Pub Date : 2019-06-28DOI: 10.18800/REVISTAIRA.201902.005
Oscar Espinosa
The number of indigenous people living in Latin America and reproducing their culture in large cities has been growing in recent decades. The indigenous peoples of the Peruvian Amazon are no strangers to this dynamic, and there are some, such as the Shipibo-Konibo people that have been creating urban communities that allow them to reproduce their own culture in a new spatial context. This process is also taking place in a difficult context, insofar as the Peruvian State does not officially recognize the existence of urban indigenous communities. This situation has generated a process of mobilization and struggle for the right to live as indigenous people in the city. This article discuss how the Shipibo community of Cantagallo has been fighting for the possibility of living as indigenous people in the city of Lima.
{"title":"La lucha por ser indígenas en la ciudad: El caso de la comunidad shipibo-konibo de Cantagallo en Lima","authors":"Oscar Espinosa","doi":"10.18800/REVISTAIRA.201902.005","DOIUrl":"https://doi.org/10.18800/REVISTAIRA.201902.005","url":null,"abstract":"The number of indigenous people living in Latin America and reproducing their culture in large cities has been growing in recent decades. The indigenous peoples of the Peruvian Amazon are no strangers to this dynamic, and there are some, such as the Shipibo-Konibo people that have been creating urban communities that allow them to reproduce their own culture in a new spatial context. This process is also taking place in a difficult context, insofar as the Peruvian State does not officially recognize the existence of urban indigenous communities. This situation has generated a process of mobilization and struggle for the right to live as indigenous people in the city. This article discuss how the Shipibo community of Cantagallo has been fighting for the possibility of living as indigenous people in the city of Lima.","PeriodicalId":31791,"journal":{"name":"Revista del Instituto RivaAguero","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49531749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-28DOI: 10.18800/REVISTAIRA.201902.009
Javier Chuquiray
It reviews the known artistic trajectory of the painter Juan Bautista Planeta (Lima, 1626-1642), by giving to know unpublished information about biographical aspects —such as the confirmation of his Italian origin and his priestly ordination— and historical-artistic —such as his workshop that was kept until his death. In addition, it is proposed two attributions to his authorship, with documentation: the mural painting of the chapel of captain Villegas and a sketch of St. Jerome. The knowledge of his work, related to Italian Mannerism, contributes to the panorama of painting from Lima of the seventeenth century, time of transition between Mannerism and Baroque.
{"title":"Trayectoria artística del pintor Juan Bautista Planeta en Lima. Nuevas noticias y atribución","authors":"Javier Chuquiray","doi":"10.18800/REVISTAIRA.201902.009","DOIUrl":"https://doi.org/10.18800/REVISTAIRA.201902.009","url":null,"abstract":"It reviews the known artistic trajectory of the painter Juan Bautista Planeta (Lima, 1626-1642), by giving to know unpublished information about biographical aspects —such as the confirmation of his Italian origin and his priestly ordination— and historical-artistic —such as his workshop that was kept until his death. In addition, it is proposed two attributions to his authorship, with documentation: the mural painting of the chapel of captain Villegas and a sketch of St. Jerome. The knowledge of his work, related to Italian Mannerism, contributes to the panorama of painting from Lima of the seventeenth century, time of transition between Mannerism and Baroque.","PeriodicalId":31791,"journal":{"name":"Revista del Instituto RivaAguero","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48285903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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