Pub Date : 2018-09-05DOI: 10.4324/9781315169927-18
C. Syler
{"title":"‘I’m Giving Everybody Notes Using his Body’","authors":"C. Syler","doi":"10.4324/9781315169927-18","DOIUrl":"https://doi.org/10.4324/9781315169927-18","url":null,"abstract":"","PeriodicalId":300342,"journal":{"name":"The Routledge Companion to Theatre, Performance, and Cognitive Science","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126602419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-05DOI: 10.4324/9781315169927-29
E. Tribble, R. Dixon
{"title":"Distributed Cognition","authors":"E. Tribble, R. Dixon","doi":"10.4324/9781315169927-29","DOIUrl":"https://doi.org/10.4324/9781315169927-29","url":null,"abstract":"","PeriodicalId":300342,"journal":{"name":"The Routledge Companion to Theatre, Performance, and Cognitive Science","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125268644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-05DOI: 10.4324/9781315169927-17
T. Goldstein
{"title":"From Banana Phones to the Bard","authors":"T. Goldstein","doi":"10.4324/9781315169927-17","DOIUrl":"https://doi.org/10.4324/9781315169927-17","url":null,"abstract":"","PeriodicalId":300342,"journal":{"name":"The Routledge Companion to Theatre, Performance, and Cognitive Science","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121483487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-05DOI: 10.4324/9781315169927-28
A. Abrantes, Esther Pascual
As a means of expression, the unequivocally physical experience of dance is typically construed and spoken about in communicative terms, as a ‘conversation between body and soul,’ a ‘dialogue between dancers,’ or a means to ‘tell a story’ to an audience (Pascual and Brandt 2015; Brandt 2015). This chapter analyses this metaphor through a case study of Tiago Rodrigues’ choreography A Perna Esquerda de Tchaikovski (‘Tchaikovsky’s Left Leg’). In this performance a ballerina engages in different interactions: (i) with the audience, to whom she tells her life story; (ii) with the pianist on stage, who silently complies with her requests; and most remarkably (iii) with her own body, which she presents as the locus of autobiographical memory and of ‘thinking with the body’ (Kirsch 2011).
作为一种表达方式，舞蹈中明确的身体体验通常以交流的方式来解释和谈论，作为“身体与灵魂之间的对话”，“舞者之间的对话”，或者是一种向观众“讲故事”的方式(Pascual and Brandt 2015;勃兰特2015)。本章以蒂亚戈·罗德里格斯的编舞《柴可夫斯基的左腿》为例，分析了这一隐喻。在这个表演中，芭蕾舞演员进行不同的互动:(i)与观众，向他们讲述她的生活故事;(ii)与舞台上的钢琴家，后者默默地服从她的要求;最引人注目的是(iii)她自己的身体，她将其呈现为自传式记忆和“用身体思考”的场所(Kirsch 2011)。
{"title":"Talk this Dance","authors":"A. Abrantes, Esther Pascual","doi":"10.4324/9781315169927-28","DOIUrl":"https://doi.org/10.4324/9781315169927-28","url":null,"abstract":"As a means of expression, the unequivocally physical experience of dance is typically construed and spoken about in communicative terms, as a ‘conversation between body and soul,’ a ‘dialogue between dancers,’ or a means to ‘tell a story’ to an audience (Pascual and Brandt 2015; Brandt 2015). This chapter analyses this metaphor through a case study of Tiago Rodrigues’ choreography A Perna Esquerda de Tchaikovski (‘Tchaikovsky’s Left Leg’). In this performance a ballerina engages in different interactions: (i) with the audience, to whom she tells her life story; (ii) with the pianist on stage, who silently complies with her requests; and most remarkably (iii) with her own body, which she presents as the locus of autobiographical memory and of ‘thinking with the body’ (Kirsch 2011).","PeriodicalId":300342,"journal":{"name":"The Routledge Companion to Theatre, Performance, and Cognitive Science","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132194831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-05DOI: 10.4324/9781315169927-14
D. Mason
{"title":"Ritual Transformation and Transmission","authors":"D. Mason","doi":"10.4324/9781315169927-14","DOIUrl":"https://doi.org/10.4324/9781315169927-14","url":null,"abstract":"","PeriodicalId":300342,"journal":{"name":"The Routledge Companion to Theatre, Performance, and Cognitive Science","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127672212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-05DOI: 10.4324/9781315169927-13
B. Mcconachie
{"title":"Improvising Communication in Pleistocene Performances","authors":"B. Mcconachie","doi":"10.4324/9781315169927-13","DOIUrl":"https://doi.org/10.4324/9781315169927-13","url":null,"abstract":"","PeriodicalId":300342,"journal":{"name":"The Routledge Companion to Theatre, Performance, and Cognitive Science","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130503740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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