Pub Date : 2022-10-31DOI: 10.31091/mudra.v37i4.2021
Fatonah -, Mahdi Bahar, Hartati M
This research aimed to know the concept of dress aesthetics and art of traditional and creative dance of Jambi Malay, and dress development of Jambi Malay dance could be seen from a dress of traditional dance, creative dance, and contemporary dance. The research result was expected to be one of Jambi Malay culture inventory in social science. The research method used is a descriptive qualitative research method with a symbolic interaction approach. The background of the people of Jambi city which is multicultural makes Jambi city rich in cultural diversity, one of which is dance. Dance dress is included as an important element in dance performance. Dance dress is a symbol of aesthetics and artistry in dance performances. The dress wisdom of Malay dance is not separated from aesthetic and artistic concepts based on concepts of custom and Islam. The concept is based on message of Jambi culture, “adat bersendikan syarak, syarak bersendikan kitabullah, syarak mengato adat memakai”. The research conclusion is that the ideal dress aesthetically according to Jambi Malay tradition after converting to Islam is a dress that covers the genitals. Artistically it is the dress that is lost when moving, with not too much design based on Islamic custom and law while color is usually natural color and adapted.
{"title":"Jambi Malay Dance Fashion Aesthetics","authors":"Fatonah -, Mahdi Bahar, Hartati M","doi":"10.31091/mudra.v37i4.2021","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2021","url":null,"abstract":"This research aimed to know the concept of dress aesthetics and art of traditional and creative dance of Jambi Malay, and dress development of Jambi Malay dance could be seen from a dress of traditional dance, creative dance, and contemporary dance. The research result was expected to be one of Jambi Malay culture inventory in social science. The research method used is a descriptive qualitative research method with a symbolic interaction approach. The background of the people of Jambi city which is multicultural makes Jambi city rich in cultural diversity, one of which is dance. Dance dress is included as an important element in dance performance. Dance dress is a symbol of aesthetics and artistry in dance performances. The dress wisdom of Malay dance is not separated from aesthetic and artistic concepts based on concepts of custom and Islam. The concept is based on message of Jambi culture, “adat bersendikan syarak, syarak bersendikan kitabullah, syarak mengato adat memakai”. The research conclusion is that the ideal dress aesthetically according to Jambi Malay tradition after converting to Islam is a dress that covers the genitals. Artistically it is the dress that is lost when moving, with not too much design based on Islamic custom and law while color is usually natural color and adapted.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90477559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-31DOI: 10.31091/mudra.v37i4.2143
I. Mustika, Tuntun Sinaga, Iin Sunarti
This research is a dance ethnographic study that was conducted to trace the history of the serai serumpun dance which has lost its history. In the past, this dance was thought to have originally belonged to the Mesuji community and was an asset of the Mesuji Regency Education Office as well as the identity of the Mesuji Community of Lampung Province. This research will first discuss the form of the serai serumpun dance which is studied through the discipline of ethnochoreology. Then an assessment will also be made of the supporting culture of the serai serumpun dance, so as to obtain the values contained in it. By knowing these values, an identity of the people of Mesuji Regency will be obtained through the history of the serai serumpun dance.
{"title":"Tracing The History of The Serai Serumpun Dance Form as A Cultural Identity of Mesuji Regency, Lampung Province","authors":"I. Mustika, Tuntun Sinaga, Iin Sunarti","doi":"10.31091/mudra.v37i4.2143","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2143","url":null,"abstract":"This research is a dance ethnographic study that was conducted to trace the history of the serai serumpun dance which has lost its history. In the past, this dance was thought to have originally belonged to the Mesuji community and was an asset of the Mesuji Regency Education Office as well as the identity of the Mesuji Community of Lampung Province. This research will first discuss the form of the serai serumpun dance which is studied through the discipline of ethnochoreology. Then an assessment will also be made of the supporting culture of the serai serumpun dance, so as to obtain the values contained in it. By knowing these values, an identity of the people of Mesuji Regency will be obtained through the history of the serai serumpun dance.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80102526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-27DOI: 10.31091/mudra.v37i4.2035
Ginanjar Hamid Wiryawan, A. Syarief, W. Murwonugroho
The design planning of the Mobile Banking Interface Design for Elderly Users aims to redesign the mobile banking application interface to be more effective and easier for elderly users. This research uses a mixed-method of explanatory sequential, which sequentially uses quantitative and qualitative modes. The quantitative model uses questionnaires and bodystorming simulations to obtain data on the needs and behavior of the elderly. The qualitative model is based on the User-Centered Design (UCD) design process. The research resulted in the following: (1) data on the needs of elderly users when using mobile banking applications (2) data on the behavior of elderly users to better understand the interface of the mobile banking application. Based on these data, a mobile banking interface was developed to suit the needs of elderly users, which includes a more simplified display, enlarged text size, enlarged button size and additional spacing, adjusted icon shape to the understanding of elderly users, and display layout arrangements that are very concerned for making the interaction process more comfortable. Evaluation of the interface design results on mobile banking applications for elderly users shows that the application is more acceptable, more understandable, and easier for elderly use.
