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CURRENT RESEARCH ACTIVITIES IN THE CONSERVATION OF CULTURAL MATERIALS 文物保护的当前研究活动
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.005
C. Pearson
If the question is asked of Australian Conservators -“What research work are you currently carrying out?”, the answer is invariably, “Nothing much as I haven’t the time”. However, a recent survey has shown that research and materials testing is being carried out on quite a variety of different topics. This report is provided to inform all conservators of current work, hoping that it will improve communication and co-operation, thereby promoting research and avoiding duplication of topics already being investigated.
如果有人问澳大利亚文物保护员:“你目前正在进行什么研究工作?”,回答总是:“没什么,因为我没有时间。”然而,最近的一项调查显示,研究和材料测试正在对各种不同的主题进行。提供这份报告是为了告知所有文物保护人员目前的工作,希望它能改善交流与合作,从而促进研究,避免重复已经调查的主题。
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引用次数: 2
CONSERVATION OF A LION SCULPTURE PARLIAMENT HOUSE, ADELAIDE 保护阿德莱德议会大厦的狮子雕塑
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.002
A. Spry
The author identifies composite materials of a carved limestone sculpture and the nature of it’s decay due to atmospheric pollution and surface contaminants. The sculpture was transported, for cleaning to AMDEL Laboritories. These procedures successfully removed salts and living micro-organisms. Subsequent preservation measures including a maintenance programme are discussed.
鉴定了石灰岩雕刻的复合材料及其在大气污染和表面污染物作用下的衰变性质。雕塑被运送到AMDEL实验室进行清洗。这些程序成功地除去了盐和活的微生物。随后的保存措施,包括维护程序进行了讨论。
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引用次数: 1
A NOTE ON THE CONSERVATION OF ANTIQUE FURNITURE 关于古董家具保存的说明
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.009
N. Agnew
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引用次数: 0
THE REPRODUCTION OF 2 ANTIQUE FRAMES USING A COMBINATION OF TRADITIONAL AND, MODERN METHODS 使用传统和现代方法相结合的2个古董框架的复制
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.007
S. Hillary
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引用次数: 0
ROUTINE TESTING OF CONSERVATION MATERIALS 养护材料的常规检测
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.011
Wendy Smith, J. Lyall
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引用次数: 0
A COMPARISON OF THE FASTNESS OF TWO TYPES OP LEATHER DYES 两种皮革染料牢度的比较
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.006
L. Preiss, B. Hawke
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引用次数: 0
FRIABLE OCHRE SURFACES : FURTHER RESEARCH INTO THE PROBLEMS OF COLOUR CHANGES ASSOCIATED WITH SYNTHETIC RESIN CONSOLIDATION 易碎的赭石表面:进一步研究与合成树脂固结有关的颜色变化问题
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.003
Anne I’ons
Ethnographic objects are often decorated with materials that become friable with age and usage. This paper briefly examines some of the structural and chemical components found in ochres, the material commonly used on bark paintings and wooden objects. Detailed information is also provided on the successful use of two synthetic resins. Paraloid B72 and Beva 371, as consolidating materials for the ochres.
民族志物品通常用易碎的材料装饰,随着时间的推移和使用。本文简要介绍了在赭石中发现的一些结构和化学成分,赭石通常用于树皮画和木制物品。还详细介绍了两种合成树脂的成功使用情况。仿B72和Beva 371,作为赭石的巩固材料。
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引用次数: 3
A STORAGE AND TRANSPORT SYSTEM FOR PUKAMANI POLES 普卡马尼杆的储存和运输系统
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.008
S. Phillips, A. Gaulton
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引用次数: 1
A STRETCHER/DISPLAY FRAME FOR A WESTERN DESERT ACRYLIC PAINTING 一幅西部沙漠丙烯画的担架/展示架
Pub Date : 1983-09-01 DOI: 10.1179/ICCM.1983.9.3-4.010
R. Wilmot
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引用次数: 0
The Role Of The Silver Image In Determining Colour Potential Of Finlay Plates : Preliminary Investigations 银像在测定翅片色电位中的作用:初步研究
Pub Date : 1983-03-01 DOI: 10.1179/ICCM.1983.9.1-2.004
Mark Nizette
AbstractEarly forms of colour photography used additive techniques to record colours, as opposed to the subtractive techniques of modern processes. Additive processes employed a microscopically fine screen of red, green and blue filters, and a silver image which allowed varying degrees of light through these filters. Research centred on the Finlay Plates housed at the Australian War Memorial which were taken in the final years of World War I. In order to more fully understand the role of the silver image and its contribution to the colour and the form of the final photograph, a number of positive silver images were made from an original World War I Finlay negative. Initial experiments were aimed at establishing the role of the developer in forming the image and the effect these would have on the final colour. Further investigations centred around manipulation of the already developed image to alter its microstructure and therefore the overall colour of the final Finlay Plate. It was found that the microst...
早期形式的彩色摄影使用加法技术来记录颜色,而不是现代工艺的减法技术。添加工艺采用了一种微观精细的红、绿、蓝滤光片,以及一种允许不同程度的光通过这些滤光片的银色图像。研究集中在澳大利亚战争纪念馆的芬利底片上,这些底片是在第一次世界大战的最后几年拍摄的。为了更充分地了解银质图像的作用及其对最终照片的颜色和形式的贡献,许多正面的银质图像是由最初的一战芬利底片制成的。最初的实验旨在确定显影剂在形成图像中的作用,以及它们对最终颜色的影响。进一步的研究集中在对已经显影的图像进行操作,以改变其微观结构,从而改变最终芬利板的整体颜色。人们发现微生物…
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引用次数: 0
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