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Journal of Cultural Analytics最新文献

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From New Media to More Media 从新媒体到更多媒体
Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7551/mitpress/11214.003.0005
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引用次数: 0
Introduction: How to See One Billion Images 简介:如何看到十亿图像
Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7551/mitpress/11214.003.0003
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引用次数: 0
Index 指数
Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7551/mitpress/11214.003.0019
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引用次数: 0
Illustrations 插图
Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7551/mitpress/11214.003.0002
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引用次数: 0
Exploratory Media Analysis 探索性媒介分析
Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7551/mitpress/11214.003.0015
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引用次数: 0
Language, Categories, and Senses 语言、范畴和意义
Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7551/mitpress/11214.003.0012
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引用次数: 0
Culture Industry and Media Analytics 文化产业与媒体分析
Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.7551/mitpress/11214.003.0007
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引用次数: 0
Foreword to the Special Issue “A Shared Task for the Digital Humanities: Annotating Narrative Levels” 特刊“数字人文的共同任务:叙述层次的注释”前言
Q1 Arts and Humanities Pub Date : 2019-12-09 DOI: 10.22148/16.047
Evelyn Gius, Nils Reiter, M. Willand
This volume is the first of two, and it documents activities that we have beenconducting in the past years. They are best described as “organizing sharedtasks with/in/for the digital humanities” and have evolved significantly since westarted.
这是两卷中的第一卷,它记录了我们在过去几年中一直在进行的活动。它们被最好地描述为“与/in/为数字人文学科组织共享任务”,并且自westarted以来已经发生了重大变化。
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引用次数: 3
Annotating Narrative Levels: Review of Guideline No. 5 注释叙述层次:对准则5的回顾
Q1 Arts and Humanities Pub Date : 2019-12-06 DOI: 10.22148/16.058
J. Horstman
The guideline is based on a clear and plausible distinction between narrative levelsand narrative acts. Narrative levels make up the vertical axis of the developedtagset, on which there can be n narrative acts on each of its levels. The narrativeacts in turn form the horizontal axes of the tagset. The amount of narrative acts(n) on each level (which can be embedded, framed, juxtaposed) is principallyunlimited. This general distinction takes into account the fact that a change ofspeaker/narrator can take place without the changing of narrative level, i.e., canhappen in the same diegesis.
该指南基于对叙事层次和叙事行为的清晰而合理的区分。叙述关卡构成了developedtagset的垂直轴,每个关卡上可以有n个叙述行为。叙述依次形成标签集的水平轴。每个层面上的叙事行为(n)的数量(可以嵌入、框架、并列)基本上是无限的。这种一般的区别考虑到说话人/叙述者的变化可以在不改变叙事层次的情况下发生,也就是说,可以发生在相同的叙述中。
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引用次数: 0
Annotation Guideline No. 5: Annotation Guidelines for Narrative Levels and Narrative Acts 注释指南5:叙述层次和叙述行为的注释指南
Q1 Arts and Humanities Pub Date : 2019-12-06 DOI: 10.22148/16.056
Florian Barth
The annotation guidelines for narrative levels and narrative acts have been developedin conjunction with my master thesis, the goal of which is to distinguishplot relevant settings from rather mentioned spaces in literary texts. For this, thedetermination of narrative levels is a requirement to precisely classify settings.Nevertheless, the guidelines itself were developed independently from the spatialclassification task.
叙事层次和叙事行为的注释指南是与我的硕士论文一起制定的,其目标是将文学文本中与情节相关的设置与相当提及的空间区分开来。为此,确定叙事层次是对设置进行精确分类的必要条件。然而,指南本身是独立于空间分类任务而开发的。
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引用次数: 0
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Journal of Cultural Analytics
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