{"title":"Commodification of Mobile Banking Interface Design for Elderly Users","authors":"Ginanjar Hamid Wiryawan, A. Syarief, W. Murwonugroho","doi":"10.31091/mudra.v37i4.2035","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2035","url":null,"abstract":"The design planning of the Mobile Banking Interface Design for Elderly Users aims to redesign the mobile banking application interface to be more effective and easier for elderly users. This research uses a mixed-method of explanatory sequential, which sequentially uses quantitative and qualitative modes. The quantitative model uses questionnaires and bodystorming simulations to obtain data on the needs and behavior of the elderly. The qualitative model is based on the User-Centered Design (UCD) design process. The research resulted in the following: (1) data on the needs of elderly users when using mobile banking applications (2) data on the behavior of elderly users to better understand the interface of the mobile banking application. Based on these data, a mobile banking interface was developed to suit the needs of elderly users, which includes a more simplified display, enlarged text size, enlarged button size and additional spacing, adjusted icon shape to the understanding of elderly users, and display layout arrangements that are very concerned for making the interaction process more comfortable. Evaluation of the interface design results on mobile banking applications for elderly users shows that the application is more acceptable, more understandable, and easier for elderly use.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77365371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-27DOI: 10.31091/mudra.v37i4.2112
Ni Luh Desi In Diana Sari, Ni Ketut Pande Sarjani, Gede Bayu Segara Putra, I. K. Surya Wijaya Putra, Yogi Nur Ardiansyah
The Bali Provincial Government through PERGUB (Governor Regulation) Number 97 of 2018 has regulated the Limitation of Disposable Waste Generation. The implementation of these regulations has been implemented among Small and Medium Industries (IKM) that produce Balinese souvenirs. The IKM sector has begun to switch to using bamboo packaging, which is commonly used to package banten pejati (Balinese traditional offerings) sold in traditional markets. However, this condition causes the appearance of food packaging designs that package Balinese souvenirs to look uniform, lacking a touch of local Balinese culture that can be used as an identity for Bali's superior products branding to tourists. This creation aims to design bamboo packaging as Balinese souvenir packaging which has the concept of eco-friendly design. The research method was used to formulate the motif design concept and the method of creation to design the bamboo packaging design by adopting the woven bamboo technique at the bamboo craft center in Bali. The novelty of this bamboo packaging design can be seen in the motif design inspired by Geringsing Cemplong weaving motif which is formed with the woven bamboo technique. This motif has never existed before and is able to represent the identity of the local Balinese culture. The color material used as paint is a natural color material. Derived from mixing mango leaves and strobilanthes/indigo leaves through an environmentally friendly process to produce a green color. The creation of environmentally friendly bamboo packaging is expected to inspire woven-bamboo craftsmen to start switching to environmentally friendly products that are safe to use in food packaging.
