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The Reception of Husserl’s Phenomenology in Japanese Philosophy 胡塞尔现象学在日本哲学中的接受
IF 0.2 Pub Date : 2022-11-03 DOI: 10.1353/jjp.2022.0004
Shinji Hamauzu
we the influence of Husserl’s phenomenology, we keywords— phenomenological transcendental phenomenology, intersubjectivity, life- keywords we when the influence phenomenology on
我们考察胡塞尔现象学的影响,我们关键词——现象学、先验现象学、主体间性、生命——关键词我们对现象学的影响
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引用次数: 0
Watsuji on Nature: Japanese Philosophy in the Wake of Heidegger by David W. Johnson (review) Watsuji谈自然:海德格尔时代的日本哲学(综述)
IF 0.2 Pub Date : 2022-11-03 DOI: 10.1353/jjp.2022.0001
L. Droz
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引用次数: 0
The Great Death and the Pure Land: Nishitani Keiji and the Ecological Emergency 大死亡与净土:西谷敬二与生态危机
IF 0.2 Pub Date : 2022-11-03 DOI: 10.1353/jjp.2022.0005
J. Wirth
Abstract:This essay argues for the importance of Nishitani Keiji’s thought as a critical resource to confront what the unfolding ecological crisis reveals about who and what we are. The first part considers the importance of “nature” for Nishitani that accords with insights that both resonate with his Zen practice and heritage, and which open up tacit dimensions of the Jōdo Shin (True Pure Land) tradition. The second section turns to Nishitani’s highly original Zen “existentialization” of science in general, and by extension, contemporary climate science in particular, in order to highlight Nishitani’s Great Death as a response to the unfolding ecological catastrophe. In treating climate science as a kōan, we not only come to see who we are, but also come undone and awaken to a new relation to the Great Earth.
摘要:本文论证了西谷敬二的思想作为一种关键资源的重要性,它可以帮助我们面对不断发展的生态危机所揭示的关于我们是谁和我们是什么的问题。第一部分考虑了“自然”对西谷的重要性,这与他的禅宗实践和遗产产生共鸣的见解一致,并开辟了Jōdo真净土传统的隐含维度。第二部分转向西谷对科学的高度原创的禅宗“存在化”,通过扩展,特别是当代气候科学,以突出西谷的大死亡是对正在展开的生态灾难的回应。在将气候科学视为kōan的过程中,我们不仅看到了我们是谁,而且还意识到我们与地球的新关系。
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引用次数: 0
Nishida Kitarō’s Two True Selves: Revisiting Self, Meaning, and Method in an Inquiry Into The Good 西田北井的两个真实自我:在对善的探究中重新审视自我、意义和方法
IF 0.2 Pub Date : 2022-11-03 DOI: 10.1353/jjp.2022.0006
Richard Stone
Abstract:In this contribution, I seek to highlight two different understandings of the self that can be found in Nishida Kitarō’s An Inquiry into the Good and show how they relate to one another to form a novel view of selfhood. As several scholars are already aware, Nishida appears inconsistent about how he describes terms relating to our “true” self in his early work, discussing it both as a particular state of consciousness in which unity between subject and object has been achieved and the fundamental activity that generates meaning in otherwise mute experience. While most interpreters have tended to limit themselves to mentioning only one outlook on the self or the other (or otherwise to taking the apparent inconsistency in Nishida’s earliest thought as a sign that he had yet to reach philosophical maturity), I believe this is a mistake. Indeed, as I shall argue in this contribution, Nishida’s early philosophy can only be read fruitfully if these two seemingly different interpretations of the “true self” are reconciled with one another.
摘要:在这篇文章中,我试图强调西田北三的《善的探究》中对自我的两种不同理解,并展示它们是如何相互联系的,从而形成一种新颖的自我观。正如几位学者已经意识到的那样,西田在其早期作品中对与我们“真实”自我相关的术语的描述似乎不一致,他将其讨论为一种特定的意识状态,在这种状态中实现了主体和客体之间的统一,以及在其他无声体验中产生意义的基本活动。虽然大多数口译员倾向于只提及一种或另一种自我观(或者将西田最早思想中明显的不一致视为他尚未达到哲学成熟的迹象),但我认为这是一个错误。事实上,正如我在这篇文章中所说的那样,只有将这两种对“真实自我”的看似不同的解释相互调和,西田的早期哲学才能得到丰硕的解读。
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引用次数: 1
Japanese Philosophy in the Making 2: Borderline Interrogations by John Maraldo (review) 形成中的日本哲学2:约翰·马拉尔多的边缘性审讯(评论)
IF 0.2 Pub Date : 2022-11-03 DOI: 10.1353/jjp.2022.0003
Leah Kalmanson
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引用次数: 0
“Friendship of Dharma” as Existential Communion between Enemies: A New Interpretation of “Atsumori” Inspired by Tanabe Hajime’s Later Philosophy “法之友”是敌人之间存在的共融:田边肇后期哲学对“光明”的新诠释
IF 0.2 Pub Date : 2022-11-03 DOI: 10.1353/jjp.2022.0007
Itsuki Hayashi
Abstract:“Atsumori” is a Noh play composed by master playwright Zeami sometime before 1423, featuring characters from the Tales of the Heike. Although popular to this day, the philosophical significance of the play remains underdeveloped and underappreciated. Prima facie, it features a ghost who is liberated thanks to the sincere prayer of the priest who killed him. Simplistic reading would yield simplistic understanding of the characters and their dynamism, and would fail to appreciate, for instance, the agency of the ghost or the liberation of the priest. Accordingly, some regard the play as falling short of the highest aesthetic value, insofar as its protagonist fails to attain liberation through his own effort. Some even contend that the ulterior purpose of the play is to portray ghosts as powerless and desperate so that vanquishers need not fear vengeful ghosts. While it is possible that Zeami indeed held such ulterior intention and regarded it as second rank for the protagonist’s lack of agency, I shall present a different reading that would yield a richer appreciation of the characters and their dynamism. I do so by regarding the “friendship of dharma” that occurs at the culmination of the play as “existential communion” as presented in Tanabe Hajime’s later philosophy. That is, the play need not be read as a story about a living priest saving a dead warrior—it can be read as about two lost souls saving each other, through mutual acceptance, mutual sacrifice, and collaborative mediation of the Absolute.For this purpose, the paper first delineates Tanabe’s later philosophy with a focus on the idea of existential communion. Then it introduces “Atsumori” and discusses its philosophical significance. An impasse due to the scope of the play will be identified, which I call “the problem of epistemic authority,” and to fill the gap I will introduce and discuss another spin-off story featuring Atsumori. The paper intends to offer a philosophically richer reading of the play to invite readers to think deeply and creatively about Noh.
