Pub Date : 1900-01-01DOI: 10.4467/20843852.om.20.011.13750
Aleksandra Jędrzejska, A. Zemanek
Floral motifs in sacral architecture of Kiełczygłów Community and surroundings (Łódź Voivodeship) – selected objects Interdisciplinary studies on the role of plants in culture are rare, that is why a rich plant ornamentation of the churches in Poland is little known. This article presents the first documentation of the plant ornaments in nine Roman Catholic churches of Kiełczygłów Community and surroundings in Łódź Voivodeship, which were built from the 16th into the 20th centuries. The first stage of work was to take 385 photographs, then to organize a basis with 505 records, one record containing one plant ornament. As a result of botanical analysis 39 taxa were determined, including 17 species, 18 genera, and 4 families. Some of the plant motifs could not be identified because of strong stylization. The most frequent taxa were the old useful plants popular in sacral art, originating in southern or south-eastern regions of Europe and in West Asia: bear’s-breech (Acanthus sp1.), rose (Rosa sp.), Madonna lily (Lilium candidum L.), and grape-vine (Vitis vinifera L.). Some ornaments present the plants occurring in wild in Poland or as field and meadow weeds, e.g. bellflower (Campanula sp.) or poppy (Papaver sp.). The greatest number of ornaments was identified in the neo-Gothic St. Casimir Church in Osjaków. Captivating in their colors and diversity of shapes, the plant ornaments serve not only decorative functions, but symbolic ones as well. This article hopes to contribute, at least to a small extent, to the reflection on the presence of plants in our culture and to raise the awareness of how important it is to protect local species that perish irretrievably due to anthropogenic activity.
{"title":"Motywy roślinne w architekturze sakralnej gminy Kiełczygłów i okolic (województwo łódzkie) – wybrane obiekty","authors":"Aleksandra Jędrzejska, A. Zemanek","doi":"10.4467/20843852.om.20.011.13750","DOIUrl":"https://doi.org/10.4467/20843852.om.20.011.13750","url":null,"abstract":"Floral motifs in sacral architecture of Kiełczygłów Community and surroundings (Łódź Voivodeship) – selected objects\u0000\u0000Interdisciplinary studies on the role of plants in culture are rare, that is why a rich plant ornamentation of the churches in Poland is little known. This article presents the first documentation of the plant ornaments in nine Roman Catholic churches of Kiełczygłów Community and surroundings in Łódź Voivodeship, which were built from the 16th into the 20th centuries. The first stage of work was to take 385 photographs, then to organize a basis with 505 records, one record containing one plant ornament. As a result of botanical analysis 39 taxa were determined, including 17 species, 18 genera, and 4 families. Some of the plant motifs could not be identified because of strong stylization. The most frequent taxa were the old useful plants popular in sacral art, originating in southern or south-eastern regions of Europe and in West Asia: bear’s-breech (Acanthus sp1.), rose (Rosa sp.), Madonna lily (Lilium candidum L.), and grape-vine (Vitis vinifera L.). Some ornaments present the plants occurring in wild in Poland or as field and meadow weeds, e.g. bellflower (Campanula sp.) or poppy (Papaver sp.). The greatest number of ornaments was identified in the neo-Gothic St. Casimir Church in Osjaków. Captivating in their colors and diversity of shapes, the plant ornaments serve not only decorative functions, but symbolic ones as well. This article hopes to contribute, at least to a small extent, to the reflection on the presence of plants in our culture and to raise the awareness of how important it is to protect local species that perish irretrievably due to anthropogenic activity.","PeriodicalId":315605,"journal":{"name":"Opuscula Musealia","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125578367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/20843852.om.20.003.13742
M. Taborska
The Golden Jagiellonian Globe from the Jagiellonian University Museum Collection – an unusual object with a fascinating history “The Golden Jagiellonian Globe” (early 16th century; in the collection of the Jagiellonian University Museum) is the earliest globe of the Earth in the Polish collections and one of the oldest in the world. The oldest known globe of the Earth was made by Martin Behaim in 1492. The second in order are two globes from the same period: the Hunt-Lenox Globe (c. 1510, now in the New York Public Library) and the Jagiellonian Globe. Despite its name, the Jagiellonian Globe is an astronomical instrument – a mechanical armillary sphere. On the orb hiding the mechanism there is a map of the Earth, dated 1510–1511. This object has been sparsely analysed, especially in the last decades. Those analysis that were performed have until now mainly focused on the depicted map and the typology of particular details, though there are also studies on its operation and provenance. Research performed in the 21st century focused on WWII history of the globe.A preliminary analysis of the sphere and the clock mechanism allows a connection with French products from Blois near Paris. The map of the globe, associated with the Italian centre, presents information on geographical discoveries of the time, based on maps by Martin Waldseemüller and letters by Amerigo Vespucci, published in the edition of Ptolemy’s Geography (Saint-Dié, 1507). The map is a twin to the layout of the lands and seas depicted on Hunt-Lenox’s Globe. It is distinguished by a mysterious continent-island, noted on the Kraków globe as “America Noviter Reperta.” The provenance of the globe is known since the 17th century, when the Kraków professor, Jan Brożek, donated it to the Collegium Maius library of the Jagiellonian University. Its fate during World War II, when it was hidden from the Nazis by docent Jadwiga Schoen, is extraordinary. After the war, the globe found its way to the Jagiellonian University Museum, where it has been exhibited ever since.
{"title":"Złoty Globus Jagielloński ze zbiorów Muzeum Uniwersytetu Jagiellońskiego – niezwykły obiekt z fascynującą historią","authors":"M. Taborska","doi":"10.4467/20843852.om.20.003.13742","DOIUrl":"https://doi.org/10.4467/20843852.om.20.003.13742","url":null,"abstract":"The Golden Jagiellonian Globe from the Jagiellonian University Museum Collection – an unusual object with a fascinating history\u0000\u0000“The Golden Jagiellonian Globe” (early 16th century; in the collection of the Jagiellonian University Museum) is the earliest globe of the Earth in the Polish collections and one of the oldest in the world. The oldest known globe of the Earth was made by Martin Behaim in 1492. The second in order are two globes from the same period: the Hunt-Lenox Globe (c. 1510, now in the New York Public Library) and the Jagiellonian Globe. Despite its name, the Jagiellonian Globe is an astronomical instrument – a mechanical armillary sphere. On the orb hiding the mechanism there is a map of the Earth, dated 1510–1511. This object has been sparsely analysed, especially in the last decades. Those analysis that were performed have until now mainly focused on the depicted map and the typology of particular details, though there are also studies on its operation and provenance. Research performed in the 21st century focused on WWII history of the globe.A preliminary analysis of the sphere and the clock mechanism allows a connection with French products from Blois near Paris. The map of the globe, associated with the Italian centre, presents information on geographical discoveries of the time, based on maps by Martin Waldseemüller and letters by Amerigo Vespucci, published in the edition of Ptolemy’s Geography (Saint-Dié, 1507). The map is a twin to the layout of the lands and seas depicted on Hunt-Lenox’s Globe. It is distinguished by a mysterious continent-island, noted on the Kraków globe as “America Noviter Reperta.” The provenance of the globe is known since the 17th century, when the Kraków professor, Jan Brożek, donated it to the Collegium Maius library of the Jagiellonian University. Its fate during World War II, when it was hidden from the Nazis by docent Jadwiga Schoen, is extraordinary. After the war, the globe found its way to the Jagiellonian University Museum, where it has been exhibited ever since.","PeriodicalId":315605,"journal":{"name":"Opuscula Musealia","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114508412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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