Pub Date : 2019-06-28DOI: 10.30687/AXON/2532-6848/2019/01/013
Matteo Rivoli
Account of a sanatio (miraculous healing) carved on a fragmentary marble slab coming from the sanctuary of Asclepius in Leben, Crete. The inscription, conceived as a dedication to the god, was made by the Roman Publius Granius Rufus, who appears to have been an influent personality in the nearby town of Gortyn. He applied to the sanctuary in order to cure a form of pulmonary tuberculosis that had been affecting him for almost two years, and that maybe the ʻnewʼ Hippocratic medicine had not been able to handle. The therapy, probably inspired by the mystic sleep of the incubatio, was quite elaborate, implying the consumption of herbs, spicy wine, a bread bun, sacred ash, an egg, resins, a vegetable decoction and figs. The existence itself of the epigraph makes sure that this treatment was successful, and allowed Publius Granius to honour the deity and to ʻpubliciseʼ its ability. Basing on the other known records of the gens Grania, the stone may be approximately dated between the 1st century BC and the 1st century AD.
{"title":"Sanatio di Publius Granius Rufus da Lebena","authors":"Matteo Rivoli","doi":"10.30687/AXON/2532-6848/2019/01/013","DOIUrl":"https://doi.org/10.30687/AXON/2532-6848/2019/01/013","url":null,"abstract":"Account of a sanatio (miraculous healing) carved on a fragmentary marble slab coming from the sanctuary of Asclepius in Leben, Crete. The inscription, conceived as a dedication to the god, was made by the Roman Publius Granius Rufus, who appears to have been an influent personality in the nearby town of Gortyn. He applied to the sanctuary in order to cure a form of pulmonary tuberculosis that had been affecting him for almost two years, and that maybe the ʻnewʼ Hippocratic medicine had not been able to handle. The therapy, probably inspired by the mystic sleep of the incubatio, was quite elaborate, implying the consumption of herbs, spicy wine, a bread bun, sacred ash, an egg, resins, a vegetable decoction and figs. The existence itself of the epigraph makes sure that this treatment was successful, and allowed Publius Granius to honour the deity and to ʻpubliciseʼ its ability. Basing on the other known records of the gens Grania, the stone may be approximately dated between the 1st century BC and the 1st century AD.","PeriodicalId":288502,"journal":{"name":"3 | 1 | 2019","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128668598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.30687/AXON/2532-6848/2019/01/003
G. Proietti
The stele belongs to a funerary monument erected in the agora of Megara in honour of soldiers fallen in the Persian Wars (480-479 BC). The inscription is made of three portions of text: a prose introduction, an epigram in elegiacs, and a final prose annotation. According to the introduction, the epigram is a re-inscription, due to the initiative of the archiereus Helladius, of a post-Persian text, which time had damaged. The inscription attests to the fundamental importance of the memory of the Persian Wars both in the immediate aftermath of the war and several centuries later, when a historical document dating to nearly a millennium before was still perceived as crucial to the civic identity of Megara.
{"title":"La stele dei Megaresi caduti durante la seconda guerra persiana","authors":"G. Proietti","doi":"10.30687/AXON/2532-6848/2019/01/003","DOIUrl":"https://doi.org/10.30687/AXON/2532-6848/2019/01/003","url":null,"abstract":"The stele belongs to a funerary monument erected in the agora of Megara in honour of soldiers fallen in the Persian Wars (480-479 BC). The inscription is made of three portions of text: a prose introduction, an epigram in elegiacs, and a final prose annotation. According to the introduction, the epigram is a re-inscription, due to the initiative of the archiereus Helladius, of a post-Persian text, which time had damaged. The inscription attests to the fundamental importance of the memory of the Persian Wars both in the immediate aftermath of the war and several centuries later, when a historical document dating to nearly a millennium before was still perceived as crucial to the civic identity of Megara.","PeriodicalId":288502,"journal":{"name":"3 | 1 | 2019","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133973571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.30687/AXON/2532-6848/2019/01/007
Maria Barbara Savo
Pentelic marble table with a brief dedicatory inscription of a patient, Archinos, found in the Amphiaraos sanctuary in Oropos during the excavations of Leonardos. The pinax, in relief, shows three significant moments of the postulant’s stay in the shrine. The narration begins on the left, where Amphiaraos is represented (with greater size if compared to the patient) intent to intervene with an instrument on Archinos’ right shoulder. Below is a scene of enkoimeterion, where Archinos, lying on a kline, is overhung by the sacred snake and touched on the right shoulder. The third image of the patient represents him at the right end of the pinax and seems to be looking and pointing at the votive table on the stele with his right hand: it is an offer as a sign of gratitude to the god.
{"title":"Dedica votiva di Archino nel santuario di Oropo","authors":"Maria Barbara Savo","doi":"10.30687/AXON/2532-6848/2019/01/007","DOIUrl":"https://doi.org/10.30687/AXON/2532-6848/2019/01/007","url":null,"abstract":"Pentelic marble table with a brief dedicatory inscription of a patient, Archinos, found in the Amphiaraos sanctuary in Oropos during the excavations of Leonardos. The pinax, in relief, shows three significant moments of the postulant’s stay in the shrine. The narration begins on the left, where Amphiaraos is represented (with greater size if compared to the patient) intent to intervene with an instrument on Archinos’ right shoulder. Below is a scene of enkoimeterion, where Archinos, lying on a kline, is overhung by the sacred snake and touched on the right shoulder. The third image of the patient represents him at the right end of the pinax and seems to be looking and pointing at the votive table on the stele with his right hand: it is an offer as a sign of gratitude to the god.\u0000","PeriodicalId":288502,"journal":{"name":"3 | 1 | 2019","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133315582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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