{"title":"Sustainable Design As An Effort To Develop Bali Special Woven-Bamboo Packaging","authors":"Ni Luh Desi In Diana Sari, Ni Ketut Pande Sarjani, Gede Bayu Segara Putra, I. K. Surya Wijaya Putra, Yogi Nur Ardiansyah","doi":"10.31091/mudra.v37i4.2112","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2112","url":null,"abstract":"The Bali Provincial Government through PERGUB (Governor Regulation) Number 97 of 2018 has regulated the Limitation of Disposable Waste Generation. The implementation of these regulations has been implemented among Small and Medium Industries (IKM) that produce Balinese souvenirs. The IKM sector has begun to switch to using bamboo packaging, which is commonly used to package banten pejati (Balinese traditional offerings) sold in traditional markets. However, this condition causes the appearance of food packaging designs that package Balinese souvenirs to look uniform, lacking a touch of local Balinese culture that can be used as an identity for Bali's superior products branding to tourists. This creation aims to design bamboo packaging as Balinese souvenir packaging which has the concept of eco-friendly design. The research method was used to formulate the motif design concept and the method of creation to design the bamboo packaging design by adopting the woven bamboo technique at the bamboo craft center in Bali. The novelty of this bamboo packaging design can be seen in the motif design inspired by Geringsing Cemplong weaving motif which is formed with the woven bamboo technique. This motif has never existed before and is able to represent the identity of the local Balinese culture. The color material used as paint is a natural color material. Derived from mixing mango leaves and strobilanthes/indigo leaves through an environmentally friendly process to produce a green color. The creation of environmentally friendly bamboo packaging is expected to inspire woven-bamboo craftsmen to start switching to environmentally friendly products that are safe to use in food packaging.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79844527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-27DOI: 10.31091/mudra.v37i4.2124
I. M. Kartawan, R. Buckton
Artikel ini membahas peran tata letak instrumen dalam latihan dan pentas sebagai faktor mencapai tujuan nabuh pada kelompok gamelan University Canterbury. Hal ini difokuskan bagaimana tata letak instrumen tersebut mempengaruhi proses pembelajaran dan pertunjukan. Tidak ada literatur yang ditemukan tentang topik ini dan terminology dan konsep yang digunakan dalam tulisan ini telah dikembangkan untuk tujuan penelitian ini. Penelitian ini dipandu melalui pendekatan studi kasus kualitatif dengan menggunakan data yang dikumpulkan melalui kuisioner, wawancara, dan partisipasi observasi. Berdasarkan temuan penelitian, eksplorasi tata letak instrumen menawarkan berbagai alternatif dalam membantu koordinasi antar musisi dalam konteks latihan dan pertunjukan serta berkontribusi pada tujuan nabuh.
{"title":"Tata Letak Instrumen dalam Konteks Strategi Pengajaran dan Pertunjukan Musik Gamelan Bali di Canterbury University, New Zealand","authors":"I. M. Kartawan, R. Buckton","doi":"10.31091/mudra.v37i4.2124","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2124","url":null,"abstract":"Artikel ini membahas peran tata letak instrumen dalam latihan dan pentas sebagai faktor mencapai tujuan nabuh pada kelompok gamelan University Canterbury. Hal ini difokuskan bagaimana tata letak instrumen tersebut mempengaruhi proses pembelajaran dan pertunjukan. Tidak ada literatur yang ditemukan tentang topik ini dan terminology dan konsep yang digunakan dalam tulisan ini telah dikembangkan untuk tujuan penelitian ini. Penelitian ini dipandu melalui pendekatan studi kasus kualitatif dengan menggunakan data yang dikumpulkan melalui kuisioner, wawancara, dan partisipasi observasi. Berdasarkan temuan penelitian, eksplorasi tata letak instrumen menawarkan berbagai alternatif dalam membantu koordinasi antar musisi dalam konteks latihan dan pertunjukan serta berkontribusi pada tujuan nabuh.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85184864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-24DOI: 10.31091/mudra.v37i4.2113
D. Ardianto, B. Riyanto, S. Mataram, M. A. M. Desa
As a law enforcement officer, a prosecutor plays an important role in investigating a case or prosecuting a suspect. However, in recent years, several prosecutors were found involved in a number of corruption cases in Indonesia. This phenomenon is not a new one. In Serat Jayengbaya written by R.Ng. Ronggowarsito, especially in the song Dadi Jeksa, the behavior and life of prosecutors in the past are depicted as a profession full of intrigue and manipulation. This phenomenon inspired the making of a dance film adapted from Dadi Jeksa song. Using a Research and Development (RnD) approach, this film was designed to use movements based on contemporary dance as a means of its story telling. This film represents the culture and perspective of the Indonesian people in viewing legal issues. After the film was presented at various festivals and exhibitions, positive responses were obtained from various parties. The appreciation received mainly focused on the film’s creative storytelling and visualization in presenting a depiction of law enforcement dynamics in Indonesia.
