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Alon: Journal for Filipinx American and Diasporic Studies最新文献

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Book Review: Women Against Marcos: Stories of Filipino and Filipino American Women Who Fought a Dictator 书评:《反对马科斯的妇女:菲律宾和菲律宾裔美国妇女反抗独裁者的故事》
Pub Date : 2021-11-18 DOI: 10.5070/ln41355448
Joy Sales
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引用次数: 1
Masagana 99: Beyond Seeds, Grains, and Stalks Masagana 99:超越种子、谷物和秸秆
Pub Date : 2021-11-18 DOI: 10.5070/ln41355442
Lucy Burns
. Alongside official policies and speeches declaring and steering official national identity, I turn to songs and dances as affective and performance archives that strategically rouse and structure our feelings of belonging to a cohesive and stable national culture. More broadly, I track the crafting of a Filipino/a national subject through state reliance on sedimented (and thus value-laden) forms such as ‘national traditions’ and ‘folk cultures’ to make possible the idea of a laboring and productive citizenry. I ask: How do traditional dances and songs sustain and indeed supplement the ambitions of government initiatives implemented during Ferdinand Marcos’s martial law, such as the rice production program Masagana 99? How do the timeless assemblages of performance shore up the edifice of an embattled and yet resilient nation-state? As we commemorate the afterlives of Martial Law, I return to such fragments of embodied memory with adjacent governmental policies of the time to underscore the complex scope and the scale of Marcos’s dictatorship, as well as relay these scenes as seeds of struggle, labor, and resistance.
. 除了官方政策和演讲宣布和引导官方的民族认同,我还把歌曲和舞蹈作为情感和表演档案,从战略上唤醒和构建我们对一个有凝聚力和稳定的民族文化的归属感。更广泛地说,我通过国家对诸如“民族传统”和“民间文化”等沉淀(因此承载了价值)形式的依赖来追踪菲律宾人/国家主体的制作,从而使劳动和生产公民的想法成为可能。我的问题是:传统的舞蹈和歌曲是如何维持和补充政府在费迪南德·马科斯(Ferdinand Marcos)戒严令期间实施的雄心勃勃的计划的,比如大米生产计划Masagana 99?这些永恒的表演组合是如何支撑起一个四面楚歌但又不失弹性的民族国家大厦的?当我们纪念戒严令的余波时,我回到这些片段的记忆中,与当时的政府政策相关联,以强调马科斯独裁统治的复杂范围和规模,并将这些场景作为斗争、劳动和抵抗的种子传递给大家。
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引用次数: 0
Chaos and Order in Lino Brocka’s Insiang (1976) 利诺·布罗卡《新疆》(1976)中的混乱与秩序
Pub Date : 2021-11-18 DOI: 10.5070/ln41355443
J. Diaz
. The Marcos regime’s seizure of culture® and the first couple’s promulgation of “truth, beauty, and goodness” as guiding cultural principles® was more than an act of political repression. It was the purposeful and incisive reimagining of Filipino subjectivity for the global capitalist paradigms of the cold war order. This essay analyzes Lino Brocka’s 1976 film Insiang as a visualization of authoritarian violence that acknowledges the insidiousness of Marcosian cultural reforms and their adamant demand to affect and seize Filipino sensibilities. The film illustrates the ways that Ferdinand and Imelda Marcos’s mandates for morality, beauty, and humanity were impossible within the impoverished conditions of Manila’s urbanity. More importantly, I argue that the film disrupts the coherency
. 马科斯(Marcos)政权对文化的控制和第一夫妇颁布的“真、美、善”作为指导文化原则,不仅仅是一种政治镇压行为。这是为了冷战秩序的全球资本主义范式而对菲律宾主体性进行的有目的和深刻的重新构想。本文分析了利诺·布罗卡(Lino Brocka) 1976年的电影《越南》(inang),将其视为专制暴力的可视化,承认了马可斯文化改革的阴险,以及他们对影响和抓住菲律宾人情感的坚定要求。这部电影说明了斐迪南和伊梅尔达·马科斯对道德、美和人性的要求在马尼拉城市的贫困条件下是不可能实现的。更重要的是,我认为这部电影破坏了连贯性
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引用次数: 0
Leese Street Studio - Johanna Poethig
Pub Date : 2021-11-18 DOI: 10.5070/ln41355446
Johanna Poethig
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引用次数: 0
"OUSTING ONE MAN IS NOT ENOUGH" “驱逐一个人是不够的”
Pub Date : 2021-11-18 DOI: 10.5070/ln41354959
N. Rosca
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引用次数: 0
Introduction: New Filipino American Scholarship on the Marcos Era 引言:马科斯时代的新菲裔美国人奖学金
Pub Date : 2021-11-18 DOI: 10.5070/ln41355440
J. Capino, Martin F. Manalansan IV
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引用次数: 1
Book Review: Union By Law: Filipino American Labor Activists, Rights Radicalism, and Racial Capitalism (Michael McCann and George Lowell) 书评:《依法工会:菲裔美国劳工活动家、权利激进主义和种族资本主义》(迈克尔·麦肯、乔治·洛厄尔)
Pub Date : 2021-11-18 DOI: 10.5070/ln41353324
Michael Schulze-Oechtering
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引用次数: 0
The Power of the People 人民的力量
Pub Date : 2021-11-11 DOI: 10.5070/ln41354954
L. Robredo
Following the collapse of the Ottoman Empire and the founding of the Republic in 1923 under the rule of Atatürk and his Republican People's Party, Turkey embarked on extensive social, economic, cultural and administrative modernization programs which would lay the foundations for modern day Turkey. The Power of the People shows that the ordinary people shaped the social and political change of Turkey as much as Atatürk's strong spurt of modernization. Adopting a broader conception of politics, focusing on daily interactions between the state and society and using untapped archival sources, Murat Metinsoy reveals how rural and urban people coped with the state policies, local oppression, exploitation, and adverse conditions wrought by the Great Depression through diverse everyday survival and resistance strategies. Showing how the people's daily practices and beliefs survived and outweighed the modernizing elite's projects, this book gives new insights into the social and historical origins of Turkey's backslide to conservative and Islamist politics, demonstrating that the making of modern Turkey was an outcome of intersection between the modernization and the people's responses to it.
