{"title":"Tender Light: The bond between photography and narrative","authors":"Emmanuel Iduma","doi":"10.1353/tyr.2022.0070","DOIUrl":"https://doi.org/10.1353/tyr.2022.0070","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"173 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114906071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reclaiming Tituba: What The Crucible left out","authors":"W. Pinnock","doi":"10.1353/tyr.2022.0077","DOIUrl":"https://doi.org/10.1353/tyr.2022.0077","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122156236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Path to River See: Improvisation and ancestry","authors":"Sharon Bridgforth","doi":"10.1353/tyr.2022.0074","DOIUrl":"https://doi.org/10.1353/tyr.2022.0074","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115251931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: Ten years of the Windham-Campbell Prizes","authors":"Michael Kelleher, M. O’Rourke","doi":"10.1353/tyr.2022.0064","DOIUrl":"https://doi.org/10.1353/tyr.2022.0064","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132777522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
met theresa hak kyung cha in 1975 at University Art Museum (now Berkeley Art Museum and Pacific Film Archive) when we both received awards for our visual art upon our college graduation. At this exhibition, an etching of mine was displayed, and Theresa’s video “Mouth to Mouth” was also shown; her work was far more advanced than mine. We built an immediate bond rooted in our immigrant Korean background, which led me to consider Theresa as uhnni: an “older sister.” She was only two years older, but my feelings stemmed from my deep folio
1975年，我们在大学艺术博物馆(现在的伯克利艺术博物馆和太平洋电影资料馆)相识，当时我们都在大学毕业时获得了视觉艺术奖项。这次展览展出了我的一幅蚀刻画，同时也展出了Theresa的录像《嘴对嘴》(Mouth to Mouth);她的工作比我的先进得多。我们在韩国移民的背景下建立了一种直接的联系，这让我把特蕾莎当作“姐姐”。她只比我大两岁，但我对她的感情源于我深厚的书卷
{"title":"The Weight of Memory: Honoring my dear friend","authors":"Y. Min","doi":"10.1353/tyr.2022.0062","DOIUrl":"https://doi.org/10.1353/tyr.2022.0062","url":null,"abstract":"met theresa hak kyung cha in 1975 at University Art Museum (now Berkeley Art Museum and Pacific Film Archive) when we both received awards for our visual art upon our college graduation. At this exhibition, an etching of mine was displayed, and Theresa’s video “Mouth to Mouth” was also shown; her work was far more advanced than mine. We built an immediate bond rooted in our immigrant Korean background, which led me to consider Theresa as uhnni: an “older sister.” She was only two years older, but my feelings stemmed from my deep folio","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125283475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Findspot Unknown, and: The Posthumous Life of Childhood","authors":"Peter Gizzi","doi":"10.1353/tyr.2022.0048","DOIUrl":"https://doi.org/10.1353/tyr.2022.0048","url":null,"abstract":"","PeriodicalId":318524,"journal":{"name":"The Yale Review","volume":"3 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116824047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：