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Ecumenica-Performance and Religion最新文献

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The Phenomenology of a Performative Knowledge System: Dancing With Native American Epistemology 表演性知识体系的现象学:与美洲原住民认识论的舞蹈
IF 0.1 Pub Date : 2022-05-01 DOI: 10.5325/ecumenica.15.1.0098
Neal Anderson Herbert
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引用次数: 7
Cho Ramasamy’s Cāttiram Coṉṉatilai (The Scriptures Don’t Say So) Cho Ramasamy的Cāttiram Coṉṉatilai(圣经没有这么说)
IF 0.1 Pub Date : 2022-05-01 DOI: 10.5325/ecumenica.15.1.0001
Kristen Rudisill
Brahmin playwright Cho Ramasamy (1934–2016) is one of Tamilnadu’s most important contemporary playwrights and thinkers. His 1979 Tamil play The Scriptures Don’t Say So (Cāttiram Coṉṉatilai) suggests that caste is located in natural qualities and merit rather than heredity by comically demonstrating the difference between abstract promotion of progressive ideas of intercaste marriage and the actual implementation of those philosophies in one’s own family. Many of the jokes and arguments for and against intercaste or caste/out-caste marriage are based in religious texts and stories, providing a Brahmin perspective on this contentious issue. The play, surprisingly, was not controversial, and I argue that this is because, even though it raises questions about the nature and validity of Brahmin-ness, it is structured such that its resolution does not read as a call for reform of the current system. Following the introduction, I provide an original translation of an abridged version of the play, the first ever published.
婆罗门剧作家Cho Ramasamy(1934-2016)是泰米尔纳德邦最重要的当代剧作家和思想家之一。他1979年的泰米尔戏剧《圣经不说这么说》(Cāttiram Coṉṉatilai)通过滑稽地展示跨种姓婚姻的进步思想的抽象推广与在自己家庭中实际实施这些哲学之间的差异,表明种姓存在于自然品质和功绩中,而不是遗传。许多支持和反对跨种姓或种姓/种姓外婚姻的笑话和论点都是基于宗教文本和故事,为这个有争议的问题提供了婆罗门的视角。令人惊讶的是,这部戏剧没有引起争议,我认为这是因为,尽管它提出了关于婆罗门本性和有效性的问题,但它的结构使得它的决议并没有被解读为呼吁改革现行制度。在介绍之后,我提供了这个剧本的原始翻译,这是有史以来第一次出版的删节版。
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引用次数: 0
Staging Indigeneity: Salvage Tourism and the Performance of Native American History 上演土著:救助旅游和美洲土著历史的表演
IF 0.1 Pub Date : 2022-05-01 DOI: 10.5325/ecumenica.15.1.0105
A. Gibb
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引用次数: 1
Balinese Calonarang in Performance 表演中的巴厘岛语Calonarang
IF 0.1 Pub Date : 2022-05-01 DOI: 10.5325/ecumenica.15.1.0042
I. N. Cerita †, Kathy Foley
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引用次数: 0
The Last Christmas (La Última Navidad) 《最后的圣诞节》
IF 0.1 Pub Date : 2022-05-01 DOI: 10.5325/ecumenica.15.1.0089
Aliza Moran
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引用次数: 0
Performing Turtle Island: Indigenous Theatre on the World Stage 龟岛表演:世界舞台上的土著戏剧
IF 0.1 Pub Date : 2022-05-01 DOI: 10.5325/ecumenica.15.1.0108
Emily Goodell
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引用次数: 2
Shifting the Terms of the Encounter: A Conversation with Playwright Nia Witherspoon about Messiah 改变相遇的条件:与剧作家尼娅·威瑟斯彭关于弥赛亚的对话
IF 0.1 Pub Date : 2021-01-01 DOI: 10.5325/ecumenica.14.2.0248
Chester
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引用次数: 0
Review 审查
IF 0.1 Pub Date : 2021-01-01 DOI: 10.5325/ecumenica.14.2.0291
Scott
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引用次数: 0
Review 审查
IF 0.1 Pub Date : 2021-01-01 DOI: 10.5325/ecumenica.14.1.0179
Vrtis
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引用次数: 0
Vessel, Messiah, Warrior: Donald Trump in Evangelical Christian Narratives 器皿、弥赛亚、战士:福音派基督教叙事中的唐纳德·特朗普
IF 0.1 Pub Date : 2021-01-01 DOI: 10.5325/ecumenica.14.2.0221
Willenbrink
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引用次数: 2
期刊
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