通的文本表面所展现的主题、修辞和表达特征,以及一些重要的缺失,我们的目标是对塑造我们个人和集体对黑手党的看法的视觉常识提出问题。由于这些视觉的扩散和它们对黑手党现象的壮观化的倾向,它们将导致一种“煤气灯”,这种“煤气灯”往往会使一种信息贫乏(如果不是公开偏见的话)的解释自然化,这种解释自相矛盾地隐藏了比它所显示的更多的东西。
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引用次数: 0
L’evoluzione della percezione della mafia italiana e l’impatto di Saviano sulla stampa francese 意大利黑手党观念的演变和萨维诺对法国媒体的影响
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14283
Anne-Sophie Canto
The aim of this article is to show how the perception of the Italian mafia phenomenon, which was initially a paradox, has evolved over the last few years in France. Indeed, for a long time it seems to have been the object of a surprising paradox: while it was factually present on French territory, the press seemed to focus mainly on its role in Italy. However, in recent years, two events have gradually overturned this view: the attacks on the newspaper Charlie Hebdo in January 2015, and then the presence of Saviano who, as a literary and media figure, has liberated the word around the organisation and expansion of Italian organised crime.
这篇文章的目的是展示如何感知意大利黑手党现象,这最初是一个悖论,已经演变在过去的几年里,在法国。事实上,很长一段时间以来,它似乎一直是一个令人惊讶的悖论的对象:虽然它实际上存在于法国领土上,但媒体似乎主要关注它在意大利的作用。然而,近年来,两起事件逐渐推翻了这一观点:2015年1月《查理周报》(Charlie Hebdo)遭遇袭击,以及萨维亚诺的出现。萨维亚诺作为文学和媒体人物,解放了意大利有组织犯罪的组织和扩张。
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引用次数: 0
50 años de La maffia (1972), de Leopoldo Torre Nilsson: representaciones de la mafia ítalo-rosarina. Interacciones entre narrativas periodísticas, literarias y cinematográficas 莱奥波尔多·托雷·尼尔森(Leopoldo Torre Nilsson)的《黑手党50年》(1972):意大利黑手党的代表。新闻、文学和电影叙事之间的互动
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14279
R. Setton
The following article analyzes the film La maffia (1972), by Leopoldo Torre Nilsson. I try to show how the film configures a representation of the Sicilian mafia of the 1930s less from the historical facts than from the speech of the journalistic chronicle of the time, of the Hollywood and Argentine cinematographic tradition and also from the literary tradition and the political imaginary linked to Peronism. In turn, the film itself – enormously successful with critics and audiences alike – goes on to feed the Argentine imaginary of that mafia, which continues to operate largely as an important influence on the political imaginary.
下面这篇文章分析了莱奥波尔多·托雷·尼尔森的电影《黑手党》(1972)。我试图展示这部电影是如何配置一个20世纪30年代西西里黑手党的代表,而不是根据历史事实,而是根据当时的新闻编年史,好莱坞和阿根廷的电影传统,以及与庇隆主义有关的文学传统和政治想象。反过来,电影本身——在评论家和观众中都获得了巨大的成功——继续为阿根廷人对黑手党的想象提供素材,而黑手党在很大程度上继续对政治想象产生重要影响。
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引用次数: 0
Prefazione 前言
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14286
G. Campani
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引用次数: 0
¿Adónde se habrá metido Mafiopoli? Las mafias italianas según La Gente d’Italia 黑手党在哪里?根据《意大利人》的说法,意大利黑手党
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14281
Gabriele Paolo Smeriglio
Generalisations can never tend to be exhaustive, nor can they claim to represent all subjectivities and the diverse and consequent political-ideological narratives that are part of them. But they also describe social and behavioural propensities present in the cultural folds of a specific social group. The role of newspapers, sounding boards for certain ethnic, political, economic and social sentiments, is fundamental to study the rapid consumption of these communicative processes whose contents end up being internalised even before they are processed. Beyond the level of scientific substance of which they are composed. In relation to the treatment of Italian mafias in the press, this manuscript aims to analyse, based on a selection of articles published between 2018 and 2022, the narratives produced by “La Gente d’Italia”, an Italian-language ethnic newspaper based in Uruguay, on the combination between persistence and change, between maintaining consolidated structures and adapting to the changes in the economic and social context in which the mafia is present today.