{"title":"Dadi Jeksa; Adaptation of Serat Jayengbaya to Dance Film","authors":"D. Ardianto, B. Riyanto, S. Mataram, M. A. M. Desa","doi":"10.31091/mudra.v37i4.2113","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2113","url":null,"abstract":"As a law enforcement officer, a prosecutor plays an important role in investigating a case or prosecuting a suspect. However, in recent years, several prosecutors were found involved in a number of corruption cases in Indonesia. This phenomenon is not a new one. In Serat Jayengbaya written by R.Ng. Ronggowarsito, especially in the song Dadi Jeksa, the behavior and life of prosecutors in the past are depicted as a profession full of intrigue and manipulation. This phenomenon inspired the making of a dance film adapted from Dadi Jeksa song. Using a Research and Development (RnD) approach, this film was designed to use movements based on contemporary dance as a means of its story telling. This film represents the culture and perspective of the Indonesian people in viewing legal issues. After the film was presented at various festivals and exhibitions, positive responses were obtained from various parties. The appreciation received mainly focused on the film’s creative storytelling and visualization in presenting a depiction of law enforcement dynamics in Indonesia.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88946216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-18DOI: 10.31091/mudra.v37i4.2084
Ida Ayu Etsa Pracintya, I. Darma Putra, Putu Sucita Yanthy
Film induced tourism is one of the fastest growing sectors in the tourism industry because cinematographic history is able to persuade the audience to travel to places that are used as the setting places of several scenes in a film. This study aims to examine the message of tourism promotion in a teenager romantic film set in Bandung, West Java, entitled ‘Dilan 1990’ which was adapted from a novel by Pidi Baiq of the same title. The data were collected by observing the film using observation tables, as well as audience reviews obtained through internet searches as a reference in interpreting symbols and knowing the audience's reception of this film. The audience’s reviews were taken from various websites including the Internet Movie Database, TripAdvisor, and from several independent travel blogs articles. The analysis used a qualitative descriptive method using three theories, namely, the theory of semiotics, reception, and promotion. The analysis shows that symbols of tourism promotion in the content of the film ‘Dilan 1990’ included the beautiful and clean city of Bandung, Bandung’s natural scenery, and Bandung’s heritage iconic buildings. The positive images of Bandung city were aesthetically presented on the film through well-structured of plot story, scene, and acting, thus make the promotion of Bandung become indirectly powerful. This study also stresses that the ‘Dilan 1990’ not only provide a powerful form of promotion for Bandung city but also has inspired the local government to build new city parks namely ‘Taman Dilan 1’ and ‘Taman Dilan 2’ that boosted the images of Bandung as an attractive city to visit.
