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Black Sexual Economies最新文献

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Gospel Drag 福音拖
Pub Date : 2019-08-15 DOI: 10.5622/ILLINOIS/9780252042645.003.0009
S. Redmond
Gender has been under-theorized within studies of people of African descent. This problem has led to the misunderstanding, suppression, and exclusion of transgendered and gender non-conforming people's experiences and identities within research on black sexuality, including black queer sexuality. This problem has been especially egregious in the burgeoning scholarship on black masculinity that has ignored black female and transmale masculinities that challenge the very ontological conceptions of black manhood upon which this scholarship is based. Black transgender and gender non-conforming people have created and continue to fashion a myriad of strategies to construct their identities in various positional relationships to binary gender and sexual categories. Performance has been a means through which these strategies are enacted. Bailey and Richardson interrogate African American gender common sense as demonstrated in dominant institutions of the black mega church and historically black colleges and universities, impact our understanding of trans- or non-conforming masculinities. They also examine how Ballroom and drag culture (and other gender queer communities) allow for and facilitate the construction of both hegemonic and alternative embodiments of masculinities.
在对非洲人后裔的研究中,性别一直没有被理论化。这一问题导致了在黑人性行为,包括黑人酷儿性行为的研究中,对变性人和性别不符合者的经历和身份的误解、压制和排斥。这个问题在新兴的黑人男子气概研究中尤为突出忽视了黑人女性和变性男性的男子气概这挑战了黑人男子气概的本体论概念而这正是这一研究的基础。黑人跨性别者和不符合性别的人已经创造并继续塑造了无数的策略来构建他们在二元性别和性范畴的各种位置关系中的身份。绩效一直是实施这些战略的一种手段。贝利和理查森质疑非裔美国人的性别常识,这些常识在黑人教会的主导机构和历史上的黑人学院和大学中得到证明,影响了我们对变性或不符合标准的男性的理解。他们还研究了舞厅和变装文化(以及其他性别酷儿社区)如何允许和促进男性气概的霸权和替代体现的构建。
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引用次数: 0
Playin’ Race
Pub Date : 2019-08-15 DOI: 10.5622/ILLINOIS/9780252042645.003.0005
Ariane Cruz
This chapter examines the BDSM practice of race play. Focusing on the sexual performances of black women, Cruz reveals performances of domination and submission in BDSM as inventive modes for and of black women's pleasure, power, and agency. BDSM is a critical site from which to rethink the formative links between black female sexuality and violence; in BDSM sexual practices violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Reconciled by the erection of fragile yet formidable boundaries between the constructs of fantasy/reality, inside/outside, mind/body, and black/white, black women BDSMers engage in an elaborate play of race in the pursuit of not only sexual pleasure but also empowerment and sentience. Cruz examines race play as a particularly problematic yet powerful BDSM practice for black women, one that illuminates the contradictory dynamics of racialized pleasure and power via the eroticization of racism and racial sexual alterity. Race play, as Cruz argues, irradiates the fantasies and enactments of racialized violence (mytho-historically conceived) that sex and sexual performance across the color line recite, particularly within the realm of BDSM.
本章探讨BDSM的种族游戏实践。专注于黑人女性的性表现,克鲁兹揭示了BDSM中统治和服从的表现,作为黑人女性快乐,权力和代理的创造性模式。BDSM是一个重新思考黑人女性性行为与暴力之间形成性联系的关键场所;在BDSM的性实践中,暴力不仅仅是一种获得快乐的工具,也是一种获取和争夺权力的方式。通过在幻想/现实、内在/外在、精神/身体、黑人/白人之间建立脆弱而又强大的界限,黑人女性bdsm患者参与了一场精心设计的种族游戏,不仅追求性快感,还追求赋权和感知。克鲁兹将种族游戏视为黑人女性的一种特别有问题但却强大的BDSM实践,它通过种族主义和种族性变性的色情化,阐明了种族化的快乐和权力的矛盾动态。克鲁兹认为,种族游戏照亮了跨肤色的性和性行为所呈现的种族暴力的幻想和行为(历史上的神话),尤其是在BDSM领域。
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引用次数: 0
On Being a Black Sexual Intellectual 作为一个黑人性知识分子
Pub Date : 2019-08-15 DOI: 10.5622/ILLINOIS/9780252042645.003.0015
A. Nixon
This chapter provides a critical reading of Cheryl Clarke's second volume of poetry, Living as a Lesbian. Situating this text within the larger context of black women's poetry, Green argues that its erotic aesthetic works to critique the historic erasure of the black lesbian body in the discourse of African American life as it simultaneously pushes toward and away from theories of sexuality that limit and thus reduce black women’s linguistic economies to metaphors of sexual desire.
这一章提供了对谢丽尔·克拉克第二卷诗集《女同性恋生活》的批判性解读。把这篇文章放在黑人女性诗歌的大背景下,格林认为,它的情色美学作品批判了黑人女同性恋身体在非裔美国人生活话语中的历史抹去,同时它也推动了性理论的发展,这些理论限制了黑人女性的语言经济,从而减少了对性欲的隐喻。
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引用次数: 0
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Black Sexual Economies
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