Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.4
Vojtěch Volák
This work focuses on the concept of heaviness and its use in the context of metal music. It first examines the concept in the works of other academics interested in metal music and then seeks to find a common point of convergence between the various definitions of heaviness through Deleuzian and Deleuze-Guattarian philosophy. In doing so, this thesis brings together both a cultural approach to the study of music and an ecological approach, creating a cognitive-semiotic conception of heaviness as a perplexity of the physical-spatial properties of sound and the listener’s musical experience.
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Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.1
M. Vrzal
In 2022, the association of scholars interested in metal studies in Czechia, Czech Metal Studies, (CMS) celebrated its fifth anniversary. The article retrospectively looks at the origins of CMS in the context of the deficit of academic study of metal in Czechia and reflects on the development of metal studies abroad. The very origin of CMS was closely connected with the Department for the Study of Religions at Masaryk University in Brno, resulting in the primary research orientation of CMS toward the topic of metal and religion. The text surveys the current academic production of CMS members and other CMS activities, including the organization of Czech academic conferences on metal. Finally, the further direction of CMS is discussed in connection with the effort for greater ultidisciplinarity and internationalization. The multidisciplinarity of CMS is manifest in attracting scholars from outside the field of religious studies, and internationalization is apparent in the founding of the research network Metal Studies in Central and Eastern Europe.
{"title":"Czech Metal Studies: 5 Years of the Study of Metal (and Religion)","authors":"M. Vrzal","doi":"10.24917/20837275.14.3.1","DOIUrl":"https://doi.org/10.24917/20837275.14.3.1","url":null,"abstract":"In 2022, the association of scholars interested in metal studies in Czechia, Czech Metal Studies, (CMS) celebrated its fifth anniversary. The article retrospectively looks at the origins of CMS in the context of the deficit of academic study of metal in Czechia and reflects on the development of metal studies abroad. The very origin of CMS was closely connected with the Department for the Study of Religions at Masaryk University in Brno, resulting in the primary research orientation of CMS toward the topic of metal and religion. The text surveys the current academic production of CMS members and other CMS activities, including the organization of Czech academic conferences on metal. Finally, the further direction of CMS is discussed in connection with the effort for greater ultidisciplinarity and internationalization. The multidisciplinarity of CMS is manifest in attracting scholars from outside the field of religious studies, and internationalization is apparent in the founding of the research network Metal Studies in Central and Eastern Europe. ","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89750137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.6
Michal Puchovský
This article offers a short introduction to Czech pagan metal. I offer a brief summary of the main trends within the local scene and analyze how Paganism is discursively constructed in the music and lyrics of three bands representing different metal sub-genres: Inferno, Silent Stream of Godless Elegy, and Žrec. I seek answers for some important questions. How do Czech bands approach Paganism? In what ways, if any, is Czech pagan metal unique? Or do Czech pagan metal bands simply copy global trends? How important is spiritual identity in the personal lives of Pagan metal band members? The main theoretical inspirations for thearticle are Robert Walser’s discursive study of heavy metal and Keith Kahn-Harris’s concept of scene. The analysis of lyrics and music is enhanced by data from ethnological and quantitative research among listeners of Czech Pagan metal music.
这篇文章提供了一个简短的介绍捷克异教金属。我简要总结了当地的主要趋势，并分析了异教是如何在代表不同金属亚流派的三个乐队的音乐和歌词中被话语构建的:Inferno, Silent Stream of god dless Elegy和Žrec。我寻求一些重要问题的答案。捷克乐队是如何对待异教的?在哪些方面，如果有的话，捷克异教金属是独特的?还是捷克的异教金属乐队只是在模仿全球趋势?在异教金属乐队成员的个人生活中，属灵身份有多重要?Robert Walser对重金属的话语研究和Keith Kahn-Harris的场景概念是本文的主要理论灵感来源。歌词和音乐的分析是由捷克异教徒金属音乐听众的民族学和定量研究数据增强。
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Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.7
Karolina Karbownik
The author of this article seeks to verify the thesis that proclaims that metal culture can be classified as counterculture. The author supported her arguments with research she conducted in Poland in 2018–2020. The main research questions concerned controversy in metal music and manifestations of social discord, as well as other issues that might constitute the recognition of metal culture as a counterculture. Based on the research, a redefinition of the term was proposed to make it more useful today.