{"title":"Tourism Promotion Symbols for Bandung City in a Teenager Romantic Film ‘Dilan 1990’","authors":"Ida Ayu Etsa Pracintya, I. Darma Putra, Putu Sucita Yanthy","doi":"10.31091/mudra.v37i4.2084","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2084","url":null,"abstract":"Film induced tourism is one of the fastest growing sectors in the tourism industry because cinematographic history is able to persuade the audience to travel to places that are used as the setting places of several scenes in a film. This study aims to examine the message of tourism promotion in a teenager romantic film set in Bandung, West Java, entitled ‘Dilan 1990’ which was adapted from a novel by Pidi Baiq of the same title. The data were collected by observing the film using observation tables, as well as audience reviews obtained through internet searches as a reference in interpreting symbols and knowing the audience's reception of this film. The audience’s reviews were taken from various websites including the Internet Movie Database, TripAdvisor, and from several independent travel blogs articles. The analysis used a qualitative descriptive method using three theories, namely, the theory of semiotics, reception, and promotion. The analysis shows that symbols of tourism promotion in the content of the film ‘Dilan 1990’ included the beautiful and clean city of Bandung, Bandung’s natural scenery, and Bandung’s heritage iconic buildings. The positive images of Bandung city were aesthetically presented on the film through well-structured of plot story, scene, and acting, thus make the promotion of Bandung become indirectly powerful. This study also stresses that the ‘Dilan 1990’ not only provide a powerful form of promotion for Bandung city but also has inspired the local government to build new city parks namely ‘Taman Dilan 1’ and ‘Taman Dilan 2’ that boosted the images of Bandung as an attractive city to visit.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86979658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-18DOI: 10.31091/mudra.v37i4.2092
Dewa Putu Oka Prasiasa, Dewa Ayu Diyah Sri Widari
In the Hindu community in Bali, it is known that there are various kinds of satay that are used for complete ceremonies. One of the many satays is sate renteng or jerimpen from the Baha Tourism Village which has a unique value. Therefore, this study examines sate renteng or jerimpen in order to find the aesthetic value as well as the form, function, and meaning of sate renteng or jerimpen in the cultural life of the Baha Tourism Village community. This study found that the form of sate renteng or jerimpen at upakara in the Baha Tourism Village was formed with a banana tree trunk, on top of which satay was placed consisting of satay lembat, satay katik 3, satay katik 4, satay katik 5, satay katik 7, pipid, apit surang, kepuh stump, squeeze, penyeneng, chakra, umbul-umbul, pajeng, garuda, and kekuwung. As a complement to the offerings, you can get tumpeng 7, slashes, jerimpen jaja and gebogan. The function of sate renteng or jerimpen is as a means to ask for or get happiness and success, to be kept away from all dangers, and to always be successful in life. While the meanings contained in the making of sate renteng or jerimpen are the meaning of Tattwa Education (philosophy), Moral Education (ethics), and Ceremonial Education (ritual).
{"title":"Sate Renteng as a Cultural Tourist Attraction in Baha Tourism Village: Cultural Studies Perspective","authors":"Dewa Putu Oka Prasiasa, Dewa Ayu Diyah Sri Widari","doi":"10.31091/mudra.v37i4.2092","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2092","url":null,"abstract":"In the Hindu community in Bali, it is known that there are various kinds of satay that are used for complete ceremonies. One of the many satays is sate renteng or jerimpen from the Baha Tourism Village which has a unique value. Therefore, this study examines sate renteng or jerimpen in order to find the aesthetic value as well as the form, function, and meaning of sate renteng or jerimpen in the cultural life of the Baha Tourism Village community. This study found that the form of sate renteng or jerimpen at upakara in the Baha Tourism Village was formed with a banana tree trunk, on top of which satay was placed consisting of satay lembat, satay katik 3, satay katik 4, satay katik 5, satay katik 7, pipid, apit surang, kepuh stump, squeeze, penyeneng, chakra, umbul-umbul, pajeng, garuda, and kekuwung. As a complement to the offerings, you can get tumpeng 7, slashes, jerimpen jaja and gebogan. The function of sate renteng or jerimpen is as a means to ask for or get happiness and success, to be kept away from all dangers, and to always be successful in life. While the meanings contained in the making of sate renteng or jerimpen are the meaning of Tattwa Education (philosophy), Moral Education (ethics), and Ceremonial Education (ritual).","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83652370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-17DOI: 10.31091/mudra.v37i4.1952
Abdur Rizky Akbar
This article is devoted to the analysis of theatre performances “Beralas Bumi Beratap Langit” which uses a site-specific method. Central to the site-specific approach is concern to the potential of unconventional spaces. The site-specific approach seeks to use the unique landscape properties of the site, locations selected based on their ability to amplify storytelling and form a clearer background for the actors in a theatrical production. This approach in theatre studies, especially with regard to actors and spaces, seems to offer breadth and bridges to the creating role and the flexibility which many representations come together, site-specific is then used as a method that helps in achieving character through learning and creating acting, from the Covid-19 pandemic intervention which changed at least most of the methods in learning acting and other creative processes. This article aims to investigate a site-specific approach that is personalized in the interest of providing insight or catalysts on the mode of acting and actors as subjects in theatrical performances. Using the ethnographic method, data were obtained on the creative process during the preparation of the show by the “Panggung Bercerita” theatre community. Practical investigation of a site-specific approach to the theatre stage method yields the following conclusions: 1) natural sets create an atmosphere of intimacy, 2) helps actors feel immersion into the world being played, and 3) provides rich and culturally relevant visualizations of the actor's image.
