Pub Date : 2017-09-17DOI: 10.14439/SJOP.2017.0401.03
Cara Berger, B. Robertson-Kirkland
n recent years, there has been a change of culture in the academic environment: researchers are now strongly encouraged to collaborate across disciplines and develop strategies to engage non-specialist publics with the processes and results of their work. Often, artistic researchers are brought in to provide the ‘window dressing’ that allows other research disciplines to more effectively communicate their ‘hard data’. However, in Burning the Circle, a project that emerged from a collaboration between researchers in Archaeology, History, Music and Theatre Studies, and industry partners Northlight Heritage and National Trust for Scotland, emphasis was given to how artistic activities, in this case performance, produce formally specific insights through their particular mediality and the modes of sensorial engagement they produce. In this article, we approach the event from our perspective as artist-scholars in performance-based disciplines to begin to consider how performance might play a more central and productive role in interdisciplinary public engagement events.
{"title":"The burning circle: (pre)history, performance and public engagement","authors":"Cara Berger, B. Robertson-Kirkland","doi":"10.14439/SJOP.2017.0401.03","DOIUrl":"https://doi.org/10.14439/SJOP.2017.0401.03","url":null,"abstract":"n recent years, there has been a change of culture in the academic environment: researchers are now strongly encouraged to collaborate across disciplines and develop strategies to engage non-specialist publics with the processes and results of their work. Often, artistic researchers are brought in to provide the ‘window dressing’ that allows other research disciplines to more effectively communicate their ‘hard data’. However, in Burning the Circle, a project that emerged from a collaboration between researchers in Archaeology, History, Music and Theatre Studies, and industry partners Northlight Heritage and National Trust for Scotland, emphasis was given to how artistic activities, in this case performance, produce formally specific insights through their particular mediality and the modes of sensorial engagement they produce. In this article, we approach the event from our perspective as artist-scholars in performance-based disciplines to begin to consider how performance might play a more central and productive role in interdisciplinary public engagement events.","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"29-53"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49541703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-17DOI: 10.14439/SJOP.2017.0401.04
A. Beck
{"title":"Devolutionary sites: NVA, Grid Iron and Scottish site-specificity in the 1990s","authors":"A. Beck","doi":"10.14439/SJOP.2017.0401.04","DOIUrl":"https://doi.org/10.14439/SJOP.2017.0401.04","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"55-72"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44817722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-17DOI: 10.14439/SJOP.2017.0401.06
Flavia D'Avila
{"title":"Book review: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo","authors":"Flavia D'Avila","doi":"10.14439/SJOP.2017.0401.06","DOIUrl":"https://doi.org/10.14439/SJOP.2017.0401.06","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"95-99"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42543336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-17DOI: 10.14439/SJOP.2017.0401.09
S. Mackay
{"title":"Book review: It’s all allowed: the performances of Adrian Howells, edited by Deirdre Heddon and Dominic Johnson","authors":"S. Mackay","doi":"10.14439/SJOP.2017.0401.09","DOIUrl":"https://doi.org/10.14439/SJOP.2017.0401.09","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"115-119"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46172659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-17DOI: 10.14439/SJOP.2017.0401.08
Lucy Hollingworth
{"title":"Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay","authors":"Lucy Hollingworth","doi":"10.14439/SJOP.2017.0401.08","DOIUrl":"https://doi.org/10.14439/SJOP.2017.0401.08","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"109-113"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47791145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-06-29DOI: 10.14439/SJOP.2016.0301.07
Ben Fletcher-Watson, Adelina Ong, Adam Rush, R. Fielding, K. Zezulka, Katherine A. Graham, J. Venn, S. Dumitriu, Yaron Shyldkrot, Acatia Finbow, Jennifer Willett, Sarah Slator, Bridie Moore, Laura Murphy, Moe Shoji, Laura Milburn, Eve Y Smith, Kirsty Surgey
{"title":"Symposium abstracts: Thresholds and permeability in performance","authors":"Ben Fletcher-Watson, Adelina Ong, Adam Rush, R. Fielding, K. Zezulka, Katherine A. Graham, J. Venn, S. Dumitriu, Yaron Shyldkrot, Acatia Finbow, Jennifer Willett, Sarah Slator, Bridie Moore, Laura Murphy, Moe Shoji, Laura Milburn, Eve Y Smith, Kirsty Surgey","doi":"10.14439/SJOP.2016.0301.07","DOIUrl":"https://doi.org/10.14439/SJOP.2016.0301.07","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66605494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-06-29DOI: 10.14439/SJOP.2016.0301.09
A. D. Souza
{"title":"Book review: The Actor Training Reader, edited by Mark Evans","authors":"A. D. Souza","doi":"10.14439/SJOP.2016.0301.09","DOIUrl":"https://doi.org/10.14439/SJOP.2016.0301.09","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66605523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-06-29DOI: 10.14439/sjop.2016.0301.10
Michael Downes
{"title":"Book review: Conducting for a new era, by Edwin Roxburgh","authors":"Michael Downes","doi":"10.14439/sjop.2016.0301.10","DOIUrl":"https://doi.org/10.14439/sjop.2016.0301.10","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66605575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-06-29DOI: 10.14439/SJOP.2016.0301.11
Ben Fletcher-Watson
{"title":"Book review: Theatre for youth third space: performance, democracy, and community cultural development, by Stephani Etheridge Woodson","authors":"Ben Fletcher-Watson","doi":"10.14439/SJOP.2016.0301.11","DOIUrl":"https://doi.org/10.14439/SJOP.2016.0301.11","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66606228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-06-29DOI: 10.14439/sjop.2016.0301.05
B. Williams, A. Weijmans, E. McGuire, Tim Fitzpatrick
{"title":"Practitioner report: SHINE","authors":"B. Williams, A. Weijmans, E. McGuire, Tim Fitzpatrick","doi":"10.14439/sjop.2016.0301.05","DOIUrl":"https://doi.org/10.14439/sjop.2016.0301.05","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66605942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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