{"title":"Effects of extramusical information and human presence on perceived emotion intensity in electronic music.","authors":"V. Grace, Madeline Huberth, T. Fujioka","doi":"10.1037/pmu0000223","DOIUrl":"https://doi.org/10.1037/pmu0000223","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73371456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Measuring the onset of experiences of emotion and imagery in response to music.","authors":"R. A. Day, W. Thompson","doi":"10.1037/pmu0000220","DOIUrl":"https://doi.org/10.1037/pmu0000220","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84695779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Schaerlaeken, D. Glowinski, Marc-André Rappaz, D. Grandjean
{"title":"“Hearing music as . . .”: Metaphors evoked by the sound of classical music.","authors":"S. Schaerlaeken, D. Glowinski, Marc-André Rappaz, D. Grandjean","doi":"10.1037/pmu0000233","DOIUrl":"https://doi.org/10.1037/pmu0000233","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78068879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music, emotion, and visual imagery: Where are we now?","authors":"M. Küssner, T. Eerola, T. Fujioka","doi":"10.1037/pmu0000245","DOIUrl":"https://doi.org/10.1037/pmu0000245","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81818894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emotional valence and vividness of imagery predict aesthetic appeal in music.","authors":"Amy M. Belfi","doi":"10.1037/pmu0000232","DOIUrl":"https://doi.org/10.1037/pmu0000232","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83580030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Visual mental imagery has been characterized as an important aspect of our mental life, which consists of “seeing” in the absence of a sensory stimulus. However, the mechanisms underlying how visual mental images unfold during music listening have remained largely neglected. Here, we review the existing literature on the relation between music-evoked emotions and images, and we draw attention to how visual mental imagery has been previously conceptualized in the music domain. We also propose to adopt a conceptual framework from research on spontaneous cognition, which will promote a more nuanced and comprehensive understanding of the different types of music-evoked visual mental imagery. Finally, we highlight how music’s capability to trigger images can be harnessed in daily life as well as in therapeutic practices to foster the benefits and minimize the costs of visual mental imagery.
{"title":"A review of music-evoked visual mental imagery: Conceptual issues, relation to emotion, and functional outcome.","authors":"Liila Taruffi, M. Küssner","doi":"10.1037/PMU0000226","DOIUrl":"https://doi.org/10.1037/PMU0000226","url":null,"abstract":"Visual mental imagery has been characterized as an important aspect of our mental life, which consists of “seeing” in the absence of a sensory stimulus. However, the mechanisms underlying how visual mental images unfold during music listening have remained largely neglected. Here, we review the existing literature on the relation between music-evoked emotions and images, and we draw attention to how visual mental imagery has been previously conceptualized in the music domain. We also propose to adopt a conceptual framework from research on spontaneous cognition, which will promote a more nuanced and comprehensive understanding of the different types of music-evoked visual mental imagery. Finally, we highlight how music’s capability to trigger images can be harnessed in daily life as well as in therapeutic practices to foster the benefits and minimize the costs of visual mental imagery.","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90438905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zoning-in or tuning-in? Identifying distinct absorption states in response to music.","authors":"T. Vroegh","doi":"10.1037/pmu0000241","DOIUrl":"https://doi.org/10.1037/pmu0000241","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74175391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recent studies have shown that empathy is a potentially important factor in understanding the emotional impact of music. The aim of this study was to explore associations between empathy and felt/perceived emotions while listening to music. The assessment of empathy was undertaken using the Interpersonal Reactivity Index (IRI). As earlier work has suggested that prolactin could be an important hormone in enhancing empathy while listening to sad music, we investigated whether two genetic polymorphisms located on the PRL gene (coding for prolactin) could explain individual differences in reactions to listening to music. N = 160 participants were recruited for this study. All participants provided buccal swabs for genetic analysis. All participants listened to 10 sad and 10 happy musical excerpts, and after each song they reported the emotion they felt or perceived. Several significant associations appeared between empathy and the felt/perceived emotions while listening to music. With respect to the genetic markers, an effect of one prolactin polymorphism (rs1205960) was shown. TT/TC carriers reported significantly lower arousal levels compared to the CC carriers after having heard the happy and sad music. The results from this study showed that i) empathy is involved in the process of perceiving and feeling emotions while listening to music and ii) prolactin might play a role in eliciting different emotional reactions, based on arousal level, while listening to happy or sad music. Finally, we report non-significant findings in relation to three SNPs from the oxytocin receptor gene (OXTR), which are presented in the supplementary material.
{"title":"Is empathy involved in our emotional response to music? The role of the PRL gene, empathy, and arousal in response to happy and sad music.","authors":"Mareike C Sittler, A. Cooper, C. Montag","doi":"10.1037/PMU0000230","DOIUrl":"https://doi.org/10.1037/PMU0000230","url":null,"abstract":"Recent studies have shown that empathy is a potentially important factor in understanding the emotional impact of music. The aim of this study was to explore associations between empathy and felt/perceived emotions while listening to music. The assessment of empathy was undertaken using the Interpersonal Reactivity Index (IRI). As earlier work has suggested that prolactin could be an important hormone in enhancing empathy while listening to sad music, we investigated whether two genetic polymorphisms located on the PRL gene (coding for prolactin) could explain individual differences in reactions to listening to music. N = 160 participants were recruited for this study. All participants provided buccal swabs for genetic analysis. All participants listened to 10 sad and 10 happy musical excerpts, and after each song they reported the emotion they felt or perceived. Several significant associations appeared between empathy and the felt/perceived emotions while listening to music. With respect to the genetic markers, an effect of one prolactin polymorphism (rs1205960) was shown. TT/TC carriers reported significantly lower arousal levels compared to the CC carriers after having heard the happy and sad music. The results from this study showed that i) empathy is involved in the process of perceiving and feeling emotions while listening to music and ii) prolactin might play a role in eliciting different emotional reactions, based on arousal level, while listening to happy or sad music. Finally, we report non-significant findings in relation to three SNPs from the oxytocin receptor gene (OXTR), which are presented in the supplementary material.","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90626565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Javier Campos Calvo-Sotelo, Francisca Cea D’Ancona
{"title":"Daily soundscapes predict musical preferences: A survey on sonic affinity cause-effect processes.","authors":"Javier Campos Calvo-Sotelo, Francisca Cea D’Ancona","doi":"10.1037/pmu0000235","DOIUrl":"https://doi.org/10.1037/pmu0000235","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73660461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The effect of background music on episodic memory.","authors":"Elise Cournoyer Lemaire","doi":"10.1037/pmu0000234","DOIUrl":"https://doi.org/10.1037/pmu0000234","url":null,"abstract":"","PeriodicalId":29942,"journal":{"name":"Psychomusicology","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90499301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：