随着奥斯曼帝国的崩溃,土耳其共和国于1923年在atatatrk和他的共和人民党统治下成立,土耳其开始了广泛的社会、经济、文化和行政现代化计划,为现代土耳其奠定了基础。《人民的力量》一书表明,普通民众对土耳其社会和政治变革的影响,不亚于土耳其强大的现代化浪潮。穆拉特·米廷索采用更广泛的政治概念,关注国家与社会之间的日常互动,并利用未开发的档案资源,揭示了农村和城市人民如何通过不同的日常生存和抵抗策略应对大萧条带来的国家政策、地方压迫、剥削和不利条件。这本书展示了人们的日常实践和信仰如何幸存下来,并超越了现代化精英的项目,对土耳其倒退到保守和伊斯兰政治的社会和历史起源提供了新的见解,证明了现代土耳其的形成是现代化与人民对现代化的反应交叉的结果。
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引用次数: 1
In Defense of the X: Centering Queer, Trans, and Non-Binary Pilipina/x/os, Queer Vernacular, and the Politics of Naming 捍卫X:以酷儿、跨性别和非二元菲律宾人/ X /os为中心,酷儿方言和命名政治
Pub Date : 2021-07-19 DOI: 10.5070/ln41253177
Kayla Barrett, K. B. Hanna, Anang Palomar
. This essay is an engagement of the dialectics of naming and violence, discussed from the perspectives of the trans, non-bi-nary, and gender non-conforming Pilipina/o/xs whom we interviewed in the Summer of 2020. Applying a transnational queer diasporic methodology, we center their material realities, which we feel remain missing in both scholarly and popular debates about the term “Filip-inx.” Indeed, it was LGBTQI+ Pilipinxs in North America who were the first to use the term “Filipinx” and “Pilipinx” in online spaces. Instead of positioning the X as our main focus, we use it as an entry point to discuss the violence that LGBTQI+ people of Philippine-descent have historically faced for simply identifying themselves on their own terms. It is toward such violence that the queer, non-binary, and trans people who began using the X and other linguistic innovations were and are asserting themselves. Revealed are perspectives and practices of dignity, self-determination, resistance against cultural homogenization and gender gatekeeping, and self-naming as radical imagination initiated by those facing intensified carcerality and other forms of violence that stretch within and beyond nation-state boundaries. To those who demand this X be erased:
. 这篇文章是对命名和暴力的辩证法的参与,从我们在2020年夏天采访的跨性别、非双性和性别不一致的菲律宾人/o/xs的角度进行了讨论。运用一种跨国酷儿流散的方法论,我们将他们的物质现实作为中心,我们认为在关于“菲利普-英克斯”一词的学术和大众辩论中,这些现实仍然缺失。事实上,北美的LGBTQI+ Pilipinxs是第一个在网络空间中使用“菲律宾人”和“菲律宾人”这个词的人。我们没有把“X”定位为我们的主要焦点,而是把它作为一个切入点,讨论菲律宾裔LGBTQI+人群在历史上因简单地以自己的方式认同自己而面临的暴力。正是针对这样的暴力,那些开始使用X和其他语言创新的酷儿、非二元和跨性别者,过去和现在都在坚持自己的主张。揭示了尊严、自决、抵制文化同质化和性别守门人的观点和实践,以及那些面临加剧的残暴和其他形式的暴力的人发起的激进想象,这些暴力延伸到民族国家边界内外。对于那些要求抹去这个X的人:
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引用次数: 3
Poems by Luisa A. Igloria 路易莎·a·伊格洛里亚的诗
Pub Date : 2021-07-19 DOI: 10.5070/ln41252597
Luisa A. Igloria
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引用次数: 0
期刊
Alon: Journal for Filipinx American and Diasporic Studies
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