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Music, Narrative and the Moving Image最新文献

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Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future Challenge to the Diegetic/Non-Diegetic Model 荷马和春田管弦乐队巴士:未来挑战叙事/非叙事模式的四个测试案例
Pub Date : 2019-04-30 DOI: 10.1163/9789004401310_005
J. C. Stokes
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引用次数: 0
The Music Videos of the Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media 另类摇滚乐队“他们可能是巨人”的音乐录影带:跨媒体无意义理论的先兆
Pub Date : 2019-04-30 DOI: 10.1163/9789004401310_014
E. Petermann
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引用次数: 0
Film as Opera: Three Perspectives on Still Life and Brief Encounter 作为歌剧的电影:静物与短暂相遇的三个视角
Pub Date : 2019-04-30 DOI: 10.1163/9789004401310_017
M. Halliwell
Halliwell, M., Miller, D. (2014). A Dream of Egypt: 17. Beside the lonely Nile 18. Within the Sphinx's solemn shade 19. Pomegranate is your mouth 20. I envy every circlet 25. I wakened when the moon; Stars of the Desert: 22. Stars of the Desert 23. You are all that is lovely 24. The rice was under water 25. Fate; The Myrtles of Damascus: 26. The Myrtles of Damascus 27. After Drought 28. At Nightfall 29. I did not know 30. L'envoi. On Amy Woodforde-Finden: The Oriental Song-Cycles, London, United Kingdom: Toccata Classics.
哈利威尔,M.,米勒,D.(2014)。《埃及之梦》第17页。在孤独的尼罗河边。在狮身人面像庄严的阴影下。石榴是你的嘴。我羡慕每一个圈子。我醒来时,月亮;沙漠之星:22。沙漠之星你是最可爱的。稻子被水淹了。命运;大马士革的桃金娘:26。大马士革的桃金娘干旱之后28。夜幕降临。我不知道30。跋。关于艾米·伍德福德-芬登:东方歌曲循环,伦敦,英国:托卡塔经典。
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引用次数: 0
All the Pieces Matter: On Complex TV Music 所有的片段都很重要:论复杂的电视音乐
Pub Date : 2019-04-30 DOI: 10.1163/9789004401310_013
F. V. Ammon
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引用次数: 0
Humanized Documentary, ‘Light’ Verse, and Music Made to Fit: g.p.o. Film Unit/Auden/Britten’s Night Mail (1936) 人性化的纪录片、“轻”诗和适合的音乐:g.p.o电影单元/奥登/布里顿的夜间邮件(1936)
Pub Date : 2019-04-30 DOI: 10.1163/9789004401310_007
W. Bernhart
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引用次数: 0
Shadow Images Moving to Music: La Tentation de saint Antoine in Montmartre 影像在音乐中移动:蒙马特的圣安托万
Pub Date : 2018-01-31 DOI: 10.1163/9789004401310_011
P. Dayan
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引用次数: 1
Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan 惊心动魄的歌剧:卡斯帕·霍尔顿的《胡安》中思想与媒介的冲突
Pub Date : 1900-01-01 DOI: 10.1163/9789004401310_015
Axel Englund
The present paper takes a look at the relation between opera and film through the lens of Danish director Kasper Holten’s movie debut Juan (2010), a 90-minute screen adaptation of Don Giovanni. Tri ...
本文通过丹麦导演卡斯珀·霍尔滕的电影处女作《胡安》(2010)来审视歌剧与电影之间的关系,这部电影是根据《唐璜》改编的,时长90分钟。三……
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引用次数: 0
期刊
Music, Narrative and the Moving Image
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