概括永远不可能是详尽无遗的,它们也不能声称代表所有的主体性以及作为其中一部分的各种各样的、随之而来的政治意识形态叙事。但它们也描述了特定社会群体的文化形态中存在的社会和行为倾向。报纸作为某些种族、政治、经济和社会情绪的传声板,其作用对于研究这些交流过程的快速消费至关重要,这些交流过程的内容甚至在被处理之前就被内化了。超越了构成它们的科学实质的水平。关于意大利黑手党在新闻界的待遇,本文旨在根据2018年至2022年期间发表的文章,分析乌拉圭意大利语民族报纸“La Gente d 'Italia”制作的叙述,关于坚持与变化之间的结合,在维持巩固结构和适应黑手党今天所处的经济和社会背景的变化之间的结合。
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引用次数: 0
La Mafia e l’agire sociale delle donne 黑手党和妇女的社会行为
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14284
Milena Gammaitoni
The article presents a historical-social excursus on the criminality of women and on the stereotypes and prejudices that have long obscured a real understanding of the phenomenon: in the history of ideas, in medicine, in jurisprudence, in the media and in the various social representations. Analyzing their different roles, from the socialization of children to the mafia mentality, but also the central role of some women in the rebellion against the mafia, is a necessary path for a deeper reflection of the phenomenon.
这篇文章从历史和社会的角度对妇女的犯罪行为以及长期以来在思想史、医学史、法理学、媒体和各种社会表现中掩盖了对这一现象的真正理解的刻板印象和偏见进行了考察。分析她们的不同角色,从儿童的社会化到黑帮心理,以及部分女性在反抗黑帮中的核心作用,是深入反思这一现象的必经之路。
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引用次数: 0
L’universo transmediale della mafia 黑手党的中间人
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14277
M. Ravveduto
.
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引用次数: 0
Secreto a voces. Mafias italianas y prensa en la Argentina de María Soledad Balsas 秘密的声音。maria Soledad Balsas在阿根廷的意大利黑手党和媒体
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14285
Bruno Cimatti
Press (www.fupress.net/index.php/ccselap) and distributed under the terms of the Creative Commons Attribution 4.0 International License. The Creative Commons Public Domain Dedication waiver applies to the data made available in this article, unless otherwise stated. DOI: 10.36253/ccselap-14285 | ISSN 2531-9884 (online) Comparative Cultural Studies: European and Latin American Perspectives 15: 109-114, 2022
Press (www.fupress.net/index.php/ccselap),并在知识共享署名4.0国际许可条款下发布。除非另有说明,否则知识共享公共领域奉献豁免适用于本文中提供的数据。DOI: 10.36253/ccselap-14285 | ISSN 2531-9884 (online)比较文化研究:欧洲和拉丁美洲视角15:109-114,2022
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引用次数: 3
Introducción 导言
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14276
María Soledad Balsas
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引用次数: 0
Me río de la mafia. Los Cubrepileta y la sátira mafiosa en la Argentina 我嘲笑黑手党。阿根廷的Cubrepileta和黑手党讽刺
Pub Date : 2023-02-22 DOI: 10.36253/ccselap-14280
Bettina Favero
In this essay, the mafia appears as a cultural object when analyzed from a humorous program broadcast in the 1990s in Argentina. It is Los Cubrepileta, a sketch that was part of Cha Cha Cha starring Alfredo Casero, Fabio Alberti, Diego Capusotto, Vivian El Jaber, Jorge Takashima, Alejandra Flechner, among others. Cha Cha Cha was a crazy, surreal and absurd program broadcast during 1993 and from 1995 to 1997 on América TV. Although the space was never massive, it is interesting to observe and analyze the way in which the sketch dedicated to an Italian family (Los Cubrepileta) parody the mafia with gags, jokes and set phrases inspired by movies and novels as well as the stereotype from the Italian mobster. To this is added another interesting fact, the reproduction of the sketches on YouTube, the visualizations and the comments on them.
在这篇文章中,黑手党作为一种文化对象出现在了阿根廷90年代播出的一个幽默节目中。这部小品是《恰恰茶》的一部分,由阿尔弗雷多·卡塞罗、法比奥·阿尔贝蒂、迭戈·卡普索托、维维安·埃尔·贾比尔、豪尔赫·高岛、亚历桑德拉·弗莱希纳等人主演。《恰恰恰恰》是一档疯狂、超现实、荒诞的节目,于1993年和1995年至1997年在美国电视频道播出。虽然空间并不大,但观察和分析这部以意大利家庭(Los Cubrepileta)为主题的小品是如何从电影和小说中获得灵感,用插话、笑话和固定用语来模仿黑手党的,以及意大利黑帮的刻板印象,是很有趣的。除此之外,还有一个有趣的事实,YouTube上的草图复制,可视化和评论。
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引用次数: 0
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Comparative Cultural Studies - European and Latin American Perspectives
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