本文采用场地分析的方法对戏剧表演《Beralas Bumi Beratap Langit》进行分析。场地特定方法的核心是关注非传统空间的潜力。场地特定的方法寻求利用场地独特的景观属性，地点的选择基于它们放大故事的能力，并为戏剧作品中的演员形成更清晰的背景。这种方法在戏剧研究中，特别是在演员和空间方面，似乎为创造角色和许多表现形式结合在一起的灵活性提供了广度和桥梁，然后将特定场地用作通过学习和创造表演来帮助实现角色的方法，从Covid-19大流行干预中至少改变了学习表演和其他创作过程的大部分方法。这篇文章的目的是研究一种特定于场地的方法，这种方法是个性化的，旨在为戏剧表演中的表演模式和演员作为主体提供见解或催化剂。利用民族志方法，获得了“Panggung Bercerita”剧院社区在准备演出期间的创作过程的数据。对剧院舞台方法的现场特定方法的实际调查得出以下结论:1)自然布景创造亲密的气氛，2)帮助演员沉浸在所扮演的世界中，3)提供丰富且与文化相关的演员形象可视化。
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Pub Date : 2022-10-17DOI: 10.31091/mudra.v37i4.2102
Endang Caturwati, Een Herdiani, S. Tobing
Indonesia is known for its Wayang Orang performances, especially in the areas of Surakarta, Yogyakarta, Semarang, Jakarta, and Bali. Among the Wayang Orang performances, there was a group that switched to ballet performances, which later became known as the Ramaya Ballet Purawisata Yogyakarta. The purpose of this study is to dissect more deeply the Ramayana Ballet Performance and the extent of its influence on people's lives. Purawisata's Ramayana Ballet, shown in full every night from 20.00–21.30 WIB since 1976 until 2001, won the 'Guinness Book of Records' (MURI) for its consistency in performing cultural performances for 29 years continuously. Consistency in maintaining the noble values of culture continues until August 10, 2021, when Purawisata's Ramayana Ballet is 45 years old. The method used in this research is a qualitative, descriptive analysis method that explores and understands the meaning of a number of individuals or groups of arts being studied. The results of the study show that the innovation strategies offered to the audience are: (1) Special Package Ramayana Performances; (2) Ramayana Edukasi; and (3) Regular Ramayana, so the Ramayana Ballet show still exists today. Even at regular shows, tickets with seating for 600 people are always full.
{"title":"Ramayana Ballet Performance's Allure at Purawisata Yogyakarta","authors":"Endang Caturwati, Een Herdiani, S. Tobing","doi":"10.31091/mudra.v37i4.2102","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2102","url":null,"abstract":"Indonesia is known for its Wayang Orang performances, especially in the areas of Surakarta, Yogyakarta, Semarang, Jakarta, and Bali. Among the Wayang Orang performances, there was a group that switched to ballet performances, which later became known as the Ramaya Ballet Purawisata Yogyakarta. The purpose of this study is to dissect more deeply the Ramayana Ballet Performance and the extent of its influence on people's lives. Purawisata's Ramayana Ballet, shown in full every night from 20.00–21.30 WIB since 1976 until 2001, won the 'Guinness Book of Records' (MURI) for its consistency in performing cultural performances for 29 years continuously. Consistency in maintaining the noble values of culture continues until August 10, 2021, when Purawisata's Ramayana Ballet is 45 years old. The method used in this research is a qualitative, descriptive analysis method that explores and understands the meaning of a number of individuals or groups of arts being studied. The results of the study show that the innovation strategies offered to the audience are: (1) Special Package Ramayana Performances; (2) Ramayana Edukasi; and (3) Regular Ramayana, so the Ramayana Ballet show still exists today. Even at regular shows, tickets with seating for 600 people are always full.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81547781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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