{"title":"Counter…what? Metal Music and Its Culture in the 21st Century","authors":"Karolina Karbownik","doi":"10.24917/20837275.14.3.7","DOIUrl":"https://doi.org/10.24917/20837275.14.3.7","url":null,"abstract":"The author of this article seeks to verify the thesis that proclaims that metal culture can be classified as counterculture. The author supported her arguments with research she conducted in Poland in 2018–2020. The main research questions concerned controversy in metal music and manifestations of social discord, as well as other issues that might constitute the recognition of metal culture as a counterculture. Based on the research, a redefinition of the term was proposed to make it more useful today.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79130573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.5
Andrzej Juszczyk
This article deals with the development of local metal scenes in Africa and Asia in relation to the metal mainstream. The article addresses the problem of Western centrism in the current perception of metal music and introduces researchers to the current interests of non-Western music scenes. The article also proposes a psychosocial perspective on local metal scenes and, at the same time, the imaginary global metal community.
{"title":"The Global and Local Dimension of Metal Music","authors":"Andrzej Juszczyk","doi":"10.24917/20837275.14.3.5","DOIUrl":"https://doi.org/10.24917/20837275.14.3.5","url":null,"abstract":"This article deals with the development of local metal scenes in Africa and Asia in relation to the metal mainstream. The article addresses the problem of Western centrism in the current perception of metal music and introduces researchers to the current interests of non-Western music scenes. The article also proposes a psychosocial perspective on local metal scenes and, at the same time, the imaginary global metal community.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"119 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74651946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.2
J. Fejes
This article comprises a case study of the lyrical program of the Hungarian folk metal band Dalriada. I employ a close reading based method that relies on ideas drawn from reception studies, metal studies, history and literary studies toward an understanding of Dalriada’s reinterpretation of elements of Hungarian history (e.g., Medieval figures, the period of Ottoman occupation), folk traditions (e.g., folk songs) and high literature (the works of János Arany). I conclude by discussing some common patterns in these interpretations that run through Dalriada’s overall output.
{"title":"The Variety of Similarity: Hungarian High Literature, History, and Folklore in the Lyrics of Dalriada","authors":"J. Fejes","doi":"10.24917/20837275.14.3.2","DOIUrl":"https://doi.org/10.24917/20837275.14.3.2","url":null,"abstract":"This article comprises a case study of the lyrical program of the Hungarian folk metal band Dalriada. I employ a close reading based method that relies on ideas drawn from reception studies, metal studies, history and literary studies toward an understanding of Dalriada’s reinterpretation of elements of Hungarian history (e.g., Medieval figures, the period of Ottoman occupation), folk traditions (e.g., folk songs) and high literature (the works of János Arany). I conclude by discussing some common patterns in these interpretations that run through Dalriada’s overall output.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"107 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90790705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.8
Gabriela Stašová, M. Vrzal, Jana Nenadalová
The term “female metalhead” may sound rather abstract. What does she look like and what does she think? Is there a typical female metalhead? This article summarizes qualitative research on woman’s motivational resources for participation in the contemporary Czech metal subculture. It discusses factors related to why women listen to metal and the role of men in this process. The research is based on seventeen semi-structured interviews with women in Czech metal. Respective research questions focus on female metalheads’ understanding of their position inside the subculture, their visual appearance, reasons for inclination to metal(e.g., partner’s influence or an attraction to the metal community), the issue of sex symbols in the metal industry, and issues of elitism and exclusivity. Results show that women within the metal subculture strike a balance between masculinity and femininity and often judge their surroundings from the perspective on these two poles. However, the primary inspiration still drives from the male perspective with its typical visual and musical characteristics.
{"title":"A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences","authors":"Gabriela Stašová, M. Vrzal, Jana Nenadalová","doi":"10.24917/20837275.14.3.8","DOIUrl":"https://doi.org/10.24917/20837275.14.3.8","url":null,"abstract":"The term “female metalhead” may sound rather abstract. What does she look like and what does she think? Is there a typical female metalhead? This article summarizes qualitative research on woman’s motivational resources for participation in the contemporary Czech metal subculture. It discusses factors related to why women listen to metal and the role of men in this process. The research is based on seventeen semi-structured interviews with women in Czech metal. Respective research questions focus on female metalheads’ understanding of their position inside the subculture, their visual appearance, reasons for inclination to metal(e.g., partner’s influence or an attraction to the metal community), the issue of sex symbols in the metal industry, and issues of elitism and exclusivity. Results show that women within the metal subculture strike a balance between masculinity and femininity and often judge their surroundings from the perspective on these two poles. However, the primary inspiration still drives from the male perspective with its typical visual and musical characteristics.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"47 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86899586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.24917/20837275.14.3.3
J. Kosek
The main subject of this article is the artistic activity of one of the first thrash metal bands in Poland, the Acid Drinkers founded in 1986 in Poznań. The text outlines the state of indigenous metal music studies and identifies selected theoretical contexts related to song studies and the multimodality of popular music culture. In the analysis of the Acid Drinkers’ work, particular attention is paid to the intertextuality of the iconography of Acid Drinkers’ album covers, selected protest songs created by the band, and ironic interpretative covers, which also constitute an important element in the group’s discography.