摘要:《光明》是1423年以前由剧作家泽米创作的能剧,主要取材于《黑池物语》中的人物。尽管时至今日仍很受欢迎,但该剧的哲学意义仍未得到充分开发和重视。乍一看,这幅画描绘了一个鬼魂,由于杀死他的牧师的真诚祈祷,他被释放了。简单的阅读会产生对人物及其活力的简单理解,并且无法理解,例如,鬼魂的代理或牧师的解放。因此,一些人认为这部剧没有达到最高的审美价值,因为它的主人公没有通过自己的努力获得解放。有些人甚至认为,这部剧的别有用心是把鬼魂描绘成无能为力和绝望的样子,这样征服者就不必害怕复仇的鬼魂了。虽然有可能泽米确实有这样的别有用心,并认为这是第二等级的主角缺乏能动性,我将提出一个不同的阅读,将产生更丰富的欣赏人物和他们的活力。我这样做的方式是,将戏剧高潮处的“法之友谊”视为田边萩生后来的哲学所呈现的“存在的共融”。也就是说,这部戏剧不需要被解读为一个活着的牧师拯救一个死去的战士的故事——它可以被解读为两个迷失的灵魂通过相互接受、相互牺牲和绝对的协作调解来相互拯救。为此,本文首先以存在共融的理念为重点,对田边彻的后期哲学进行了概述。然后介绍了“光明”,并讨论了它的哲学意义。由于剧本的范围,我将发现一个僵局,我称之为“认识权威的问题”,为了填补这个空白,我将介绍和讨论另一个以Atsumori为主角的衍生故事。本文旨在提供一个哲学上更丰富的阅读剧本,邀请读者深入和创造性地思考能。
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引用次数: 0
Japanese Philosophy in the Making 1: Crossing Paths with Nishida by John Maraldo (review) 约翰·马拉尔多的《正在形成的日本哲学1:与西田的十字路口》(综述)
IF 0.2 Pub Date : 2022-11-03 DOI: 10.1353/jjp.2022.0002
J. Krummel
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引用次数: 1
Reception and Transformation of Heidegger's Philosophy in East Asia: From Tanabe Hajime to Hung Yao-Hsün 海德格尔哲学在东亚的接受与转化——从田边肇到洪耀旭
IF 0.2 Pub Date : 2021-09-10 DOI: 10.1353/jjp.2021.0000
Liao Chin-ping
Abstract:Before Being and Time was published, Heidegger's philosophy had been introduced to East Asia by Tanabe Hajime, one of the founding fathers of the Kyoto school of philosophy. The very first idea introduced to Japanese academia was the new turn from Husserl's phenomenology of pure consciousness to Heidegger's hermeneutic phenomenology. The purpose of this paper is to clarify the process of reception and transformation of Heidegger's philosophy in Tanabe Hajime's and Hung Yao-hsün's philosophy, and to unveil the historical episode of the heterogeneity of Heidegger's philosophy in East Asia.
摘要:在《存在与时间》出版之前,海德格尔的哲学思想已由京都哲学学派的创始人之一田边哈吉介绍到东亚。最早引入日本学术界的思想是从胡塞尔的纯粹意识现象学到海德格尔的解释学现象学的新转向。本文旨在厘清田边哈吉和洪哲学对海德格尔哲学的接受和转化过程,揭示东亚地区海德格尔哲学异质性的历史插曲。
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引用次数: 1
A Cultur Al Perspective Based On Fūdo—In Connection To The Fūdo Of Taiwan 基于Fūdo-In与Fūdo台湾联系的文化视角
IF 0.2 Pub Date : 2021-09-10 DOI: 10.1353/jjp.2021.0003
Hung Yao-Hsün, A. Chang
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引用次数: 0
Engaging Japanese Philosophy: A Short History by Thomas P. Kasulis (review) 托马斯·p·卡苏利斯《日本哲学简史》(书评)
IF 0.2 Pub Date : 2021-09-10 DOI: 10.1353/jjp.2021.0005
Mara Miller
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引用次数: 0
期刊
Journal of Japanese Philosophy
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