{"title":"“Acidofilia”: The Work of the Acid Drinkers in the Discursive Landscape of Metal Music Culture","authors":"J. Kosek","doi":"10.24917/20837275.14.3.3","DOIUrl":"https://doi.org/10.24917/20837275.14.3.3","url":null,"abstract":"The main subject of this article is the artistic activity of one of the first thrash metal bands in Poland, the Acid Drinkers founded in 1986 in Poznań. The text outlines the state of indigenous metal music studies and identifies selected theoretical contexts related to song studies and the multimodality of popular music culture. In the analysis of the Acid Drinkers’ work, particular attention is paid to the intertextuality of the iconography of Acid Drinkers’ album covers, selected protest songs created by the band, and ironic interpretative covers, which also constitute an important element in the group’s discography.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90275964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.24917/20837275.14.2.10
D. Kaczan
Artykuł poświęcono problemom: katalogu podmiotów ponoszących odpowiedzialność odszkodowawczą za funkcjonowanie sztucznej inteligencji w medycynie oraz zasad, na jakich opiera się owa odpowiedzialność. Zaprezentowano w nim uwagi dotyczące obowiązującego stanu prawnego, z których wynika, że oprogramowanie bez względu na poziom jego zaawansowania nie może być podmiotem praw i obowiązków cywilnoprawnych – w tym kompensacyjnych. Rozważono potrzebę rozszerzenia kręgu podmiotów dysponujących zdolnością prawną na gruncie prawa cywilnego o inteligentne oprogramowanie. Analiza w tym zakresie doprowadziła do wniosku, że podobna zmiana stanu prawnego nie byłaby korzystna. W dalszej części opracowania zaprezentowano rolę przedstawiciela zawodu medycznego wykorzystującego sztuczną inteligencję przy wykonywaniu czynności zawodowych oraz pacjenta, jeżeli chodzi o podjęcie decyzji o udzieleniu świadczenia zdrowotnego z użyciem opisywanych narzędzi cyfrowych – w kontekście przesłanek odpowiedzialności odszkodowawczej. Wywód zawarty w ostatniej spośród zasadniczych części artykułu odnosi się do odpowiedzialności odszkodowawczej producenta oprogramowania, a także innych osób mających wpływ na treść kodu oprogramowania. Opracowanie wieńczy podsumowanie, w ramach którego zgłoszono postulat de lege ferenda, aby odpowiedzialność profesjonalisty medycznego wykorzystującego sztuczną inteligencję przy udzielaniu świadczeń zdrowotnych oprzeć na zasadzie winy domniemanej, a odpowiedzialność producenta oprogramowania i innych podmiotów ingerujących w jego kod na zasadzie ryzyka poprzez rozszerzenie kodeksowej definicji produktu.
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Pub Date : 2022-06-30DOI: 10.24917/20837275.14.2.5
Patrycja Cheba
Celem artykułu jest przegląd i analiza profili trzech twórców internetowych na platformie Instagram, którzy aktywizowali swoje społeczności w przestrzeni wirtualnej do działań realnych w czasie trwania pandemii COVID-19 w Polsce. Skupiono się na działalności edukatorki seksualnej Katarzyny Koczułap, podcasterki Joanny Okuniewskiej oraz youtuberki Katarzyny Gandor. Artykuł przedstawia wyniki analizy porównawczej, która została dokonana poprzez pogłębioną analizę zawartości postów udostępnionych w czasie pierwszego roku pandemii COVID-19. Wnioski z przeprowadzonych badań wskazują zastosowane techniki wzmacniające przekaz twórców w mediach społecznościowych.
{"title":"Aktywizacja użytkowników w dobie pandemii COVID-19 przez influencerów na platformie Instagram. Analiza porównawcza wybranych twórców internetowych","authors":"Patrycja Cheba","doi":"10.24917/20837275.14.2.5","DOIUrl":"https://doi.org/10.24917/20837275.14.2.5","url":null,"abstract":"Celem artykułu jest przegląd i analiza profili trzech twórców internetowych na platformie Instagram, którzy aktywizowali swoje społeczności w przestrzeni wirtualnej do działań realnych w czasie trwania pandemii COVID-19 w Polsce. Skupiono się na działalności edukatorki seksualnej Katarzyny Koczułap, podcasterki Joanny Okuniewskiej oraz youtuberki Katarzyny Gandor. Artykuł przedstawia wyniki analizy porównawczej, która została dokonana poprzez pogłębioną analizę zawartości postów udostępnionych w czasie pierwszego roku pandemii COVID-19. Wnioski z przeprowadzonych badań wskazują zastosowane techniki wzmacniające przekaz twórców w mediach społecznościowych.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85925638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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